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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA836DBF it is the complementary color #257C92BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA836DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA836DBF shade: #DF8368BF, #F0957BBF, #FFA78EBF, #FFB9A1BF and #FFCBB4BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA836DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA836DBF shade: #DA836DBF, #C9715ABF, #B85F47BF, #A74D34BF and #963B21BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA836DBF shade: #DA826C and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA836DBF shade: #DA826C, #DAA06C, #DABE6C, #D9DA6C and #BBDA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA836DBF shade matches the following richer shades: #DA826C, #E9795D and #F8714E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA836DBF shade: #DA826C, #CB8B7B, #BD948A, #AE9D99 and #9FA6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA836DBF shade: #DA6C91, #DA6C73, #DA826C, #DAA06C and #DABD6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA836DBF shade: #C34E31, #D2664B, #DA826C, #E39E8D and #EBBAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA836DBF shade: #DA836D, #AEDA6C and #6C82DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA836DBF shade: #DA836D, #6CDA82 and #826CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA836DBF shade: #DA836D, #AEDA6C, #6CC4DA and #986CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA836DBF shade: #DA836D, #8DDA6C, #6CC4DA and #B96CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 38 / 11

HEX #DA836DBF

RGBA 218 131 109 0.75

HSLA 12.11, 0.6%, 0.64%, 0.75

LABA 63.54, 31.18, 26.18, 0.75

 

Complementary color

CMYK 56 / 11 / 0 / 32

HEX #257C92BF

RGBA 37 124 146 0.75

HSLA 192.11, 0.6%, 0.36%, 0.75

LABA 48.11, -17.69, -19.25, 0.75

 

CMYK 0 / 31 / 40 / 9

HEX #DF8368BF

RGBA 223 131 104 0.75

HSLA 13.61, 0.65%, 0.64%, 0.75

LABA 64.1, 32.69, 29.8, 0.75

 

CMYK 0 / 28 / 37 / 4

HEX #F0957BBF

RGBA 240 149 123 0.75

HSLA 13.33, 0.8%, 0.71%, 0.75

LABA 70.49, 31.52, 28.16, 0.75

 

CMYK 0 / 26 / 33 / 0

HEX #FFA78EBF

RGBA 255 167 142 0.75

HSLA 13.27, 1%, 0.78%, 0.75

LABA 76.59, 29.69, 26.32, 0.75

 

CMYK 0 / 21 / 28 / 0

HEX #FFB9A1BF

RGBA 255 185 161 0.75

HSLA 15.32, 1%, 0.82%, 0.75

LABA 81.03, 22.32, 22.19, 0.75

 

CMYK 0 / 15 / 22 / 0

HEX #FFCBB4BF

RGBA 255 203 180 0.75

HSLA 18.4, 1%, 0.85%, 0.75

LABA 85.64, 15.22, 18.48, 0.75

 

CMYK 0 / 30 / 38 / 11

HEX #DA836DBF

RGBA 218 131 109 0.75

HSLA 12.11, 0.6%, 0.64%, 0.75

LABA 63.54, 31.18, 26.18, 0.75

 

CMYK 0 / 33 / 41 / 16

HEX #C9715ABF

RGBA 201 113 90 0.75

HSLA 12.43, 0.51%, 0.57%, 0.75

LABA 57.04, 32.41, 27.93, 0.75

 

CMYK 0 / 36 / 46 / 21

HEX #B85F47BF

RGBA 184 95 71 0.75

HSLA 12.74, 0.44%, 0.5%, 0.75

LABA 50.49, 33.76, 29.91, 0.75

 

CMYK 0 / 40 / 52 / 26

HEX #A74D34BF

RGBA 167 77 52 0.75

HSLA 13.04, 0.53%, 0.43%, 0.75

LABA 43.9, 35.22, 32.17, 0.75

 

CMYK 0 / 46 / 59 / 31

HEX #963B21BF

RGBA 150 59 33 0.75

HSLA 13.33, 0.64%, 0.36%, 0.75

LABA 37.34, 36.74, 34.7, 0.75

 

CMYK 0 / 40 / 50 / 15

HEX #DA826C

RGB 218 130 108

HSL 12, 0.6%, 0.64%

LAB 63.3, 31.62, 26.42

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 40 / 50 / 15

HEX #DA826C

RGB 218 130 108

HSL 12, 0.6%, 0.64%

LAB 63.3, 31.62, 26.42

 

CMYK 0 / 27 / 50 / 15

HEX #DAA06C

RGB 218 160 108

HSL 28.36, 0.6%, 0.64%

LAB 70.27, 15.51, 35.43

 

CMYK 0 / 13 / 50 / 15

HEX #DABE6C

RGB 218 190 108

HSL 44.73, 0.6%, 0.64%

LAB 77.77, -0.44, 44.76

 

CMYK 0 / 0 / 50 / 15

HEX #D9DA6C

RGB 217 218 108

HSL 60.55, 0.6%, 0.64%

LAB 84.98, -15.13, 53.38

 

CMYK 14 / 0 / 50 / 15

HEX #BBDA6C

RGB 187 218 108

HSL 76.91, 0.6%, 0.64%

LAB 82.8, -26.95, 50.26

 

CMYK 0 / 40 / 50 / 15

HEX #DA826C

RGB 218 130 108

HSL 12, 0.6%, 0.64%

LAB 63.3, 31.62, 26.42

 

CMYK 0 / 48 / 60 / 9

HEX #E9795D

RGB 233 121 93

HSL 12, 0.76%, 0.64%

LAB 63.17, 40.85, 34.94

 

CMYK 0 / 54 / 69 / 3

HEX #F8714E

RGB 248 113 78

HSL 12.35, 0.92%, 0.64%

LAB 63.6, 49.42, 44.04

 

CMYK 0 / 40 / 50 / 15

HEX #DA826C

RGB 218 130 108

HSL 12, 0.6%, 0.64%

LAB 63.3, 31.62, 26.42

 

CMYK 0 / 32 / 39 / 20

HEX #CB8B7B

RGB 203 139 123

HSL 12, 0.43%, 0.64%

LAB 63.83, 22.42, 18.43

 

CMYK 0 / 22 / 27 / 26

HEX #BD948A

RGB 189 148 138

HSL 11.76, 0.28%, 0.64%

LAB 64.83, 13.9, 11.17

 

CMYK 0 / 10 / 12 / 32

HEX #AE9D99

RGB 174 157 153

HSL 11.43, 0.11%, 0.64%

LAB 66.07, 5.53, 4.35

 

CMYK 5 / 1 / 0 / 34

HEX #9FA6A8

RGB 159 166 168

HSL 193.33, 0.05%, 0.64%

LAB 67.63, -2.08, -1.9

 

CMYK 0 / 50 / 33 / 15

HEX #DA6C91

RGB 218 108 145

HSL 339.82, 0.6%, 0.64%

LAB 59.59, 46.93, 0.11

 

CMYK 0 / 50 / 47 / 15

HEX #DA6C73

RGB 218 108 115

HSL 356.18, 0.6%, 0.64%

LAB 58.85, 43.66, 16.44

 

CMYK 0 / 40 / 50 / 15

HEX #DA826C

RGB 218 130 108

HSL 12, 0.6%, 0.64%

LAB 63.3, 31.62, 26.42

 

CMYK 0 / 27 / 50 / 15

HEX #DAA06C

RGB 218 160 108

HSL 28.36, 0.6%, 0.64%

LAB 70.27, 15.51, 35.43

 

CMYK 0 / 13 / 50 / 15

HEX #DABD6C

RGB 218 189 108

HSL 44.18, 0.6%, 0.64%

LAB 77.51, 0.08, 44.45

 

CMYK 0 / 60 / 75 / 24

HEX #C34E31

RGB 195 78 49

HSL 11.92, 0.6%, 0.48%

LAB 48.6, 45.22, 40.34

 

CMYK 0 / 51 / 64 / 18

HEX #D2664B

RGB 210 102 75

HSL 12, 0.6%, 0.56%

LAB 55.8, 40.52, 35.04

 

CMYK 0 / 40 / 50 / 15

HEX #DA826C

RGB 218 130 108

HSL 12, 0.6%, 0.64%

LAB 63.3, 31.62, 26.42

 

CMYK 0 / 30 / 38 / 11

HEX #E39E8D

RGB 227 158 141

HSL 11.86, 0.61%, 0.72%

LAB 71.36, 23.6, 19.22

 

CMYK 0 / 21 / 26 / 8

HEX #EBBAAE

RGB 235 186 174

HSL 11.8, 0.6%, 0.8%

LAB 79.52, 15.9, 12.81

 

CMYK 0 / 40 / 50 / 15

HEX #DA836D

RGB 218 131 109

HSL 12.11, 0.6%, 0.64%

LAB 63.54, 31.18, 26.18

 

CMYK 20 / 0 / 50 / 15

HEX #AEDA6C

RGB 174 218 108

HSL 84, 0.6%, 0.64%

LAB 81.96, -31.87, 49.05

 

CMYK 50 / 40 / 0 / 15

HEX #6C82DA

RGB 108 130 218

HSL 228, 0.6%, 0.64%

LAB 56.3, 16.31, -47.62

 

CMYK 0 / 40 / 50 / 15

HEX #DA836D

RGB 218 131 109

HSL 12.11, 0.6%, 0.64%

LAB 63.54, 31.18, 26.18

 

CMYK 50 / 0 / 40 / 15

HEX #6CDA82

RGB 108 218 130

HSL 132, 0.6%, 0.64%

LAB 79.01, -50.17, 33.86

 

CMYK 40 / 50 / 0 / 15

HEX #826CDA

RGB 130 108 218

HSL 252, 0.6%, 0.64%

LAB 52.43, 34.61, -53.68

 

CMYK 0 / 40 / 50 / 15

HEX #DA836D

RGB 218 131 109

HSL 12.11, 0.6%, 0.64%

LAB 63.54, 31.18, 26.18

 

CMYK 20 / 0 / 50 / 15

HEX #AEDA6C

RGB 174 218 108

HSL 84, 0.6%, 0.64%

LAB 81.96, -31.87, 49.05

 

CMYK 50 / 10 / 0 / 15

HEX #6CC4DA

RGB 108 196 218

HSL 192, 0.6%, 0.64%

LAB 74.65, -20.55, -19.15

 

CMYK 30 / 50 / 0 / 15

HEX #986CDA

RGB 152 108 218

HSL 264, 0.6%, 0.64%

LAB 54.51, 40.11, -50.24

 

CMYK 0 / 40 / 50 / 15

HEX #DA836D

RGB 218 131 109

HSL 12.11, 0.6%, 0.64%

LAB 63.54, 31.18, 26.18

 

CMYK 35 / 0 / 50 / 15

HEX #8DDA6C

RGB 141 218 108

HSL 102, 0.6%, 0.64%

LAB 80.12, -43.51, 46.39

 

CMYK 50 / 10 / 0 / 15

HEX #6CC4DA

RGB 108 196 218

HSL 192, 0.6%, 0.64%

LAB 74.65, -20.55, -19.15

 

CMYK 15 / 50 / 0 / 15

HEX #B96CDA

RGB 185 108 218

HSL 282, 0.6%, 0.64%

LAB 58.13, 48.88, -44.27

 

Description

Color code: HEX #DA836DBF | qconv.com Color code: HEX #DA836DBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 131 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 131 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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