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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 28 / 37 / 4 it is the complementary color CMYK 90 / 22 / 0 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 28 / 37 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 28 / 37 / 4: CMYK 0 / 30 / 40 / 2, CMYK 0 / 24 / 34 / 0, CMYK 0 / 17 / 27 / 0, CMYK 0 / 10 / 19 / 0 and CMYK 0 / 3 / 12 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 28 / 37 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 28 / 37 / 4: CMYK 0 / 28 / 37 / 4, CMYK 0 / 31 / 41 / 11, CMYK 0 / 34 / 45 / 17, CMYK 0 / 37 / 50 / 24 and CMYK 0 / 41 / 56 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

Complementary color

CMYK 90 / 22 / 0 / 60

HEX #0A4F65

RGB 10 79 101

HSL 194.51, 0.82%, 0.22%

LAB 30.87, -11.36, -18.44

 

CMYK 0 / 30 / 40 / 2

HEX #FAB095

RGB 250 176 149

HSL 16.04, 0.91%, 0.78%

LAB 78.2, 23.79, 24.64

 

CMYK 0 / 24 / 34 / 0

HEX #FFC2A8

RGB 255 194 168

HSL 17.93, 1%, 0.83%

LAB 83.27, 18.43, 21.54

 

CMYK 0 / 17 / 27 / 0

HEX #FFD4BB

RGB 255 212 187

HSL 22.06, 1%, 0.87%

LAB 87.94, 11.46, 18

 

CMYK 0 / 10 / 19 / 0

HEX #FFE6CE

RGB 255 230 206

HSL 29.39, 1%, 0.9%

LAB 92.71, 4.83, 14.8

 

CMYK 0 / 3 / 12 / 0

HEX #FFF8E1

RGB 255 248 225

HSL 46, 1%, 0.94%

LAB 97.56, -1.44, 11.87

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 0 / 31 / 41 / 11

HEX #E49E87

RGB 228 158 135

HSL 14.84, 0.63%, 0.71%

LAB 71.35, 23.31, 22.51

 

CMYK 0 / 34 / 45 / 17

HEX #D38C74

RGB 211 140 116

HSL 15.16, 0.52%, 0.64%

LAB 64.86, 24.28, 23.88

 

CMYK 0 / 37 / 50 / 24

HEX #C27A61

RGB 194 122 97

HSL 15.46, 0.44%, 0.57%

LAB 58.27, 25.37, 25.41

 

CMYK 0 / 41 / 56 / 31

HEX #B1684E

RGB 177 104 78

HSL 15.76, 0.39%, 0.5%

LAB 51.61, 26.61, 27.12

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 0 / 23 / 38 / 4

HEX #F4BD98

RGB 244 189 152

HSL 24.13, 0.81%, 0.78%

LAB 80.68, 14.97, 26.3

 

CMYK 0 / 16 / 38 / 4

HEX #F4CD98

RGB 244 205 152

HSL 34.57, 0.81%, 0.78%

LAB 84.57, 6.6, 31.52

 

CMYK 0 / 10 / 38 / 4

HEX #F4DC98

RGB 244 220 152

HSL 44.35, 0.81%, 0.78%

LAB 88.3, -1.13, 36.44

 

CMYK 0 / 4 / 38 / 4

HEX #F4EB98

RGB 244 235 152

HSL 54.13, 0.81%, 0.78%

LAB 92.09, -8.69, 41.37

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 0 / 29 / 37 / 84

HEX #291D1A

RGB 41 29 26

HSL 12, 0.22%, 0.13%

LAB 12.12, 5.32, 4.34

 

CMYK 0 / 28 / 37 / 64

HEX #5C423A

RGB 92 66 58

HSL 14.12, 0.23%, 0.29%

LAB 30.59, 10.03, 9.29

 

CMYK 0 / 28 / 37 / 44

HEX #8F675A

RGB 143 103 90

HSL 14.72, 0.23%, 0.46%

LAB 47.34, 14.25, 13.67

 

CMYK 0 / 28 / 37 / 24

HEX #C28B7A

RGB 194 139 122

HSL 14.17, 0.37%, 0.62%

LAB 62.79, 18.73, 17.4

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 16 / 0 / 38 / 4

HEX #CDF498

RGB 205 244 152

HSL 85.43, 0.81%, 0.78%

LAB 91.66, -27.66, 40.26

 

CMYK 38 / 31 / 0 / 4

HEX #98A8F4

RGB 152 168 244

HSL 229.57, 0.81%, 0.78%

LAB 70.32, 12.58, -39.73

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 38 / 0 / 29 / 4

HEX #98F4AE

RGB 152 244 174

HSL 134.35, 0.81%, 0.78%

LAB 89.13, -41.74, 25.3

 

CMYK 29 / 38 / 0 / 4

HEX #AE98F4

RGB 174 152 244

HSL 254.35, 0.81%, 0.78%

LAB 68.01, 27.62, -43.23

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 16 / 0 / 38 / 4

HEX #CDF498

RGB 205 244 152

HSL 85.43, 0.81%, 0.78%

LAB 91.66, -27.66, 40.26

 

CMYK 38 / 9 / 0 / 4

HEX #98DFF4

RGB 152 223 244

HSL 193.7, 0.81%, 0.78%

LAB 84.99, -16.96, -17.26

 

CMYK 21 / 38 / 0 / 4

HEX #C098F4

RGB 192 152 244

HSL 266.09, 0.81%, 0.78%

LAB 69.61, 32.72, -40.62

 

CMYK 0 / 28 / 37 / 4

HEX #F5B09A

RGB 245 176 154

HSL 14.51, 0.82%, 0.78%

LAB 77.75, 22.44, 21.27

 

CMYK 27 / 0 / 38 / 4

HEX #B1F498

RGB 177 244 152

HSL 103.7, 0.81%, 0.78%

LAB 90.01, -37.38, 37.79

 

CMYK 38 / 9 / 0 / 4

HEX #98DFF4

RGB 152 223 244

HSL 193.7, 0.81%, 0.78%

LAB 84.99, -16.96, -17.26

 

CMYK 10 / 38 / 0 / 4

HEX #DC98F4

RGB 220 152 244

HSL 284.35, 0.81%, 0.78%

LAB 72.36, 40.94, -36.11

 

Description

Color code: CMYK 0 / 28 / 37 / 4 | qconv.com Color code: CMYK 0 / 28 / 37 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 176 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 176 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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