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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA85C2 it is the complementary color #257A3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA85C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA85C2 shade: #DF85BD, #F097D0, #FFA9E3, #FFBBF6 and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA85C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA85C2 shade: #DA85C2, #C973AF, #B8619C, #A74F89 and #963D76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA85C2 shade: #D986C2, #D986AB, #D98694 and #D98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA85C2 shade: #D986C2, #D986D8, #C486D9, #AD86D9 and #9786D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA85C2 shade matches the following richer shades: #D986C2, #E679C7 and #F36CCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA85C2 shade: #D986C2, #CD92BC, #C09FB7, #B3ACB1 and #A6B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA85C2 shade: #C386D9, #D986D9, #D986C3, #D986AD and #D98696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA85C2 shade: #C646A2, #D066B2, #D986C2, #E3A5D2 and #EDC5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA85C2 shade: #DA85C2, #D9AD86 and #86D9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA85C2 shade: #DA85C2, #C3D986 and #86C3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA85C2 shade: #DA85C2, #D9AD86, #86D99C and #86B2D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA85C2 shade: #DA85C2, #D9C686, #86D99C and #8699D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 11 / 15

HEX #DA85C2

RGB 218 133 194

HSL 316.94, 0.53%, 0.69%

LAB 66.19, 41.21, -17.98

 

Complementary color

CMYK 70 / 0 / 50 / 52

HEX #257A3D

RGB 37 122 61

HSL 136.94, 0.53%, 0.31%

LAB 45.15, -39.42, 26.12

 

CMYK 0 / 40 / 15 / 13

HEX #DF85BD

RGB 223 133 189

HSL 322.67, 0.58%, 0.7%

LAB 66.62, 42.04, -14.46

 

CMYK 0 / 37 / 13 / 6

HEX #F097D0

RGB 240 151 208

HSL 321.57, 0.75%, 0.77%

LAB 73.03, 41.28, -15.18

 

CMYK 0 / 34 / 11 / 0

HEX #FFA9E3

RGB 255 169 227

HSL 319.53, 1%, 0.83%

LAB 79.15, 39.9, -16.18

 

CMYK 0 / 27 / 4 / 0

HEX #FFBBF6

RGB 255 187 246

HSL 307.94, 1%, 0.87%

LAB 83.68, 33.7, -19.55

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 39 / 11 / 15

HEX #DA85C2

RGB 218 133 194

HSL 316.94, 0.53%, 0.69%

LAB 66.19, 41.21, -17.98

 

CMYK 0 / 43 / 13 / 21

HEX #C973AF

RGB 201 115 175

HSL 318.14, 0.44%, 0.62%

LAB 59.68, 41.98, -17.28

 

CMYK 0 / 47 / 15 / 28

HEX #B8619C

RGB 184 97 156

HSL 319.31, 0.38%, 0.55%

LAB 53.1, 42.74, -16.48

 

CMYK 0 / 53 / 18 / 35

HEX #A74F89

RGB 167 79 137

HSL 320.45, 0.36%, 0.48%

LAB 46.46, 43.45, -15.51

 

CMYK 0 / 59 / 21 / 41

HEX #963D76

RGB 150 61 118

HSL 321.57, 0.42%, 0.41%

LAB 39.8, 44.03, -14.3

 

CMYK 0 / 38 / 11 / 15

HEX #D986C2

RGB 217 134 194

HSL 316.63, 0.52%, 0.69%

LAB 66.29, 40.36, -17.85

 

CMYK 0 / 38 / 21 / 15

HEX #D986AB

RGB 217 134 171

HSL 333.25, 0.52%, 0.69%

LAB 65.55, 36.73, -6.01

 

CMYK 0 / 38 / 32 / 15

HEX #D98694

RGB 217 134 148

HSL 349.88, 0.52%, 0.69%

LAB 64.91, 33.53, 6.08

 

CMYK 0 / 38 / 38 / 15

HEX #D98686

RGB 217 134 134

HSL 0, 0.52%, 0.69%

LAB 64.58, 31.81, 13.53

 

CMYK 0 / 38 / 11 / 15

HEX #D986C2

RGB 217 134 194

HSL 316.63, 0.52%, 0.69%

LAB 66.29, 40.36, -17.85

 

CMYK 0 / 38 / 0 / 15

HEX #D986D8

RGB 217 134 216

HSL 300.72, 0.52%, 0.69%

LAB 67.1, 44.2, -28.89

 

CMYK 10 / 38 / 0 / 15

HEX #C486D9

RGB 196 134 217

HSL 284.82, 0.52%, 0.69%

LAB 64.8, 37.97, -33.19

 

CMYK 20 / 38 / 0 / 15

HEX #AD86D9

RGB 173 134 217

HSL 268.19, 0.52%, 0.69%

LAB 62.46, 31.06, -37.01

 

CMYK 30 / 38 / 0 / 15

HEX #9786D9

RGB 151 134 217

HSL 252.29, 0.52%, 0.69%

LAB 60.46, 24.7, -40.28

 

CMYK 0 / 38 / 11 / 15

HEX #D986C2

RGB 217 134 194

HSL 316.63, 0.52%, 0.69%

LAB 66.29, 40.36, -17.85

 

CMYK 0 / 47 / 13 / 10

HEX #E679C7

RGB 230 121 199

HSL 317.06, 0.69%, 0.69%

LAB 65.45, 51.94, -21.78

 

CMYK 0 / 56 / 16 / 5

HEX #F36CCD

RGB 243 108 205

HSL 316.89, 0.85%, 0.69%

LAB 65.11, 62.82, -25.52

 

CMYK 0 / 38 / 11 / 15

HEX #D986C2

RGB 217 134 194

HSL 316.63, 0.52%, 0.69%

LAB 66.29, 40.36, -17.85

 

CMYK 0 / 29 / 8 / 20

HEX #CD92BC

RGB 205 146 188

HSL 317.29, 0.37%, 0.69%

LAB 67.4, 28.85, -12.94

 

CMYK 0 / 17 / 5 / 25

HEX #C09FB7

RGB 192 159 183

HSL 316.36, 0.21%, 0.69%

LAB 69.06, 16.27, -7.82

 

CMYK 0 / 4 / 1 / 30

HEX #B3ACB1

RGB 179 172 177

HSL 317.14, 0.04%, 0.69%

LAB 71.05, 3.42, -1.68

 

CMYK 10 / 0 / 8 / 27

HEX #A6B9AB

RGB 166 185 171

HSL 135.79, 0.12%, 0.69%

LAB 73.38, -9.24, 4.88

 

CMYK 10 / 38 / 0 / 15

HEX #C386D9

RGB 195 134 217

HSL 284.1, 0.52%, 0.69%

LAB 64.69, 37.67, -33.36

 

CMYK 0 / 38 / 0 / 15

HEX #D986D9

RGB 217 134 217

HSL 300, 0.52%, 0.69%

LAB 67.14, 44.38, -29.39

 

CMYK 0 / 38 / 10 / 15

HEX #D986C3

RGB 217 134 195

HSL 315.9, 0.52%, 0.69%

LAB 66.32, 40.52, -18.36

 

CMYK 0 / 38 / 20 / 15

HEX #D986AD

RGB 217 134 173

HSL 331.81, 0.52%, 0.69%

LAB 65.61, 37.02, -7.05

 

CMYK 0 / 38 / 31 / 15

HEX #D98696

RGB 217 134 150

HSL 348.43, 0.52%, 0.69%

LAB 64.97, 33.79, 5.02

 

CMYK 0 / 65 / 18 / 22

HEX #C646A2

RGB 198 70 162

HSL 316.88, 0.53%, 0.53%

LAB 50.68, 60.42, -23.54

 

CMYK 0 / 51 / 14 / 18

HEX #D066B2

RGB 208 102 178

HSL 316.98, 0.53%, 0.61%

LAB 58.16, 51.26, -21.25

 

CMYK 0 / 38 / 11 / 15

HEX #D986C2

RGB 217 134 194

HSL 316.63, 0.52%, 0.69%

LAB 66.29, 40.36, -17.85

 

CMYK 0 / 27 / 7 / 11

HEX #E3A5D2

RGB 227 165 210

HSL 316.45, 0.53%, 0.77%

LAB 74.76, 29.87, -13.82

 

CMYK 0 / 17 / 5 / 7

HEX #EDC5E1

RGB 237 197 225

HSL 318, 0.53%, 0.85%

LAB 83.64, 18.77, -8.57

 

CMYK 0 / 39 / 11 / 15

HEX #DA85C2

RGB 218 133 194

HSL 316.94, 0.53%, 0.69%

LAB 66.19, 41.21, -17.98

 

CMYK 0 / 20 / 38 / 15

HEX #D9AD86

RGB 217 173 134

HSL 28.19, 0.52%, 0.69%

LAB 73.78, 10.81, 26.14

 

CMYK 38 / 0 / 5 / 15

HEX #86D9CE

RGB 134 217 206

HSL 172.05, 0.52%, 0.69%

LAB 81.37, -27.77, -2.56

 

CMYK 0 / 39 / 11 / 15

HEX #DA85C2

RGB 218 133 194

HSL 316.94, 0.53%, 0.69%

LAB 66.19, 41.21, -17.98

 

CMYK 10 / 0 / 38 / 15

HEX #C3D986

RGB 195 217 134

HSL 75.9, 0.52%, 0.69%

LAB 83.42, -20.57, 38.46

 

CMYK 38 / 10 / 0 / 15

HEX #86C3D9

RGB 134 195 217

HSL 195.9, 0.52%, 0.69%

LAB 75.52, -14.03, -17.19

 

CMYK 0 / 39 / 11 / 15

HEX #DA85C2

RGB 218 133 194

HSL 316.94, 0.53%, 0.69%

LAB 66.19, 41.21, -17.98

 

CMYK 0 / 20 / 38 / 15

HEX #D9AD86

RGB 217 173 134

HSL 28.19, 0.52%, 0.69%

LAB 73.78, 10.81, 26.14

 

CMYK 38 / 0 / 28 / 15

HEX #86D99C

RGB 134 217 156

HSL 135.9, 0.52%, 0.69%

LAB 80.23, -38.1, 22.29

 

CMYK 38 / 18 / 0 / 15

HEX #86B2D9

RGB 134 178 217

HSL 208.19, 0.52%, 0.69%

LAB 70.81, -4.97, -24.33

 

CMYK 0 / 39 / 11 / 15

HEX #DA85C2

RGB 218 133 194

HSL 316.94, 0.53%, 0.69%

LAB 66.19, 41.21, -17.98

 

CMYK 0 / 9 / 38 / 15

HEX #D9C686

RGB 217 198 134

HSL 46.27, 0.52%, 0.69%

LAB 80.1, -2.4, 34.5

 

CMYK 38 / 0 / 28 / 15

HEX #86D99C

RGB 134 217 156

HSL 135.9, 0.52%, 0.69%

LAB 80.23, -38.1, 22.29

 

CMYK 38 / 29 / 0 / 15

HEX #8699D9

RGB 134 153 217

HSL 226.27, 0.52%, 0.69%

LAB 64.05, 9.02, -34.77

 

Description

Color code: HEX #DA85C2 | qconv.com Color code: HEX #DA85C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 133 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 133 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 11% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - BLENDA Shoppingブレンダシ...
Link: http://shop.blenda.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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