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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DACA24 it is the complementary color #2535DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DACA24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DACA24: #DFCA1F, #F0DC32, #FFEE45, #FFFF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DACA24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DACA24: #DACA24, #C9B811, #B8A600, #A79400 and #968200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

Complementary color

CMYK 83 / 76 / 0 / 14

HEX #2535DB

RGB 37 53 219

HSL 234.73, 0.72%, 0.5%

LAB 34.1, 53.2, -84.41

 

CMYK 0 / 9 / 86 / 13

HEX #DFCA1F

RGB 223 202 31

HSL 53.44, 0.76%, 0.5%

LAB 80.75, -8.63, 77.29

 

CMYK 0 / 8 / 79 / 6

HEX #F0DC32

RGB 240 220 50

HSL 53.68, 0.86%, 0.57%

LAB 86.97, -9.95, 78.44

 

CMYK 0 / 7 / 73 / 0

HEX #FFEE45

RGB 255 238 69

HSL 54.52, 1%, 0.64%

LAB 92.94, -11.92, 78.52

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 0 / 8 / 92 / 21

HEX #C9B811

RGB 201 184 17

HSL 54.46, 0.84%, 0.43%

LAB 74.02, -9.23, 73.69

 

CMYK 0 / 10 / 100 / 28

HEX #B8A600

RGB 184 166 0

HSL 54.13, 1%, 0.36%

LAB 67.62, -7.6, 70.38

 

CMYK 0 / 11 / 100 / 35

HEX #A79400

RGB 167 148 0

HSL 53.17, 1%, 0.33%

LAB 61.13, -5.7, 65

 

CMYK 0 / 13 / 100 / 41

HEX #968200

RGB 150 130 0

HSL 52, 1%, 0.29%

LAB 54.5, -3.73, 59.52

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 5 / 0 / 84 / 14

HEX #CFDB23

RGB 207 219 35

HSL 63.91, 0.72%, 0.5%

LAB 83.99, -23.73, 78.56

 

CMYK 20 / 0 / 84 / 14

HEX #B0DB23

RGB 176 219 35

HSL 74.02, 0.72%, 0.5%

LAB 81.85, -36.32, 75.89

 

CMYK 34 / 0 / 84 / 14

HEX #91DB23

RGB 145 219 35

HSL 84.13, 0.72%, 0.5%

LAB 80.07, -47.99, 73.67

 

CMYK 47 / 0 / 84 / 14

HEX #73DB23

RGB 115 219 35

HSL 93.91, 0.72%, 0.5%

LAB 78.71, -57.87, 71.95

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 0 / 7 / 86 / 95

HEX #0E0D02

RGB 14 13 2

HSL 55, 0.75%, 0.03%

LAB 3.48, -1.25, 4.37

 

CMYK 0 / 8 / 83 / 75

HEX #413C0B

RGB 65 60 11

HSL 54.44, 0.71%, 0.15%

LAB 24.89, -4.44, 29.2

 

CMYK 0 / 8 / 84 / 55

HEX #746B13

RGB 116 107 19

HSL 54.43, 0.72%, 0.26%

LAB 44.63, -6.52, 46.14

 

CMYK 0 / 7 / 83 / 35

HEX #A79B1C

RGB 167 155 28

HSL 54.82, 0.71%, 0.38%

LAB 63.13, -8.91, 61.37

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 84 / 0 / 75 / 14

HEX #23DB36

RGB 35 219 54

HSL 126.2, 0.72%, 0.5%

LAB 76.85, -72.8, 64.25

 

CMYK 42 / 84 / 0 / 14

HEX #7F23DB

RGB 127 35 219

HSL 270, 0.72%, 0.5%

LAB 39.29, 69.32, -75.58

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 84 / 0 / 9 / 14

HEX #23DBC8

RGB 35 219 200

HSL 173.8, 0.72%, 0.5%

LAB 79.15, -46.87, -2.93

 

CMYK 9 / 84 / 0 / 14

HEX #C823DB

RGB 200 35 219

HSL 293.8, 0.72%, 0.5%

LAB 50.21, 80.37, -57.34

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 84 / 0 / 75 / 14

HEX #23DB36

RGB 35 219 54

HSL 126.2, 0.72%, 0.5%

LAB 76.85, -72.8, 64.25

 

CMYK 84 / 75 / 0 / 14

HEX #2336DB

RGB 35 54 219

HSL 233.8, 0.72%, 0.5%

LAB 34.21, 52.56, -84.22

 

CMYK 0 / 84 / 9 / 14

HEX #DB23C8

RGB 219 35 200

HSL 306.2, 0.72%, 0.5%

LAB 52.32, 80.95, -42.89

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 84 / 0 / 50 / 14

HEX #23DB6D

RGB 35 219 109

HSL 144.13, 0.72%, 0.5%

LAB 77.36, -66.62, 41.83

 

CMYK 84 / 75 / 0 / 14

HEX #2336DB

RGB 35 54 219

HSL 233.8, 0.72%, 0.5%

LAB 34.21, 52.56, -84.22

 

CMYK 0 / 84 / 34 / 14

HEX #DB2391

RGB 219 35 145

HSL 324.13, 0.72%, 0.5%

LAB 49.87, 74.22, -14.35

 

Description

Color code: HEX #DACA24 | qconv.com Color code: HEX #DACA24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 202 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 202 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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