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Color name
HEX #DAB96C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB96C it is the complementary color #254693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB96C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB96C shade: #DFB967, #F0CB7A, #FFDD8D, #FFEFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB96C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB96C shade: #DAB96C, #C9A759, #B89546, #A78333 and #967120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB96C shade: #DAB96C, #DA9B6C, #DA7D6C and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB96C shade: #DAB96C, #DAD66C, #BFDA6C, #A2DA6C and #84DA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB96C shade matches the following richer shades: #DAB96C, #E9BF5D and #F7C54E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB96C shade: #DAB96C, #CBB37A, #BCAD89, #ADA798 and #9EA1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB96C shade: #DA7E6C, #DA9B6C, #DAB96C, #DAD66C and #C0DA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB96C shade: #C39730, #D2A94B, #DAB96C, #E2C88D and #EAD8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB96C shade: #DAB96C, #77DA6C and #8D6CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB96C shade: #DAB96C, #6CDAB9 and #B96CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB96C shade: #DAB96C, #77DA6C, #6C8DDA and #CF6CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB96C shade: #DAB96C, #6CDA82, #6C8DDA and #DA6CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

Complementary color

CMYK 75 / 52 / 0 / 42

HEX #254693

RGB 37 70 147

HSL 222, 0.6%, 0.36%

LAB 31.53, 16.23, -45.98

 

CMYK 0 / 17 / 54 / 13

HEX #DFB967

RGB 223 185 103

HSL 41, 0.65%, 0.64%

LAB 76.9, 3.81, 46.29

 

CMYK 0 / 15 / 49 / 6

HEX #F0CB7A

RGB 240 203 122

HSL 41.19, 0.8%, 0.71%

LAB 83.25, 3.01, 45.01

 

CMYK 0 / 13 / 45 / 0

HEX #FFDD8D

RGB 255 221 141

HSL 42.11, 1%, 0.78%

LAB 89.34, 1.52, 43.5

 

CMYK 0 / 6 / 37 / 0

HEX #FFEFA0

RGB 255 239 160

HSL 49.89, 1%, 0.81%

LAB 94.11, -5.6, 40.18

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 17 / 56 / 21

HEX #C9A759

RGB 201 167 89

HSL 41.79, 0.51%, 0.57%

LAB 70.02, 3.01, 44.49

 

CMYK 0 / 19 / 62 / 28

HEX #B89546

RGB 184 149 70

HSL 41.58, 0.45%, 0.5%

LAB 63.45, 4, 45.77

 

CMYK 0 / 22 / 69 / 35

HEX #A78333

RGB 167 131 51

HSL 41.38, 0.53%, 0.43%

LAB 56.77, 5.2, 46.91

 

CMYK 0 / 25 / 79 / 41

HEX #967120

RGB 150 113 32

HSL 41.19, 0.65%, 0.36%

LAB 49.98, 6.65, 47.66

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 29 / 50 / 15

HEX #DA9B6C

RGB 218 155 108

HSL 25.64, 0.6%, 0.64%

LAB 69.06, 18.2, 33.9

 

CMYK 0 / 43 / 50 / 15

HEX #DA7D6C

RGB 218 125 108

HSL 9.27, 0.6%, 0.64%

LAB 62.22, 34.26, 24.98

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 2 / 50 / 15

HEX #DAD66C

RGB 218 214 108

HSL 57.82, 0.6%, 0.64%

LAB 84.01, -12.74, 52.25

 

CMYK 12 / 0 / 50 / 15

HEX #BFDA6C

RGB 191 218 108

HSL 74.73, 0.6%, 0.64%

LAB 83.07, -25.4, 50.65

 

CMYK 26 / 0 / 50 / 15

HEX #A2DA6C

RGB 162 218 108

HSL 90.55, 0.6%, 0.64%

LAB 81.24, -36.26, 48.02

 

CMYK 39 / 0 / 50 / 15

HEX #84DA6C

RGB 132 218 108

HSL 106.91, 0.6%, 0.64%

LAB 79.69, -46.4, 45.77

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 18 / 60 / 9

HEX #E9BF5D

RGB 233 191 93

HSL 42, 0.76%, 0.64%

LAB 79.26, 4.06, 54.09

 

CMYK 0 / 20 / 68 / 3

HEX #F7C54E

RGB 247 197 78

HSL 42.25, 0.91%, 0.64%

LAB 81.98, 5.88, 64.07

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 12 / 40 / 20

HEX #CBB37A

RGB 203 179 122

HSL 42.22, 0.44%, 0.64%

LAB 73.77, 0.63, 32.26

 

CMYK 0 / 8 / 27 / 26

HEX #BCAD89

RGB 188 173 137

HSL 42.35, 0.28%, 0.64%

LAB 71.14, -0.27, 20.48

 

CMYK 0 / 3 / 12 / 32

HEX #ADA798

RGB 173 167 152

HSL 42.86, 0.11%, 0.64%

LAB 68.6, -0.49, 8.52

 

CMYK 5 / 4 / 0 / 35

HEX #9EA1A7

RGB 158 161 167

HSL 220, 0.05%, 0.64%

LAB 66.17, 0.11, -3.49

 

CMYK 0 / 42 / 50 / 15

HEX #DA7E6C

RGB 218 126 108

HSL 9.82, 0.6%, 0.64%

LAB 62.43, 33.74, 25.27

 

CMYK 0 / 29 / 50 / 15

HEX #DA9B6C

RGB 218 155 108

HSL 25.64, 0.6%, 0.64%

LAB 69.06, 18.2, 33.9

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 2 / 50 / 15

HEX #DAD66C

RGB 218 214 108

HSL 57.82, 0.6%, 0.64%

LAB 84.01, -12.74, 52.25

 

CMYK 12 / 0 / 50 / 15

HEX #C0DA6C

RGB 192 218 108

HSL 74.18, 0.6%, 0.64%

LAB 83.14, -25.02, 50.75

 

CMYK 0 / 23 / 75 / 24

HEX #C39730

RGB 195 151 48

HSL 42.04, 0.6%, 0.48%

LAB 64.92, 6.5, 57.35

 

CMYK 0 / 20 / 64 / 18

HEX #D2A94B

RGB 210 169 75

HSL 41.78, 0.6%, 0.56%

LAB 71.27, 4.77, 52.85

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 12 / 38 / 11

HEX #E2C88D

RGB 226 200 141

HSL 41.65, 0.59%, 0.72%

LAB 81.51, 0.91, 32.88

 

CMYK 0 / 8 / 26 / 8

HEX #EAD8AE

RGB 234 216 174

HSL 42, 0.59%, 0.8%

LAB 86.83, -0.18, 22.99

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 45 / 0 / 50 / 15

HEX #77DA6C

RGB 119 218 108

HSL 114, 0.6%, 0.64%

LAB 79.13, -50.33, 44.96

 

CMYK 35 / 50 / 0 / 15

HEX #8D6CDA

RGB 141 108 218

HSL 258, 0.6%, 0.64%

LAB 53.44, 37.31, -52.02

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 50 / 0 / 15 / 15

HEX #6CDAB9

RGB 108 218 185

HSL 162, 0.6%, 0.64%

LAB 80.09, -39.43, 6.62

 

CMYK 15 / 50 / 0 / 15

HEX #B96CDA

RGB 185 108 218

HSL 282, 0.6%, 0.64%

LAB 58.13, 48.88, -44.27

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 45 / 0 / 50 / 15

HEX #77DA6C

RGB 119 218 108

HSL 114, 0.6%, 0.64%

LAB 79.13, -50.33, 44.96

 

CMYK 50 / 35 / 0 / 15

HEX #6C8DDA

RGB 108 141 218

HSL 222, 0.6%, 0.64%

LAB 59.25, 9.77, -42.96

 

CMYK 5 / 50 / 0 / 15

HEX #CF6CDA

RGB 207 108 218

HSL 294, 0.6%, 0.64%

LAB 60.83, 54.9, -39.85

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 50 / 0 / 40 / 15

HEX #6CDA82

RGB 108 218 130

HSL 132, 0.6%, 0.64%

LAB 79.01, -50.17, 33.86

 

CMYK 50 / 35 / 0 / 15

HEX #6C8DDA

RGB 108 141 218

HSL 222, 0.6%, 0.64%

LAB 59.25, 9.77, -42.96

 

CMYK 0 / 50 / 10 / 15

HEX #DA6CC4

RGB 218 108 196

HSL 312, 0.6%, 0.64%

LAB 61.32, 54.21, -26.55

 

Description

Color code: HEX #DAB96C | qconv.com Color code: HEX #DAB96C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 185 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 185 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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