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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA7E6B it is the complementary color #258194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA7E6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA7E6B shade: #DF7E66, #F09079, #FFA28C, #FFB49F and #FFC6B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA7E6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA7E6B shade: #DA7E6B, #C96C58, #B85A45, #A74832 and #96361F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA7E6B shade: #DA7F6C and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA7E6B shade: #DA7F6C, #DA9D6C, #DABA6C, #DAD86C and #BFDA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA7E6B shade matches the following richer shades: #DA7F6C, #E9755D and #F86B4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA7E6B shade: #DA7F6C, #CB897B, #BD938A, #AE9C99 and #9FA6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA7E6B shade: #DA6C95, #DA6C77, #DA7E6C, #DA9C6C and #DAB96C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA7E6B shade: #C34A31, #D2624B, #DA7F6C, #E39C8D and #EBB9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA7E6B shade: #DA7E6B, #B2DA6C and #6C86DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA7E6B shade: #DA7E6B, #6CDA7E and #7E6CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA7E6B shade: #DA7E6B, #B2DA6C, #6CC8DA and #956CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA7E6B shade: #DA7E6B, #91DA6C, #6CC8DA and #B66CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 51 / 15

HEX #DA7E6B

RGB 218 126 107

HSL 10.27, 0.6%, 0.64%

LAB 62.41, 33.65, 25.81

 

Complementary color

CMYK 75 / 13 / 0 / 42

HEX #258194

RGB 37 129 148

HSL 190.27, 0.6%, 0.36%

LAB 49.78, -19.72, -17.88

 

CMYK 0 / 43 / 54 / 13

HEX #DF7E66

RGB 223 126 102

HSL 11.9, 0.65%, 0.64%

LAB 62.99, 35.15, 29.47

 

CMYK 0 / 40 / 50 / 6

HEX #F09079

RGB 240 144 121

HSL 11.6, 0.8%, 0.71%

LAB 69.36, 33.95, 27.76

 

CMYK 0 / 36 / 45 / 0

HEX #FFA28C

RGB 255 162 140

HSL 11.48, 1%, 0.77%

LAB 75.45, 32.1, 25.87

 

CMYK 0 / 29 / 38 / 0

HEX #FFB49F

RGB 255 180 159

HSL 13.13, 1%, 0.81%

LAB 79.84, 24.71, 21.62

 

CMYK 0 / 22 / 30 / 0

HEX #FFC6B2

RGB 255 198 178

HSL 15.58, 1%, 0.85%

LAB 84.41, 17.58, 17.83

 

CMYK 0 / 42 / 51 / 15

HEX #DA7E6B

RGB 218 126 107

HSL 10.27, 0.6%, 0.64%

LAB 62.41, 33.65, 25.81

 

CMYK 0 / 46 / 56 / 21

HEX #C96C58

RGB 201 108 88

HSL 10.62, 0.51%, 0.57%

LAB 55.93, 34.89, 27.63

 

CMYK 0 / 51 / 63 / 28

HEX #B85A45

RGB 184 90 69

HSL 10.96, 0.45%, 0.5%

LAB 49.41, 36.24, 29.72

 

CMYK 0 / 57 / 70 / 35

HEX #A74832

RGB 167 72 50

HSL 11.28, 0.54%, 0.43%

LAB 42.88, 37.66, 32.12

 

CMYK 0 / 64 / 79 / 41

HEX #96361F

RGB 150 54 31

HSL 11.6, 0.66%, 0.35%

LAB 36.41, 39.07, 34.83

 

CMYK 0 / 42 / 50 / 15

HEX #DA7F6C

RGB 218 127 108

HSL 10.36, 0.6%, 0.64%

LAB 62.65, 33.21, 25.56

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 42 / 50 / 15

HEX #DA7F6C

RGB 218 127 108

HSL 10.36, 0.6%, 0.64%

LAB 62.65, 33.21, 25.56

 

CMYK 0 / 28 / 50 / 15

HEX #DA9D6C

RGB 218 157 108

HSL 26.73, 0.6%, 0.64%

LAB 69.54, 17.13, 34.51

 

CMYK 0 / 15 / 50 / 15

HEX #DABA6C

RGB 218 186 108

HSL 42.55, 0.6%, 0.64%

LAB 76.74, 1.65, 43.51

 

CMYK 0 / 1 / 50 / 15

HEX #DAD86C

RGB 218 216 108

HSL 58.91, 0.6%, 0.64%

LAB 84.54, -13.74, 52.87

 

CMYK 12 / 0 / 50 / 15

HEX #BFDA6C

RGB 191 218 108

HSL 74.73, 0.6%, 0.64%

LAB 83.07, -25.4, 50.65

 

CMYK 0 / 42 / 50 / 15

HEX #DA7F6C

RGB 218 127 108

HSL 10.36, 0.6%, 0.64%

LAB 62.65, 33.21, 25.56

 

CMYK 0 / 50 / 60 / 9

HEX #E9755D

RGB 233 117 93

HSL 10.29, 0.76%, 0.64%

LAB 62.37, 42.86, 33.94

 

CMYK 0 / 57 / 69 / 3

HEX #F86B4E

RGB 248 107 78

HSL 10.24, 0.92%, 0.64%

LAB 62.53, 52.21, 42.79

 

CMYK 0 / 42 / 50 / 15

HEX #DA7F6C

RGB 218 127 108

HSL 10.36, 0.6%, 0.64%

LAB 62.65, 33.21, 25.56

 

CMYK 0 / 33 / 39 / 20

HEX #CB897B

RGB 203 137 123

HSL 10.5, 0.43%, 0.64%

LAB 63.36, 23.51, 17.78

 

CMYK 0 / 22 / 27 / 26

HEX #BD938A

RGB 189 147 138

HSL 10.59, 0.28%, 0.64%

LAB 64.58, 14.46, 10.82

 

CMYK 0 / 10 / 12 / 32

HEX #AE9C99

RGB 174 156 153

HSL 8.57, 0.11%, 0.64%

LAB 65.81, 6.08, 3.97

 

CMYK 5 / 1 / 0 / 34

HEX #9FA6A8

RGB 159 166 168

HSL 193.33, 0.05%, 0.64%

LAB 67.63, -2.08, -1.9

 

CMYK 0 / 50 / 32 / 15

HEX #DA6C95

RGB 218 108 149

HSL 337.64, 0.6%, 0.64%

LAB 59.71, 47.43, -2.03

 

CMYK 0 / 50 / 45 / 15

HEX #DA6C77

RGB 218 108 119

HSL 354, 0.6%, 0.64%

LAB 58.94, 44.05, 14.25

 

CMYK 0 / 42 / 50 / 15

HEX #DA7E6C

RGB 218 126 108

HSL 9.82, 0.6%, 0.64%

LAB 62.43, 33.74, 25.27

 

CMYK 0 / 28 / 50 / 15

HEX #DA9C6C

RGB 218 156 108

HSL 26.18, 0.6%, 0.64%

LAB 69.3, 17.66, 34.2

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 62 / 75 / 24

HEX #C34A31

RGB 195 74 49

HSL 10.27, 0.6%, 0.48%

LAB 47.91, 47.06, 39.59

 

CMYK 0 / 53 / 64 / 18

HEX #D2624B

RGB 210 98 75

HSL 10.22, 0.6%, 0.56%

LAB 55.02, 42.51, 34.09

 

CMYK 0 / 42 / 50 / 15

HEX #DA7F6C

RGB 218 127 108

HSL 10.36, 0.6%, 0.64%

LAB 62.65, 33.21, 25.56

 

CMYK 0 / 31 / 38 / 11

HEX #E39C8D

RGB 227 156 141

HSL 10.47, 0.61%, 0.72%

LAB 70.89, 24.67, 18.58

 

CMYK 0 / 21 / 26 / 8

HEX #EBB9AE

RGB 235 185 174

HSL 10.82, 0.6%, 0.8%

LAB 79.28, 16.43, 12.47

 

CMYK 0 / 42 / 51 / 15

HEX #DA7E6B

RGB 218 126 107

HSL 10.27, 0.6%, 0.64%

LAB 62.41, 33.65, 25.81

 

CMYK 18 / 0 / 50 / 15

HEX #B2DA6C

RGB 178 218 108

HSL 81.82, 0.6%, 0.64%

LAB 82.21, -30.37, 49.41

 

CMYK 50 / 39 / 0 / 15

HEX #6C86DA

RGB 108 134 218

HSL 225.82, 0.6%, 0.64%

LAB 57.37, 13.92, -45.93

 

CMYK 0 / 42 / 51 / 15

HEX #DA7E6B

RGB 218 126 107

HSL 10.27, 0.6%, 0.64%

LAB 62.41, 33.65, 25.81

 

CMYK 50 / 0 / 42 / 15

HEX #6CDA7E

RGB 108 218 126

HSL 129.82, 0.6%, 0.64%

LAB 78.95, -50.8, 35.8

 

CMYK 42 / 50 / 0 / 15

HEX #7E6CDA

RGB 126 108 218

HSL 249.82, 0.6%, 0.64%

LAB 52.09, 33.66, -54.25

 

CMYK 0 / 42 / 51 / 15

HEX #DA7E6B

RGB 218 126 107

HSL 10.27, 0.6%, 0.64%

LAB 62.41, 33.65, 25.81

 

CMYK 18 / 0 / 50 / 15

HEX #B2DA6C

RGB 178 218 108

HSL 81.82, 0.6%, 0.64%

LAB 82.21, -30.37, 49.41

 

CMYK 50 / 8 / 0 / 15

HEX #6CC8DA

RGB 108 200 218

HSL 189.82, 0.6%, 0.64%

LAB 75.8, -22.57, -17.42

 

CMYK 32 / 50 / 0 / 15

HEX #956CDA

RGB 149 108 218

HSL 262.36, 0.6%, 0.64%

LAB 54.21, 39.34, -50.74

 

CMYK 0 / 42 / 51 / 15

HEX #DA7E6B

RGB 218 126 107

HSL 10.27, 0.6%, 0.64%

LAB 62.41, 33.65, 25.81

 

CMYK 33 / 0 / 50 / 15

HEX #91DA6C

RGB 145 218 108

HSL 99.82, 0.6%, 0.64%

LAB 80.32, -42.18, 46.68

 

CMYK 50 / 8 / 0 / 15

HEX #6CC8DA

RGB 108 200 218

HSL 189.82, 0.6%, 0.64%

LAB 75.8, -22.57, -17.42

 

CMYK 17 / 50 / 0 / 15

HEX #B66CDA

RGB 182 108 218

HSL 280.36, 0.6%, 0.64%

LAB 57.78, 48.07, -44.85

 

Description

Color code: HEX #DA7E6B | qconv.com Color code: HEX #DA7E6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 126 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 126 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 51 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 51% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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