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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 22 / 32 / 41 it is the complementary color CMYK 31 / 10 / 0 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 22 / 32 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 22 / 32 / 41: CMYK 0 / 25 / 37 / 39, CMYK 0 / 22 / 33 / 33, CMYK 0 / 19 / 29 / 26, CMYK 0 / 17 / 25 / 19 and CMYK 0 / 15 / 22 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 22 / 32 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 22 / 32 / 41: CMYK 0 / 22 / 32 / 41, CMYK 0 / 26 / 38 / 48, CMYK 0 / 30 / 45 / 55, CMYK 0 / 36 / 55 / 61 and CMYK 0 / 45 / 68 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

Complementary color

CMYK 31 / 10 / 0 / 40

HEX #698A99

RGB 105 138 153

HSL 198.75, 0.19%, 0.51%

LAB 55.56, -7.81, -11.74

 

CMYK 0 / 25 / 37 / 39

HEX #9B7561

RGB 155 117 97

HSL 20.69, 0.23%, 0.49%

LAB 52.46, 12.09, 16.81

 

CMYK 0 / 22 / 33 / 33

HEX #AC8774

RGB 172 135 116

HSL 20.36, 0.25%, 0.56%

LAB 59.31, 11.35, 15.61

 

CMYK 0 / 19 / 29 / 26

HEX #BD9987

RGB 189 153 135

HSL 20, 0.29%, 0.64%

LAB 66.02, 10.72, 14.52

 

CMYK 0 / 17 / 25 / 19

HEX #CEAB9A

RGB 206 171 154

HSL 19.62, 0.35%, 0.71%

LAB 72.61, 10.17, 13.52

 

CMYK 0 / 15 / 22 / 13

HEX #DFBDAD

RGB 223 189 173

HSL 19.2, 0.44%, 0.78%

LAB 79.1, 9.69, 12.59

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 0 / 26 / 38 / 48

HEX #856353

RGB 133 99 83

HSL 19.2, 0.23%, 0.42%

LAB 44.99, 11.43, 14.44

 

CMYK 0 / 30 / 45 / 55

HEX #745140

RGB 116 81 64

HSL 19.62, 0.29%, 0.35%

LAB 37.78, 12.35, 15.83

 

CMYK 0 / 36 / 55 / 61

HEX #633F2D

RGB 99 63 45

HSL 20, 0.38%, 0.28%

LAB 30.39, 13.5, 17.46

 

CMYK 0 / 45 / 68 / 68

HEX #522D1A

RGB 82 45 26

HSL 20.36, 0.52%, 0.21%

LAB 22.81, 14.98, 19.43

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 0 / 17 / 32 / 42

HEX #947B65

RGB 148 123 101

HSL 28.09, 0.19%, 0.49%

LAB 53.39, 6.26, 15.65

 

CMYK 0 / 11 / 32 / 42

HEX #948365

RGB 148 131 101

HSL 38.3, 0.19%, 0.49%

LAB 55.55, 1.71, 18.61

 

CMYK 0 / 6 / 32 / 42

HEX #948B65

RGB 148 139 101

HSL 48.51, 0.19%, 0.49%

LAB 57.75, -2.77, 21.58

 

CMYK 0 / 1 / 32 / 42

HEX #949365

RGB 148 147 101

HSL 58.72, 0.19%, 0.49%

LAB 59.98, -7.17, 24.55

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 0 / 22 / 32 / 21

HEX #C99D89

RGB 201 157 137

HSL 18.75, 0.37%, 0.66%

LAB 68.27, 13.52, 16.72

 

CMYK 0 / 22 / 32 / 1

HEX #FCC5AB

RGB 252 197 171

HSL 19.26, 0.93%, 0.83%

LAB 83.74, 16.09, 20.56

 

CMYK 0 / 23 / 31 / 81

HEX #302521

RGB 48 37 33

HSL 16, 0.19%, 0.16%

LAB 15.81, 4.42, 4.62

 

CMYK 0 / 22 / 32 / 61

HEX #634D43

RGB 99 77 67

HSL 18.75, 0.19%, 0.33%

LAB 34.73, 7.63, 9.46

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 16 / 0 / 32 / 42

HEX #7C9465

RGB 124 148 101

HSL 90.64, 0.19%, 0.49%

LAB 58.42, -17.3, 22.14

 

CMYK 32 / 29 / 0 / 42

HEX #656994

RGB 101 105 148

HSL 234.89, 0.19%, 0.49%

LAB 45.65, 9, -23.98

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 32 / 0 / 22 / 42

HEX #659473

RGB 101 148 115

HSL 137.87, 0.19%, 0.49%

LAB 57.25, -23.14, 12.47

 

CMYK 22 / 32 / 0 / 42

HEX #736594

RGB 115 101 148

HSL 257.87, 0.19%, 0.49%

LAB 45.76, 15.9, -23.71

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 16 / 0 / 32 / 42

HEX #7C9465

RGB 124 148 101

HSL 90.64, 0.19%, 0.49%

LAB 58.42, -17.3, 22.14

 

CMYK 32 / 9 / 0 / 42

HEX #658694

RGB 101 134 148

HSL 197.87, 0.19%, 0.49%

LAB 53.98, -8.07, -11.26

 

CMYK 16 / 32 / 0 / 42

HEX #7C6594

RGB 124 101 148

HSL 269.36, 0.19%, 0.49%

LAB 46.62, 18.87, -22.31

 

CMYK 0 / 22 / 32 / 41

HEX #967566

RGB 150 117 102

HSL 18.75, 0.19%, 0.49%

LAB 52.02, 10.67, 13.22

 

CMYK 26 / 0 / 32 / 42

HEX #6E9465

RGB 110 148 101

HSL 108.51, 0.19%, 0.49%

LAB 57.5, -22.56, 20.74

 

CMYK 32 / 9 / 0 / 42

HEX #658694

RGB 101 134 148

HSL 197.87, 0.19%, 0.49%

LAB 53.98, -8.07, -11.26

 

CMYK 6 / 32 / 0 / 42

HEX #8B6594

RGB 139 101 148

HSL 288.51, 0.19%, 0.49%

LAB 48.18, 23.94, -19.78

 

Description

Color code: CMYK 0 / 22 / 32 / 41 | qconv.com Color code: CMYK 0 / 22 / 32 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 117 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 117 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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