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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA86AD it is the complementary color #257952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA86AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA86AD shade: #DF86A8, #F098BB, #FFAACE, #FFBCE1 and #FFCEF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA86AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA86AD shade: #DA86AD, #C9749A, #B86287, #A75074 and #963E61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA86AD shade: #DA86AD, #DA8696 and #DA8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA86AD shade: #DA86AD, #DA86C4, #DA86DA, #C386DA and #AC86DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA86AD shade matches the following richer shades: #DA86AD, #E779AC and #F36CAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA86AD shade: #DA86AD, #CD93AE, #C0A0AF, #B3ACB0 and #A7B9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA86AD shade: #DA86DA, #DA86C4, #DA86AD, #DA8697 and #DA8C86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA86AD shade: #C64782, #D06698, #DA86AD, #E4A6C2 and #EDC5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA86AD shade: #DA86AD, #DAC486 and #86CFDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA86AD shade: #DA86AD, #ADDA86 and #86ADDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA86AD shade: #DA86AD, #DAC486, #86DAB3 and #869CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA86AD shade: #DA86AD, #D7DA86, #86DAB3 and #8986DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

Complementary color

CMYK 69 / 0 / 32 / 53

HEX #257952

RGB 37 121 82

HSL 152.14, 0.53%, 0.31%

LAB 45.19, -34.81, 14.27

 

CMYK 0 / 40 / 25 / 13

HEX #DF86A8

RGB 223 134 168

HSL 337.08, 0.58%, 0.7%

LAB 66.19, 38.38, -3.29

 

CMYK 0 / 37 / 22 / 6

HEX #F098BB

RGB 240 152 187

HSL 336.14, 0.75%, 0.77%

LAB 72.61, 37.57, -4.22

 

CMYK 0 / 33 / 19 / 0

HEX #FFAACE

RGB 255 170 206

HSL 334.59, 1%, 0.83%

LAB 78.73, 36.12, -5.4

 

CMYK 0 / 26 / 12 / 0

HEX #FFBCE1

RGB 255 188 225

HSL 326.87, 1%, 0.87%

LAB 83.26, 29.64, -8.94

 

CMYK 0 / 19 / 4 / 0

HEX #FFCEF4

RGB 255 206 244

HSL 313.47, 1%, 0.9%

LAB 87.94, 23.37, -12.09

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 42 / 23 / 21

HEX #C9749A

RGB 201 116 154

HSL 333.18, 0.44%, 0.62%

LAB 59.2, 38.19, -5.93

 

CMYK 0 / 47 / 27 / 28

HEX #B86287

RGB 184 98 135

HSL 334.19, 0.38%, 0.55%

LAB 52.59, 39.04, -4.87

 

CMYK 0 / 52 / 31 / 35

HEX #A75074

RGB 167 80 116

HSL 335.17, 0.35%, 0.48%

LAB 45.93, 39.88, -3.61

 

CMYK 0 / 59 / 35 / 41

HEX #963E61

RGB 150 62 97

HSL 336.14, 0.42%, 0.42%

LAB 39.23, 40.63, -2.05

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 39 / 31 / 15

HEX #DA8696

RGB 218 134 150

HSL 348.57, 0.53%, 0.69%

LAB 65.09, 34.15, 5.21

 

CMYK 0 / 39 / 39 / 15

HEX #DA8686

RGB 218 134 134

HSL 0, 0.53%, 0.69%

LAB 64.71, 32.19, 13.72

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 39 / 10 / 15

HEX #DA86C4

RGB 218 134 196

HSL 315.71, 0.53%, 0.69%

LAB 66.47, 41.02, -18.67

 

CMYK 0 / 39 / 0 / 15

HEX #DA86DA

RGB 218 134 218

HSL 300, 0.53%, 0.69%

LAB 67.29, 44.87, -29.69

 

CMYK 11 / 39 / 0 / 15

HEX #C386DA

RGB 195 134 218

HSL 283.57, 0.53%, 0.69%

LAB 64.74, 37.87, -33.85

 

CMYK 21 / 39 / 0 / 15

HEX #AC86DA

RGB 172 134 218

HSL 267.14, 0.53%, 0.69%

LAB 62.41, 31, -37.65

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 48 / 26 / 9

HEX #E779AC

RGB 231 121 172

HSL 332.18, 0.7%, 0.69%

LAB 64.68, 48.31, -7.67

 

CMYK 0 / 56 / 30 / 5

HEX #F36CAB

RGB 243 108 171

HSL 332, 0.85%, 0.69%

LAB 63.93, 58.21, -8.03

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 28 / 15 / 20

HEX #CD93AE

RGB 205 147 174

HSL 332.07, 0.37%, 0.69%

LAB 67.2, 25.94, -5.4

 

CMYK 0 / 17 / 9 / 25

HEX #C0A0AF

RGB 192 160 175

HSL 331.88, 0.2%, 0.69%

LAB 69.07, 14.29, -3.35

 

CMYK 0 / 4 / 2 / 30

HEX #B3ACB0

RGB 179 172 176

HSL 325.71, 0.04%, 0.69%

LAB 71.02, 3.24, -1.17

 

CMYK 10 / 0 / 4 / 27

HEX #A7B9B1

RGB 167 185 177

HSL 153.33, 0.11%, 0.69%

LAB 73.6, -7.75, 1.94

 

CMYK 0 / 39 / 0 / 15

HEX #DA86DA

RGB 218 134 218

HSL 300, 0.53%, 0.69%

LAB 67.29, 44.87, -29.69

 

CMYK 0 / 39 / 10 / 15

HEX #DA86C4

RGB 218 134 196

HSL 315.71, 0.53%, 0.69%

LAB 66.47, 41.02, -18.67

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 39 / 31 / 15

HEX #DA8697

RGB 218 134 151

HSL 347.86, 0.53%, 0.69%

LAB 65.11, 34.28, 4.68

 

CMYK 0 / 36 / 39 / 15

HEX #DA8C86

RGB 218 140 134

HSL 4.29, 0.53%, 0.69%

LAB 66.05, 28.98, 15.59

 

CMYK 0 / 64 / 34 / 22

HEX #C64782

RGB 198 71 130

HSL 332.13, 0.53%, 0.53%

LAB 49.65, 55.85, -6.03

 

CMYK 0 / 51 / 27 / 18

HEX #D06698

RGB 208 102 152

HSL 331.7, 0.53%, 0.61%

LAB 57.25, 47.47, -7.57

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 27 / 15 / 11

HEX #E4A6C2

RGB 228 166 194

HSL 332.9, 0.53%, 0.77%

LAB 74.61, 27.02, -5.26

 

CMYK 0 / 17 / 9 / 7

HEX #EDC5D8

RGB 237 197 216

HSL 331.5, 0.53%, 0.85%

LAB 83.39, 17.23, -4.13

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 10 / 39 / 15

HEX #DAC486

RGB 218 196 134

HSL 44.29, 0.53%, 0.69%

LAB 79.67, -0.96, 33.96

 

CMYK 39 / 5 / 0 / 15

HEX #86CFDA

RGB 134 207 218

HSL 187.86, 0.53%, 0.69%

LAB 78.9, -19.94, -12.64

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 21 / 0 / 39 / 15

HEX #ADDA86

RGB 173 218 134

HSL 92.14, 0.53%, 0.69%

LAB 82.24, -29.18, 36.66

 

CMYK 39 / 21 / 0 / 15

HEX #86ADDA

RGB 134 173 218

HSL 212.14, 0.53%, 0.69%

LAB 69.48, -1.97, -26.93

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 0 / 10 / 39 / 15

HEX #DAC486

RGB 218 196 134

HSL 44.29, 0.53%, 0.69%

LAB 79.67, -0.96, 33.96

 

CMYK 39 / 0 / 18 / 15

HEX #86DAB3

RGB 134 218 179

HSL 152.14, 0.53%, 0.69%

LAB 81, -34.14, 11.24

 

CMYK 39 / 28 / 0 / 15

HEX #869CDA

RGB 134 156 218

HSL 224.29, 0.53%, 0.69%

LAB 64.89, 7.58, -34.02

 

CMYK 0 / 39 / 21 / 15

HEX #DA86AD

RGB 218 134 173

HSL 332.14, 0.53%, 0.69%

LAB 65.73, 37.37, -6.86

 

CMYK 1 / 0 / 39 / 15

HEX #D7DA86

RGB 215 218 134

HSL 62.14, 0.53%, 0.69%

LAB 85.15, -13.38, 40.98

 

CMYK 39 / 0 / 18 / 15

HEX #86DAB3

RGB 134 218 179

HSL 152.14, 0.53%, 0.69%

LAB 81, -34.14, 11.24

 

CMYK 37 / 39 / 0 / 15

HEX #8986DA

RGB 137 134 218

HSL 242.14, 0.53%, 0.69%

LAB 59.37, 21.13, -42.64

 

Description

Color code: HEX #DA86AD | qconv.com Color code: HEX #DA86AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 134 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 134 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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