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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAAD84 it is the complementary color #25527B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAAD84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAAD84 shade: #DFAD7F, #F0BF92, #FFD1A5, #FFE3B8 and #FFF5CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAAD84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAAD84 shade: #DAAD84, #C99B71, #B8895E, #A7774B and #966538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAAD84 shade: #DBAE85, #DB9785 and #DB8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAAD84 shade: #DBAE85, #DBC585, #D9DB85, #C2DB85 and #ABDB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAAD84 shade matches the following richer shades: #DBAE85, #E7AD78 and #F4AD6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAAD84 shade: #DBAE85, #CEAF92, #C1AF9F, #B4B0AC and #A7B0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAAD84 shade: #DB858B, #DB9685, #DBAD85, #DBC485 and #DBDB85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAAD84 shade: #C88446, #D19965, #DBAE85, #E4C3A5 and #EED8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAAD84 shade: #DAAD84, #A2DB85 and #8B85DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAAD84 shade: #DAAD84, #85DBAD and #AD85DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAAD84 shade: #DAAD84, #A2DB85, #85B3DB and #BE85DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAAD84 shade: #DAAD84, #88DB85, #85B3DB and #D885DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 39 / 15

HEX #DAAD84

RGB 218 173 132

HSL 28.6, 0.54%, 0.69%

LAB 73.84, 10.98, 27.32

 

Complementary color

CMYK 70 / 33 / 0 / 52

HEX #25527B

RGB 37 82 123

HSL 208.6, 0.54%, 0.31%

LAB 33.69, -1.09, -27.77

 

CMYK 0 / 22 / 43 / 13

HEX #DFAD7F

RGB 223 173 127

HSL 28.75, 0.6%, 0.69%

LAB 74.26, 12.43, 30.63

 

CMYK 0 / 20 / 39 / 6

HEX #F0BF92

RGB 240 191 146

HSL 28.72, 0.76%, 0.76%

LAB 80.66, 11.68, 29.38

 

CMYK 0 / 18 / 35 / 0

HEX #FFD1A5

RGB 255 209 165

HSL 29.33, 1%, 0.82%

LAB 86.79, 10.26, 27.92

 

CMYK 0 / 11 / 28 / 0

HEX #FFE3B8

RGB 255 227 184

HSL 36.34, 1%, 0.86%

LAB 91.53, 3.34, 24.55

 

CMYK 0 / 4 / 20 / 0

HEX #FFF5CB

RGB 255 245 203

HSL 48.46, 1%, 0.9%

LAB 96.36, -3.21, 21.46

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD84

RGB 218 173 132

HSL 28.6, 0.54%, 0.69%

LAB 73.84, 10.98, 27.32

 

CMYK 0 / 23 / 44 / 21

HEX #C99B71

RGB 201 155 113

HSL 28.64, 0.45%, 0.62%

LAB 67.32, 11.75, 28.59

 

CMYK 0 / 26 / 49 / 28

HEX #B8895E

RGB 184 137 94

HSL 28.67, 0.39%, 0.55%

LAB 60.68, 12.65, 29.97

 

CMYK 0 / 29 / 55 / 35

HEX #A7774B

RGB 167 119 75

HSL 28.7, 0.38%, 0.47%

LAB 53.94, 13.7, 31.47

 

CMYK 0 / 33 / 63 / 41

HEX #966538

RGB 150 101 56

HSL 28.72, 0.46%, 0.4%

LAB 47.08, 14.96, 33.07

 

CMYK 0 / 21 / 39 / 14

HEX #DBAE85

RGB 219 174 133

HSL 28.6, 0.54%, 0.69%

LAB 74.21, 10.96, 27.28

 

CMYK 0 / 31 / 39 / 14

HEX #DB9785

RGB 219 151 133

HSL 12.56, 0.54%, 0.69%

LAB 68.67, 23.34, 19.79

 

CMYK 0 / 39 / 39 / 14

HEX #DB8585

RGB 219 133 133

HSL 0, 0.54%, 0.69%

LAB 64.59, 32.98, 14.14

 

CMYK 0 / 21 / 39 / 14

HEX #DBAE85

RGB 219 174 133

HSL 28.6, 0.54%, 0.69%

LAB 74.21, 10.96, 27.28

 

CMYK 0 / 10 / 39 / 14

HEX #DBC585

RGB 219 197 133

HSL 44.65, 0.54%, 0.69%

LAB 80, -1.19, 34.92

 

CMYK 1 / 0 / 39 / 14

HEX #D9DB85

RGB 217 219 133

HSL 61.4, 0.54%, 0.69%

LAB 85.56, -13.21, 42.02

 

CMYK 11 / 0 / 39 / 14

HEX #C2DB85

RGB 194 219 133

HSL 77.44, 0.54%, 0.69%

LAB 83.88, -22.05, 39.53

 

CMYK 22 / 0 / 39 / 14

HEX #ABDB85

RGB 171 219 133

HSL 93.49, 0.54%, 0.69%

LAB 82.39, -30.5, 37.32

 

CMYK 0 / 21 / 39 / 14

HEX #DBAE85

RGB 219 174 133

HSL 28.6, 0.54%, 0.69%

LAB 74.21, 10.96, 27.28

 

CMYK 0 / 25 / 48 / 9

HEX #E7AD78

RGB 231 173 120

HSL 28.65, 0.7%, 0.69%

LAB 74.97, 14.95, 35.41

 

CMYK 0 / 29 / 56 / 4

HEX #F4AD6C

RGB 244 173 108

HSL 28.68, 0.86%, 0.69%

LAB 76.19, 19.17, 43.44

 

CMYK 0 / 21 / 39 / 14

HEX #DBAE85

RGB 219 174 133

HSL 28.6, 0.54%, 0.69%

LAB 74.21, 10.96, 27.28

 

CMYK 0 / 15 / 29 / 19

HEX #CEAF92

RGB 206 175 146

HSL 29, 0.38%, 0.69%

LAB 73.45, 6.91, 19.05

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 9 / 4 / 0 / 28

HEX #A7B0B8

RGB 167 176 184

HSL 208.24, 0.11%, 0.69%

LAB 71.37, -1.54, -5.17

 

CMYK 0 / 39 / 37 / 14

HEX #DB858B

RGB 219 133 139

HSL 355.81, 0.54%, 0.69%

LAB 64.72, 33.68, 10.94

 

CMYK 0 / 32 / 39 / 14

HEX #DB9685

RGB 219 150 133

HSL 11.86, 0.54%, 0.69%

LAB 68.44, 23.87, 19.47

 

CMYK 0 / 21 / 39 / 14

HEX #DBAD85

RGB 219 173 133

HSL 27.91, 0.54%, 0.69%

LAB 73.96, 11.49, 26.95

 

CMYK 0 / 11 / 39 / 14

HEX #DBC485

RGB 219 196 133

HSL 43.95, 0.54%, 0.69%

LAB 79.75, -0.67, 34.59

 

CMYK 0 / 0 / 39 / 14

HEX #DBDB85

RGB 219 219 133

HSL 60, 0.54%, 0.69%

LAB 85.71, -12.43, 42.25

 

CMYK 0 / 34 / 65 / 22

HEX #C88446

RGB 200 132 70

HSL 28.62, 0.54%, 0.53%

LAB 60.98, 20.24, 43.44

 

CMYK 0 / 27 / 52 / 18

HEX #D19965

RGB 209 153 101

HSL 28.89, 0.54%, 0.61%

LAB 67.48, 14.96, 35.41

 

CMYK 0 / 21 / 39 / 14

HEX #DBAE85

RGB 219 174 133

HSL 28.6, 0.54%, 0.69%

LAB 74.21, 10.96, 27.28

 

CMYK 0 / 14 / 28 / 11

HEX #E4C3A5

RGB 228 195 165

HSL 28.57, 0.54%, 0.77%

LAB 80.87, 7.28, 19.42

 

CMYK 0 / 9 / 17 / 7

HEX #EED8C5

RGB 238 216 197

HSL 27.8, 0.55%, 0.85%

LAB 87.64, 4.58, 12.12

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD84

RGB 218 173 132

HSL 28.6, 0.54%, 0.69%

LAB 73.84, 10.98, 27.32

 

CMYK 26 / 0 / 39 / 14

HEX #A2DB85

RGB 162 219 133

HSL 99.77, 0.54%, 0.69%

LAB 81.86, -33.66, 36.54

 

CMYK 37 / 39 / 0 / 14

HEX #8B85DB

RGB 139 133 219

HSL 244.19, 0.54%, 0.69%

LAB 59.32, 22.52, -43.26

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD84

RGB 218 173 132

HSL 28.6, 0.54%, 0.69%

LAB 73.84, 10.98, 27.32

 

CMYK 39 / 0 / 21 / 14

HEX #85DBAD

RGB 133 219 173

HSL 147.91, 0.54%, 0.69%

LAB 81.11, -36.08, 14.56

 

CMYK 21 / 39 / 0 / 14

HEX #AD85DB

RGB 173 133 219

HSL 267.91, 0.54%, 0.69%

LAB 62.32, 32.08, -38.35

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD84

RGB 218 173 132

HSL 28.6, 0.54%, 0.69%

LAB 73.84, 10.98, 27.32

 

CMYK 26 / 0 / 39 / 14

HEX #A2DB85

RGB 162 219 133

HSL 99.77, 0.54%, 0.69%

LAB 81.86, -33.66, 36.54

 

CMYK 39 / 18 / 0 / 14

HEX #85B3DB

RGB 133 179 219

HSL 207.91, 0.54%, 0.69%

LAB 71.11, -5.25, -24.99

 

CMYK 13 / 39 / 0 / 14

HEX #BE85DB

RGB 190 133 219

HSL 279.77, 0.54%, 0.69%

LAB 64.03, 37.12, -35.55

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD84

RGB 218 173 132

HSL 28.6, 0.54%, 0.69%

LAB 73.84, 10.98, 27.32

 

CMYK 38 / 0 / 39 / 14

HEX #88DB85

RGB 136 219 133

HSL 117.91, 0.54%, 0.69%

LAB 80.51, -42.18, 34.52

 

CMYK 39 / 18 / 0 / 14

HEX #85B3DB

RGB 133 179 219

HSL 207.91, 0.54%, 0.69%

LAB 71.11, -5.25, -24.99

 

CMYK 1 / 39 / 0 / 14

HEX #D885DB

RGB 216 133 219

HSL 297.91, 0.54%, 0.69%

LAB 66.89, 44.97, -30.88

 

Description

Color code: HEX #DAAD84 | qconv.com Color code: HEX #DAAD84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 173 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 173 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 39 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 39% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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