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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABDB2 it is the complementary color #25424D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABDB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABDB2 shade: #DFBDAD, #F0CFC0, #FFE1D3, #FFF3E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABDB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABDB2 shade: #DABDB2, #C9AB9F, #B8998C, #A78779 and #967566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABDB2 shade: #DABEB3, #DAB3B3 and #DAB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABDB2 shade: #DABEB3, #DAC8B3, #DAD3B3, #D7DAB3 and #CCDAB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABDB2 shade matches the following richer shades: #DABEB3, #E3B9AA, #ECB5A1, #F5B198 and #FEAD8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABDB2 shade: #DABEB3, #D1C2BC, #C8C6C5, #BFCACE and #B6CED7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABDB2 shade: #DAB3BD, #DAB3B3, #DABDB3, #DAC8B3 and #DAD2B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABDB2 shade: #BF8E7B, #CDA697, #DABEB3, #E7D5CF and #F5EDEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABDB2 shade: #DABDB2, #C8DAB3 and #B3B8DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABDB2 shade: #DABDB2, #B3DABD and #BDB3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABDB2 shade: #DABDB2, #C8DAB3, #B3D0DA and #C5B3DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABDB2 shade: #DABDB2, #BCDAB3, #B3D0DA and #D1B3DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 18 / 15

HEX #DABDB2

RGB 218 189 178

HSL 16.5, 0.35%, 0.78%

LAB 78.76, 8.57, 9.35

 

Complementary color

CMYK 52 / 14 / 0 / 70

HEX #25424D

RGB 37 66 77

HSL 196.5, 0.35%, 0.22%

LAB 26.23, -7.38, -10.03

 

CMYK 0 / 15 / 22 / 13

HEX #DFBDAD

RGB 223 189 173

HSL 19.2, 0.44%, 0.78%

LAB 79.1, 9.69, 12.59

 

CMYK 0 / 14 / 20 / 6

HEX #F0CFC0

RGB 240 207 192

HSL 18.75, 0.62%, 0.85%

LAB 85.48, 9.25, 11.71

 

CMYK 0 / 12 / 17 / 0

HEX #FFE1D3

RGB 255 225 211

HSL 19.09, 1%, 0.91%

LAB 91.6, 8.14, 10.62

 

CMYK 0 / 5 / 10 / 0

HEX #FFF3E6

RGB 255 243 230

HSL 31.2, 1%, 0.95%

LAB 96.44, 1.88, 7.69

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 13 / 18 / 15

HEX #DABDB2

RGB 218 189 178

HSL 16.5, 0.35%, 0.78%

LAB 78.76, 8.57, 9.35

 

CMYK 0 / 15 / 21 / 21

HEX #C9AB9F

RGB 201 171 159

HSL 17.14, 0.28%, 0.71%

LAB 72.26, 9, 10.21

 

CMYK 0 / 17 / 24 / 28

HEX #B8998C

RGB 184 153 140

HSL 17.73, 0.24%, 0.64%

LAB 65.64, 9.49, 11.13

 

CMYK 0 / 19 / 28 / 35

HEX #A78779

RGB 167 135 121

HSL 18.26, 0.21%, 0.56%

LAB 58.9, 10.04, 12.13

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 0 / 13 / 18 / 15

HEX #DABEB3

RGB 218 190 179

HSL 16.92, 0.35%, 0.78%

LAB 79.03, 8.2, 9.2

 

CMYK 0 / 18 / 18 / 15

HEX #DAB3B3

RGB 218 179 179

HSL 0, 0.35%, 0.78%

LAB 76.31, 14.08, 5.3

 

CMYK 0 / 18 / 18 / 15

HEX #DAB3B3

RGB 218 179 179

HSL 0, 0.35%, 0.78%

LAB 76.31, 14.08, 5.3

 

CMYK 0 / 13 / 18 / 15

HEX #DABEB3

RGB 218 190 179

HSL 16.92, 0.35%, 0.78%

LAB 79.03, 8.2, 9.2

 

CMYK 0 / 8 / 18 / 15

HEX #DAC8B3

RGB 218 200 179

HSL 32.31, 0.35%, 0.78%

LAB 81.55, 2.91, 12.78

 

CMYK 0 / 3 / 18 / 15

HEX #DAD3B3

RGB 218 211 179

HSL 49.23, 0.35%, 0.78%

LAB 84.35, -2.82, 16.73

 

CMYK 1 / 0 / 18 / 15

HEX #D7DAB3

RGB 215 218 179

HSL 64.62, 0.35%, 0.78%

LAB 85.93, -7.51, 18.89

 

CMYK 6 / 0 / 18 / 15

HEX #CCDAB3

RGB 204 218 179

HSL 81.54, 0.35%, 0.78%

LAB 85.12, -11.48, 17.64

 

CMYK 0 / 13 / 18 / 15

HEX #DABEB3

RGB 218 190 179

HSL 16.92, 0.35%, 0.78%

LAB 79.03, 8.2, 9.2

 

CMYK 0 / 19 / 25 / 11

HEX #E3B9AA

RGB 227 185 170

HSL 15.79, 0.5%, 0.78%

LAB 78.42, 12.88, 13.3

 

CMYK 0 / 23 / 32 / 7

HEX #ECB5A1

RGB 236 181 161

HSL 16, 0.66%, 0.78%

LAB 78.14, 17.21, 17.89

 

CMYK 0 / 28 / 38 / 4

HEX #F5B198

RGB 245 177 152

HSL 16.13, 0.82%, 0.78%

LAB 77.95, 21.68, 22.61

 

CMYK 0 / 32 / 44 / 0

HEX #FEAD8E

RGB 254 173 142

HSL 16.61, 0.98%, 0.78%

LAB 77.82, 26.17, 27.96

 

CMYK 0 / 13 / 18 / 15

HEX #DABEB3

RGB 218 190 179

HSL 16.92, 0.35%, 0.78%

LAB 79.03, 8.2, 9.2

 

CMYK 0 / 7 / 10 / 18

HEX #D1C2BC

RGB 209 194 188

HSL 17.14, 0.19%, 0.78%

LAB 79.48, 4.24, 4.9

 

CMYK 0 / 1 / 1 / 22

HEX #C8C6C5

RGB 200 198 197

HSL 20, 0.03%, 0.78%

LAB 80.01, 0.51, 0.74

 

CMYK 7 / 2 / 0 / 19

HEX #BFCACE

RGB 191 202 206

HSL 196, 0.13%, 0.78%

LAB 80.61, -2.97, -3.29

 

CMYK 15 / 4 / 0 / 16

HEX #B6CED7

RGB 182 206 215

HSL 196.36, 0.29%, 0.78%

LAB 81.29, -6.18, -7.19

 

CMYK 0 / 18 / 13 / 15

HEX #DAB3BD

RGB 218 179 189

HSL 344.62, 0.35%, 0.78%

LAB 76.57, 15.67, 0.23

 

CMYK 0 / 18 / 18 / 15

HEX #DAB3B3

RGB 218 179 179

HSL 0, 0.35%, 0.78%

LAB 76.31, 14.08, 5.3

 

CMYK 0 / 13 / 18 / 15

HEX #DABDB3

RGB 218 189 179

HSL 15.38, 0.35%, 0.78%

LAB 78.78, 8.73, 8.85

 

CMYK 0 / 8 / 18 / 15

HEX #DAC8B3

RGB 218 200 179

HSL 32.31, 0.35%, 0.78%

LAB 81.55, 2.91, 12.78

 

CMYK 0 / 4 / 18 / 15

HEX #DAD2B3

RGB 218 210 179

HSL 47.69, 0.35%, 0.78%

LAB 84.1, -2.31, 16.37

 

CMYK 0 / 26 / 36 / 25

HEX #BF8E7B

RGB 191 142 123

HSL 16.76, 0.35%, 0.62%

LAB 63.22, 16, 17.38

 

CMYK 0 / 19 / 26 / 20

HEX #CDA697

RGB 205 166 151

HSL 16.67, 0.35%, 0.7%

LAB 71.2, 12.07, 13.17

 

CMYK 0 / 13 / 18 / 15

HEX #DABEB3

RGB 218 190 179

HSL 16.92, 0.35%, 0.78%

LAB 79.03, 8.2, 9.2

 

CMYK 0 / 8 / 10 / 9

HEX #E7D5CF

RGB 231 213 207

HSL 15, 0.33%, 0.86%

LAB 86.54, 5.21, 5.2

 

CMYK 0 / 3 / 4 / 4

HEX #F5EDEA

RGB 245 237 234

HSL 16.36, 0.35%, 0.94%

LAB 94.28, 2.17, 2.4

 

CMYK 0 / 13 / 18 / 15

HEX #DABDB2

RGB 218 189 178

HSL 16.5, 0.35%, 0.78%

LAB 78.76, 8.57, 9.35

 

CMYK 8 / 0 / 18 / 15

HEX #C8DAB3

RGB 200 218 179

HSL 87.69, 0.35%, 0.78%

LAB 84.83, -12.9, 17.2

 

CMYK 18 / 16 / 0 / 15

HEX #B3B8DA

RGB 179 184 218

HSL 232.31, 0.35%, 0.78%

LAB 75.41, 5.25, -17.63

 

CMYK 0 / 13 / 18 / 15

HEX #DABDB2

RGB 218 189 178

HSL 16.5, 0.35%, 0.78%

LAB 78.76, 8.57, 9.35

 

CMYK 18 / 0 / 13 / 15

HEX #B3DABD

RGB 179 218 189

HSL 135.38, 0.35%, 0.78%

LAB 83.65, -18.39, 10.07

 

CMYK 13 / 18 / 0 / 15

HEX #BDB3DA

RGB 189 179 218

HSL 255.38, 0.35%, 0.78%

LAB 74.9, 11.17, -18.32

 

CMYK 0 / 13 / 18 / 15

HEX #DABDB2

RGB 218 189 178

HSL 16.5, 0.35%, 0.78%

LAB 78.76, 8.57, 9.35

 

CMYK 8 / 0 / 18 / 15

HEX #C8DAB3

RGB 200 218 179

HSL 87.69, 0.35%, 0.78%

LAB 84.83, -12.9, 17.2

 

CMYK 18 / 5 / 0 / 15

HEX #B3D0DA

RGB 179 208 218

HSL 195.38, 0.35%, 0.78%

LAB 81.71, -7.54, -8.19

 

CMYK 10 / 18 / 0 / 15

HEX #C5B3DA

RGB 197 179 218

HSL 267.69, 0.35%, 0.78%

LAB 75.56, 13.77, -17.26

 

CMYK 0 / 13 / 18 / 15

HEX #DABDB2

RGB 218 189 178

HSL 16.5, 0.35%, 0.78%

LAB 78.76, 8.57, 9.35

 

CMYK 14 / 0 / 18 / 15

HEX #BCDAB3

RGB 188 218 179

HSL 106.15, 0.35%, 0.78%

LAB 84.01, -17.11, 15.93

 

CMYK 18 / 5 / 0 / 15

HEX #B3D0DA

RGB 179 208 218

HSL 195.38, 0.35%, 0.78%

LAB 81.71, -7.54, -8.19

 

CMYK 4 / 18 / 0 / 15

HEX #D1B3DA

RGB 209 179 218

HSL 286.15, 0.35%, 0.78%

LAB 76.59, 17.73, -15.6

 

Description

Color code: HEX #DABDB2 | qconv.com Color code: HEX #DABDB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 189 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 189 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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