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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F06C it is the complementary color #260F93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F06C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F06C shade: #DEF067, #EFFF7A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F06C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F06C shade: #D9F06C, #C8DE59, #B7CC46, #A6BA33 and #95A820

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F06C shade: #D8EF6B, #EFE26B, #EFBF6B, #EF9B6B and #EF776B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F06C shade: #D8EF6B, #B4EF6B, #91EF6B, #6DEF6B and #6BEF8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F06C shade matches the following richer shades: #D8EF6B and #E1FC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F06C shade: #D8EF6B, #CFE278, #C7D585, #BEC792 and #B6BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F06C shade: #EFBF6B, #EFE26B, #D9EF6B, #B6EF6B and #92EF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F06C shade: #C4E720, #CEEB45, #D8EF6B, #E2F390 and #EBF7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F06C shade: #D9F06C, #6BEF9B and #D06BEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F06C shade: #D9F06C, #6BD9EF and #EF6BD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F06C shade: #D9F06C, #6BEF9B, #816BEF and #EF6BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F06C shade: #D9F06C, #6BEFC3, #816BEF and #EF6B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 55 / 6

HEX #D9F06C

RGB 217 240 108

HSL 70.45, 0.81%, 0.68%

LAB 90.85, -25.81, 60.18

 

Complementary color

CMYK 74 / 90 / 0 / 42

HEX #260F93

RGB 38 15 147

HSL 250.45, 0.81%, 0.32%

LAB 19.48, 48.76, -65.76

 

CMYK 8 / 0 / 57 / 6

HEX #DEF067

RGB 222 240 103

HSL 67.88, 0.82%, 0.67%

LAB 91.16, -24.25, 62.8

 

CMYK 6 / 0 / 52 / 0

HEX #EFFF7A

RGB 239 255 122

HSL 67.22, 1%, 0.74%

LAB 96.52, -23.25, 60.92

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 10 / 0 / 55 / 6

HEX #D9F06C

RGB 217 240 108

HSL 70.45, 0.81%, 0.68%

LAB 90.85, -25.81, 60.18

 

CMYK 10 / 0 / 60 / 13

HEX #C8DE59

RGB 200 222 89

HSL 69.92, 0.67%, 0.61%

LAB 84.61, -25.39, 61.08

 

CMYK 10 / 0 / 66 / 20

HEX #B7CC46

RGB 183 204 70

HSL 69.4, 0.57%, 0.54%

LAB 78.28, -24.87, 61.77

 

CMYK 11 / 0 / 73 / 27

HEX #A6BA33

RGB 166 186 51

HSL 68.89, 0.57%, 0.46%

LAB 71.87, -24.22, 62.06

 

CMYK 11 / 0 / 81 / 34

HEX #95A820

RGB 149 168 32

HSL 68.38, 0.68%, 0.39%

LAB 65.36, -23.39, 61.63

 

CMYK 10 / 0 / 55 / 6

HEX #D8EF6B

RGB 216 239 107

HSL 70.45, 0.8%, 0.68%

LAB 90.5, -25.81, 60.2

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 0 / 20 / 55 / 6

HEX #EFBF6B

RGB 239 191 107

HSL 38.18, 0.8%, 0.68%

LAB 80, 7.58, 48.42

 

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

CMYK 0 / 50 / 55 / 6

HEX #EF776B

RGB 239 119 107

HSL 5.45, 0.8%, 0.68%

LAB 63.84, 45.12, 28.22

 

CMYK 10 / 0 / 55 / 6

HEX #D8EF6B

RGB 216 239 107

HSL 70.45, 0.8%, 0.68%

LAB 90.5, -25.81, 60.2

 

CMYK 25 / 0 / 55 / 6

HEX #B4EF6B

RGB 180 239 107

HSL 86.82, 0.8%, 0.68%

LAB 88.21, -39.34, 56.96

 

CMYK 39 / 0 / 55 / 6

HEX #91EF6B

RGB 145 239 107

HSL 102.73, 0.8%, 0.68%

LAB 86.41, -51.16, 54.41

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 55 / 0 / 41 / 6

HEX #6BEF8C

RGB 107 239 140

HSL 135, 0.8%, 0.68%

LAB 85.38, -57.16, 37.14

 

CMYK 10 / 0 / 55 / 6

HEX #D8EF6B

RGB 216 239 107

HSL 70.45, 0.8%, 0.68%

LAB 90.5, -25.81, 60.2

 

CMYK 11 / 0 / 63 / 1

HEX #E1FC5E

RGB 225 252 94

HSL 70.25, 0.96%, 0.68%

LAB 94.5, -29.35, 70.21

 

CMYK 10 / 0 / 55 / 6

HEX #D8EF6B

RGB 216 239 107

HSL 70.45, 0.8%, 0.68%

LAB 90.5, -25.81, 60.2

 

CMYK 8 / 0 / 47 / 11

HEX #CFE278

RGB 207 226 120

HSL 70.75, 0.65%, 0.68%

LAB 86.51, -21.9, 49.38

 

CMYK 7 / 0 / 38 / 16

HEX #C7D585

RGB 199 213 133

HSL 70.5, 0.49%, 0.68%

LAB 82.61, -17.19, 37.98

 

CMYK 5 / 0 / 27 / 22

HEX #BEC792

RGB 190 199 146

HSL 70.19, 0.32%, 0.68%

LAB 78.39, -11.88, 25.57

 

CMYK 2 / 0 / 14 / 27

HEX #B6BAA0

RGB 182 186 160

HSL 69.23, 0.16%, 0.68%

LAB 74.57, -5.98, 12.72

 

CMYK 0 / 20 / 55 / 6

HEX #EFBF6B

RGB 239 191 107

HSL 38.18, 0.8%, 0.68%

LAB 80, 7.58, 48.42

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 9 / 0 / 55 / 6

HEX #D9EF6B

RGB 217 239 107

HSL 70, 0.8%, 0.68%

LAB 90.57, -25.42, 60.3

 

CMYK 24 / 0 / 55 / 6

HEX #B6EF6B

RGB 182 239 107

HSL 85.91, 0.8%, 0.68%

LAB 88.32, -38.61, 57.13

 

CMYK 39 / 0 / 55 / 6

HEX #92EF6B

RGB 146 239 107

HSL 102.27, 0.8%, 0.68%

LAB 86.46, -50.85, 54.48

 

CMYK 15 / 0 / 86 / 9

HEX #C4E720

RGB 196 231 32

HSL 70.55, 0.81%, 0.52%

LAB 86.5, -33.92, 80.93

 

CMYK 12 / 0 / 71 / 8

HEX #CEEB45

RGB 206 235 69

HSL 70.48, 0.81%, 0.6%

LAB 88.43, -30.39, 72.89

 

CMYK 10 / 0 / 55 / 6

HEX #D8EF6B

RGB 216 239 107

HSL 70.45, 0.8%, 0.68%

LAB 90.5, -25.81, 60.2

 

CMYK 7 / 0 / 41 / 5

HEX #E2F390

RGB 226 243 144

HSL 70.3, 0.8%, 0.76%

LAB 92.7, -20.36, 45.79

 

CMYK 5 / 0 / 27 / 3

HEX #EBF7B5

RGB 235 247 181

HSL 70.91, 0.8%, 0.84%

LAB 94.96, -14.47, 30.49

 

CMYK 10 / 0 / 55 / 6

HEX #D9F06C

RGB 217 240 108

HSL 70.45, 0.81%, 0.68%

LAB 90.85, -25.81, 60.18

 

CMYK 55 / 0 / 35 / 6

HEX #6BEF9B

RGB 107 239 155

HSL 141.82, 0.8%, 0.68%

LAB 85.62, -54.63, 29.93

 

CMYK 13 / 55 / 0 / 6

HEX #D06BEF

RGB 208 107 239

HSL 285.91, 0.8%, 0.68%

LAB 61.79, 59.67, -50.04

 

CMYK 10 / 0 / 55 / 6

HEX #D9F06C

RGB 217 240 108

HSL 70.45, 0.81%, 0.68%

LAB 90.85, -25.81, 60.18

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 0 / 55 / 9 / 6

HEX #EF6BD9

RGB 239 107 217

HSL 310, 0.8%, 0.68%

LAB 64.86, 63.97, -32.67

 

CMYK 10 / 0 / 55 / 6

HEX #D9F06C

RGB 217 240 108

HSL 70.45, 0.81%, 0.68%

LAB 90.85, -25.81, 60.18

 

CMYK 55 / 0 / 35 / 6

HEX #6BEF9B

RGB 107 239 155

HSL 141.82, 0.8%, 0.68%

LAB 85.62, -54.63, 29.93

 

CMYK 46 / 55 / 0 / 6

HEX #816BEF

RGB 129 107 239

HSL 250, 0.8%, 0.68%

LAB 53.4, 40.88, -63.93

 

CMYK 0 / 55 / 20 / 6

HEX #EF6BBF

RGB 239 107 191

HSL 321.82, 0.8%, 0.68%

LAB 63.86, 60.1, -19.58

 

CMYK 10 / 0 / 55 / 6

HEX #D9F06C

RGB 217 240 108

HSL 70.45, 0.81%, 0.68%

LAB 90.85, -25.81, 60.18

 

CMYK 55 / 0 / 18 / 6

HEX #6BEFC3

RGB 107 239 195

HSL 160, 0.8%, 0.68%

LAB 86.4, -46.63, 10.39

 

CMYK 46 / 55 / 0 / 6

HEX #816BEF

RGB 129 107 239

HSL 250, 0.8%, 0.68%

LAB 53.4, 40.88, -63.93

 

CMYK 0 / 55 / 37 / 6

HEX #EF6B97

RGB 239 107 151

HSL 340, 0.8%, 0.68%

LAB 62.59, 55.05, 1.39

 

Description

Color code: HEX #D9F06C | qconv.com Color code: HEX #D9F06C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 240 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 240 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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