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Color name
HEX #B4B0AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4B0AC it is the complementary color #4B4F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4B0AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4B0AC shade: #B9B0A7, #CAC2BA, #DBD4CD, #ECE6E0 and #FDF8F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4B0AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4B0AC shade: #B4B0AC, #A39E99, #928C86, #817A73 and #706860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4B0AC shade: #B4B0AC, #B4AEAC and #B4ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4B0AC shade: #B4B0AC, #B4B2AC, #B4B4AC, #B1B4AC and #AFB4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4B0AC shade matches the following richer shades: #B4B0AC, #C1B09F, #CDB092, #DAB086 and #E7B079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4B0AC shade: #B4B0AC, #A7B0B9, #9AB0C6, #8EB0D2 and #81B0DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4B0AC shade: #B4ACAC, #B4AEAC, #B4B0AC, #B4B2AC and #B4B4AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4B0AC shade: #8D8781, #A09B96, #B4B0AC, #C8C5C2 and #DBD9D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4B0AC shade: #B4B0AC, #AEB4AC and #ADACB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4B0AC shade: #B4B0AC, #ACB4B0 and #B0ACB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4B0AC shade: #B4B0AC, #AEB4AC, #ACB0B4 and #B2ACB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4B0AC shade: #B4B0AC, #ACB4AC, #ACB0B4 and #B4ACB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

Complementary color

CMYK 10 / 5 / 0 / 67

HEX #4B4F53

RGB 75 79 83

HSL 210, 0.05%, 0.31%

LAB 33.38, -0.69, -2.91

 

CMYK 0 / 5 / 10 / 27

HEX #B9B0A7

RGB 185 176 167

HSL 30, 0.11%, 0.69%

LAB 72.33, 1.63, 5.74

 

CMYK 0 / 4 / 8 / 21

HEX #CAC2BA

RGB 202 194 186

HSL 30, 0.13%, 0.76%

LAB 78.86, 1.4, 5.01

 

CMYK 0 / 3 / 6 / 14

HEX #DBD4CD

RGB 219 212 205

HSL 30, 0.16%, 0.83%

LAB 85.28, 1.19, 4.3

 

CMYK 0 / 3 / 5 / 7

HEX #ECE6E0

RGB 236 230 224

HSL 30, 0.24%, 0.9%

LAB 91.6, 0.99, 3.63

 

CMYK 0 / 2 / 4 / 1

HEX #FDF8F3

RGB 253 248 243

HSL 30, 0.71%, 0.97%

LAB 97.83, 0.81, 2.97

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 0 / 3 / 6 / 36

HEX #A39E99

RGB 163 158 153

HSL 30, 0.05%, 0.62%

LAB 65.39, 0.89, 3.24

 

CMYK 0 / 4 / 8 / 43

HEX #928C86

RGB 146 140 134

HSL 30, 0.05%, 0.55%

LAB 58.59, 1.11, 3.99

 

CMYK 0 / 5 / 11 / 49

HEX #817A73

RGB 129 122 115

HSL 30, 0.06%, 0.48%

LAB 51.64, 1.36, 4.78

 

CMYK 0 / 7 / 14 / 56

HEX #706860

RGB 112 104 96

HSL 30, 0.08%, 0.41%

LAB 44.5, 1.64, 5.63

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 0 / 3 / 4 / 29

HEX #B4AEAC

RGB 180 174 172

HSL 15, 0.05%, 0.69%

LAB 71.52, 1.77, 1.78

 

CMYK 0 / 4 / 4 / 29

HEX #B4ACAC

RGB 180 172 172

HSL 0, 0.05%, 0.69%

LAB 71, 2.86, 1.01

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 0 / 1 / 4 / 29

HEX #B4B2AC

RGB 180 178 172

HSL 45, 0.05%, 0.69%

LAB 72.58, -0.39, 3.3

 

CMYK 0 / 0 / 4 / 29

HEX #B4B4AC

RGB 180 180 172

HSL 60, 0.05%, 0.69%

LAB 73.1, -1.46, 4.07

 

CMYK 2 / 0 / 4 / 29

HEX #B1B4AC

RGB 177 180 172

HSL 82.5, 0.05%, 0.69%

LAB 72.87, -2.53, 3.7

 

CMYK 3 / 0 / 4 / 29

HEX #AFB4AC

RGB 175 180 172

HSL 97.5, 0.05%, 0.69%

LAB 72.72, -3.24, 3.46

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 0 / 9 / 18 / 24

HEX #C1B09F

RGB 193 176 159

HSL 30, 0.22%, 0.69%

LAB 72.82, 3.29, 10.91

 

CMYK 0 / 14 / 29 / 20

HEX #CDB092

RGB 205 176 146

HSL 30.51, 0.37%, 0.69%

LAB 73.61, 5.99, 19.25

 

CMYK 0 / 19 / 39 / 15

HEX #DAB086

RGB 218 176 134

HSL 30, 0.53%, 0.69%

LAB 74.62, 9.61, 27.29

 

CMYK 0 / 24 / 48 / 9

HEX #E7B079

RGB 231 176 121

HSL 30, 0.7%, 0.69%

LAB 75.71, 13.45, 35.83

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 10 / 5 / 0 / 27

HEX #A7B0B9

RGB 167 176 185

HSL 210, 0.11%, 0.69%

LAB 71.4, -1.34, -5.68

 

CMYK 22 / 11 / 0 / 22

HEX #9AB0C6

RGB 154 176 198

HSL 210, 0.28%, 0.69%

LAB 70.87, -2.75, -13.71

 

CMYK 32 / 16 / 0 / 18

HEX #8EB0D2

RGB 142 176 210

HSL 210, 0.43%, 0.69%

LAB 70.49, -3.46, -20.95

 

CMYK 42 / 21 / 0 / 13

HEX #81B0DF

RGB 129 176 223

HSL 210, 0.59%, 0.69%

LAB 70.21, -3.57, -28.57

 

CMYK 0 / 4 / 4 / 29

HEX #B4ACAC

RGB 180 172 172

HSL 0, 0.05%, 0.69%

LAB 71, 2.86, 1.01

 

CMYK 0 / 3 / 4 / 29

HEX #B4AEAC

RGB 180 174 172

HSL 15, 0.05%, 0.69%

LAB 71.52, 1.77, 1.78

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 0 / 1 / 4 / 29

HEX #B4B2AC

RGB 180 178 172

HSL 45, 0.05%, 0.69%

LAB 72.58, -0.39, 3.3

 

CMYK 0 / 0 / 4 / 29

HEX #B4B4AC

RGB 180 180 172

HSL 60, 0.05%, 0.69%

LAB 73.1, -1.46, 4.07

 

CMYK 0 / 4 / 9 / 45

HEX #8D8781

RGB 141 135 129

HSL 30, 0.05%, 0.53%

LAB 56.66, 1.12, 4.01

 

CMYK 0 / 3 / 6 / 37

HEX #A09B96

RGB 160 155 150

HSL 30, 0.05%, 0.61%

LAB 64.26, 0.9, 3.26

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 0 / 1 / 3 / 22

HEX #C8C5C2

RGB 200 197 194

HSL 30, 0.05%, 0.77%

LAB 79.67, 0.5, 1.86

 

CMYK 0 / 1 / 2 / 14

HEX #DBD9D7

RGB 219 217 215

HSL 30, 0.05%, 0.85%

LAB 86.8, 0.33, 1.21

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 3 / 0 / 4 / 29

HEX #AEB4AC

RGB 174 180 172

HSL 105, 0.05%, 0.69%

LAB 72.64, -3.6, 3.34

 

CMYK 4 / 4 / 0 / 29

HEX #ADACB4

RGB 173 172 180

HSL 247.5, 0.05%, 0.69%

LAB 70.65, 1.89, -3.97

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 4 / 0 / 2 / 29

HEX #ACB4B0

RGB 172 180 176

HSL 150, 0.05%, 0.69%

LAB 72.59, -3.55, 1.06

 

CMYK 2 / 4 / 0 / 29

HEX #B0ACB4

RGB 176 172 180

HSL 270, 0.05%, 0.69%

LAB 70.89, 2.94, -3.59

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 3 / 0 / 4 / 29

HEX #AEB4AC

RGB 174 180 172

HSL 105, 0.05%, 0.69%

LAB 72.64, -3.6, 3.34

 

CMYK 4 / 2 / 0 / 29

HEX #ACB0B4

RGB 172 176 180

HSL 210, 0.05%, 0.69%

LAB 71.63, -0.63, -2.54

 

CMYK 1 / 4 / 0 / 29

HEX #B2ACB4

RGB 178 172 180

HSL 285, 0.05%, 0.69%

LAB 71.05, 3.64, -3.34

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 4 / 0 / 4 / 29

HEX #ACB4AC

RGB 172 180 172

HSL 120, 0.05%, 0.69%

LAB 72.49, -4.3, 3.1

 

CMYK 4 / 2 / 0 / 29

HEX #ACB0B4

RGB 172 176 180

HSL 210, 0.05%, 0.69%

LAB 71.63, -0.63, -2.54

 

CMYK 0 / 4 / 0 / 29

HEX #B4ACB4

RGB 180 172 180

HSL 300, 0.05%, 0.69%

LAB 71.22, 4.34, -3.08

 

Description

Color code: HEX #B4B0AC | qconv.com Color code: HEX #B4B0AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 176 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 176 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 4 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 4% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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