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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB19E it is the complementary color #254E61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB19E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB19E shade: #DFB199, #F0C3AC, #FFD5BF, #FFE7D2 and #FFF9E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB19E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB19E shade: #DAB19E, #C99F8B, #B88D78, #A77B65 and #966952

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB19E shade: #DAB19E, #DAA19E and #DA9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB19E shade: #DAB19E, #DAC19E, #DAD19E, #D3DA9E and #C2DA9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB19E shade matches the following richer shades: #DAB19E, #E5AD94, #EFA989 and #FAA57E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB19E shade: #DAB19E, #CFB5A9, #C5B9B4, #BABDBF and #AFC1C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB19E shade: #DA9EAB, #DAA19E, #DAB19E, #DAC19E and #DAD19E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB19E shade: #C38163, #CF9980, #DAB19E, #E5C9BC and #F1E1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB19E shade: #DAB19E, #BBDA9E and #9EA3DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB19E shade: #DAB19E, #9EDAB1 and #B19EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB19E shade: #DAB19E, #BBDA9E, #9EC7DA and #BD9EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB19E shade: #DAB19E, #A9DA9E, #9EC7DA and #CF9EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

Complementary color

CMYK 62 / 20 / 0 / 62

HEX #254E61

RGB 37 78 97

HSL 199, 0.45%, 0.26%

LAB 31.13, -8.05, -15.45

 

CMYK 0 / 21 / 31 / 13

HEX #DFB199

RGB 223 177 153

HSL 20.57, 0.52%, 0.74%

LAB 75.72, 13.34, 18.64

 

CMYK 0 / 19 / 28 / 6

HEX #F0C3AC

RGB 240 195 172

HSL 20.29, 0.69%, 0.81%

LAB 82.13, 12.75, 17.61

 

CMYK 0 / 16 / 25 / 0

HEX #FFD5BF

RGB 255 213 191

HSL 20.63, 1%, 0.87%

LAB 88.26, 11.48, 16.36

 

CMYK 0 / 9 / 18 / 0

HEX #FFE7D2

RGB 255 231 210

HSL 28, 1%, 0.91%

LAB 93.04, 4.91, 13.19

 

CMYK 0 / 2 / 10 / 0

HEX #FFF9E5

RGB 255 249 229

HSL 46.15, 1%, 0.95%

LAB 97.9, -1.31, 10.3

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 21 / 31 / 21

HEX #C99F8B

RGB 201 159 139

HSL 19.35, 0.36%, 0.67%

LAB 68.81, 12.69, 16.37

 

CMYK 0 / 23 / 35 / 28

HEX #B88D78

RGB 184 141 120

HSL 19.69, 0.31%, 0.6%

LAB 62.17, 13.37, 17.49

 

CMYK 0 / 26 / 40 / 35

HEX #A77B65

RGB 167 123 101

HSL 20, 0.27%, 0.53%

LAB 55.4, 14.16, 18.73

 

CMYK 0 / 30 / 45 / 41

HEX #966952

RGB 150 105 82

HSL 20.29, 0.29%, 0.45%

LAB 48.51, 15.09, 20.11

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 26 / 28 / 15

HEX #DAA19E

RGB 218 161 158

HSL 3, 0.45%, 0.74%

LAB 71.46, 20.71, 9.86

 

CMYK 0 / 28 / 28 / 15

HEX #DA9E9E

RGB 218 158 158

HSL 0, 0.45%, 0.74%

LAB 70.75, 22.33, 8.85

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 11 / 28 / 15

HEX #DAC19E

RGB 218 193 158

HSL 35, 0.45%, 0.74%

LAB 79.34, 3.58, 20.88

 

CMYK 0 / 4 / 28 / 15

HEX #DAD19E

RGB 218 209 158

HSL 51, 0.45%, 0.74%

LAB 83.43, -4.76, 26.48

 

CMYK 3 / 0 / 28 / 15

HEX #D3DA9E

RGB 211 218 158

HSL 67, 0.45%, 0.74%

LAB 85.23, -11.98, 28.82

 

CMYK 11 / 0 / 28 / 15

HEX #C2DA9E

RGB 194 218 158

HSL 84, 0.45%, 0.74%

LAB 84.01, -18.26, 26.96

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 24 / 35 / 10

HEX #E5AD94

RGB 229 173 148

HSL 18.52, 0.61%, 0.74%

LAB 75.25, 17.18, 20.8

 

CMYK 0 / 29 / 43 / 6

HEX #EFA989

RGB 239 169 137

HSL 18.82, 0.76%, 0.74%

LAB 75.16, 21.95, 26.78

 

CMYK 0 / 34 / 50 / 2

HEX #FAA57E

RGB 250 165 126

HSL 18.87, 0.93%, 0.74%

LAB 75.29, 27.28, 33.06

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 13 / 18 / 19

HEX #CFB5A9

RGB 207 181 169

HSL 18.95, 0.28%, 0.74%

LAB 75.56, 7.39, 9.53

 

CMYK 0 / 6 / 9 / 23

HEX #C5B9B4

RGB 197 185 180

HSL 17.65, 0.13%, 0.74%

LAB 75.99, 3.37, 4.05

 

CMYK 3 / 1 / 0 / 25

HEX #BABDBF

RGB 186 189 191

HSL 204, 0.04%, 0.74%

LAB 76.43, -0.66, -1.38

 

CMYK 13 / 4 / 0 / 21

HEX #AFC1C9

RGB 175 193 201

HSL 198.46, 0.19%, 0.74%

LAB 76.96, -4.5, -6.11

 

CMYK 0 / 28 / 22 / 15

HEX #DA9EAB

RGB 218 158 171

HSL 347, 0.45%, 0.74%

LAB 71.08, 24.19, 2.12

 

CMYK 0 / 26 / 28 / 15

HEX #DAA19E

RGB 218 161 158

HSL 3, 0.45%, 0.74%

LAB 71.46, 20.71, 9.86

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 11 / 28 / 15

HEX #DAC19E

RGB 218 193 158

HSL 35, 0.45%, 0.74%

LAB 79.34, 3.58, 20.88

 

CMYK 0 / 4 / 28 / 15

HEX #DAD19E

RGB 218 209 158

HSL 51, 0.45%, 0.74%

LAB 83.43, -4.76, 26.48

 

CMYK 0 / 34 / 49 / 24

HEX #C38163

RGB 195 129 99

HSL 18.75, 0.44%, 0.58%

LAB 60.07, 22.13, 26.66

 

CMYK 0 / 26 / 38 / 19

HEX #CF9980

RGB 207 153 128

HSL 18.99, 0.45%, 0.66%

LAB 67.73, 16.95, 21.05

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 0 / 12 / 18 / 10

HEX #E5C9BC

RGB 229 201 188

HSL 19.02, 0.44%, 0.82%

LAB 82.95, 7.78, 10.1

 

CMYK 0 / 7 / 10 / 5

HEX #F1E1DA

RGB 241 225 218

HSL 18.26, 0.45%, 0.9%

LAB 90.6, 4.29, 5.37

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 14 / 0 / 28 / 15

HEX #BBDA9E

RGB 187 218 158

HSL 91, 0.45%, 0.74%

LAB 83.54, -20.78, 26.24

 

CMYK 28 / 25 / 0 / 15

HEX #9EA3DA

RGB 158 163 218

HSL 235, 0.45%, 0.74%

LAB 68.41, 10.41, -28.44

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 28 / 0 / 19 / 15

HEX #9EDAB1

RGB 158 218 177

HSL 139, 0.45%, 0.74%

LAB 82.16, -27.4, 14.11

 

CMYK 19 / 28 / 0 / 15

HEX #B19EDA

RGB 177 158 218

HSL 259, 0.45%, 0.74%

LAB 68.65, 19, -27.94

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 14 / 0 / 28 / 15

HEX #BBDA9E

RGB 187 218 158

HSL 91, 0.45%, 0.74%

LAB 83.54, -20.78, 26.24

 

CMYK 28 / 9 / 0 / 15

HEX #9EC7DA

RGB 158 199 218

HSL 199, 0.45%, 0.74%

LAB 77.98, -9.2, -13.89

 

CMYK 13 / 28 / 0 / 15

HEX #BD9EDA

RGB 189 158 218

HSL 271, 0.45%, 0.74%

LAB 69.71, 22.76, -26.23

 

CMYK 0 / 19 / 28 / 15

HEX #DAB19E

RGB 218 177 158

HSL 19, 0.45%, 0.74%

LAB 75.34, 12.09, 15.33

 

CMYK 22 / 0 / 28 / 15

HEX #A9DA9E

RGB 169 218 158

HSL 109, 0.45%, 0.74%

LAB 82.4, -27.08, 24.51

 

CMYK 28 / 9 / 0 / 15

HEX #9EC7DA

RGB 158 199 218

HSL 199, 0.45%, 0.74%

LAB 77.98, -9.2, -13.89

 

CMYK 5 / 28 / 0 / 15

HEX #CF9EDA

RGB 207 158 218

HSL 289, 0.45%, 0.74%

LAB 71.41, 28.52, -23.48

 

Description

Color code: HEX #DAB19E | qconv.com Color code: HEX #DAB19E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 177 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 177 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 28 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 28% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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