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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F00E it is the complementary color #260FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F00E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F00E shade: #DEF009, #EFFF1C, #FFFF2F, #FFFF42 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F00E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F00E shade: #D9F00E, #C8DE00, #B7CC00, #A6BA00 and #95A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F00E shade: #D9F00E, #F0CA0E, #F08D0E, #F0500E and #F0130E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F00E shade: #D9F00E, #9CF00E, #5FF00E, #22F00E and #0EF036

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F00E shade matches the following richer shades: #D9F00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F00E shade: #D9F00E, #C9DC22, #B9C737, #A8B34B and #989E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F00E shade: #F08E0E, #F0CB0E, #DAF00E, #9DF00E and #61F00E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F00E shade: #93A209, #B6C90B, #D9F00E, #DFF335 and #E5F55C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F00E shade: #D9F00E, #0EF052 and #AC0EF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F00E shade: #D9F00E, #0EDAF0 and #F00EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F00E shade: #D9F00E, #0EF052, #240EF0 and #F00EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F00E shade: #D9F00E, #0EF096, #240EF0 and #F00E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

Complementary color

CMYK 84 / 94 / 0 / 5

HEX #260FF1

RGB 38 15 241

HSL 246.11, 0.89%, 0.5%

LAB 32.04, 73.78, -100.38

 

CMYK 8 / 0 / 96 / 6

HEX #DEF009

RGB 222 240 9

HSL 64.68, 0.93%, 0.49%

LAB 90.72, -27.93, 87.96

 

CMYK 6 / 0 / 89 / 0

HEX #EFFF1C

RGB 239 255 28

HSL 64.23, 1%, 0.55%

LAB 95.98, -27.79, 90.49

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2F

RGB 255 255 47

HSL 60, 1%, 0.59%

LAB 97.22, -20.88, 88.47

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 10 / 0 / 100 / 13

HEX #C8DE00

RGB 200 222 0

HSL 65.95, 1%, 0.44%

LAB 84.24, -28.59, 83.13

 

CMYK 10 / 0 / 100 / 20

HEX #B7CC00

RGB 183 204 0

HSL 66.18, 1%, 0.4%

LAB 78.02, -27.11, 77.96

 

CMYK 11 / 0 / 100 / 27

HEX #A6BA00

RGB 166 186 0

HSL 66.45, 1%, 0.36%

LAB 71.71, -25.62, 72.7

 

CMYK 11 / 0 / 100 / 34

HEX #95A800

RGB 149 168 0

HSL 66.79, 1%, 0.33%

LAB 65.27, -24.1, 67.35

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 0 / 16 / 94 / 6

HEX #F0CA0E

RGB 240 202 14

HSL 49.91, 0.89%, 0.5%

LAB 82.27, -1.6, 81.86

 

CMYK 0 / 41 / 94 / 6

HEX #F08D0E

RGB 240 141 14

HSL 33.72, 0.89%, 0.5%

LAB 67.73, 30.34, 71.46

 

CMYK 0 / 67 / 94 / 6

HEX #F0500E

RGB 240 80 14

HSL 17.52, 0.89%, 0.5%

LAB 56.38, 59.19, 64.02

 

CMYK 0 / 92 / 94 / 6

HEX #F0130E

RGB 240 19 14

HSL 1.33, 0.89%, 0.5%

LAB 50.71, 75.03, 60.74

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 35 / 0 / 94 / 6

HEX #9CF00E

RGB 156 240 14

HSL 82.3, 0.89%, 0.5%

LAB 86.71, -53.17, 82.7

 

CMYK 60 / 0 / 94 / 6

HEX #5FF00E

RGB 95 240 14

HSL 98.5, 0.89%, 0.5%

LAB 84.37, -71.02, 79.84

 

CMYK 86 / 0 / 94 / 6

HEX #22F00E

RGB 34 240 14

HSL 114.69, 0.89%, 0.5%

LAB 83.28, -80.46, 78.49

 

CMYK 94 / 0 / 78 / 6

HEX #0EF036

RGB 14 240 54

HSL 130.62, 0.89%, 0.5%

LAB 83.27, -80.04, 70.45

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 9 / 0 / 85 / 14

HEX #C9DC22

RGB 201 220 34

HSL 66.13, 0.73%, 0.5%

LAB 83.82, -26.71, 78.45

 

CMYK 7 / 0 / 72 / 22

HEX #B9C737

RGB 185 199 55

HSL 65.83, 0.57%, 0.5%

LAB 76.94, -22.45, 66.05

 

CMYK 6 / 0 / 58 / 30

HEX #A8B34B

RGB 168 179 75

HSL 66.35, 0.41%, 0.5%

LAB 70.23, -18.35, 50.65

 

CMYK 4 / 0 / 39 / 38

HEX #989E60

RGB 152 158 96

HSL 65.81, 0.24%, 0.5%

LAB 63.32, -12.06, 31.66

 

CMYK 0 / 41 / 94 / 6

HEX #F08E0E

RGB 240 142 14

HSL 33.98, 0.89%, 0.5%

LAB 67.95, 29.82, 71.61

 

CMYK 0 / 15 / 94 / 6

HEX #F0CB0E

RGB 240 203 14

HSL 50.18, 0.89%, 0.5%

LAB 82.52, -2.11, 82.05

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 35 / 0 / 94 / 6

HEX #9DF00E

RGB 157 240 14

HSL 82.04, 0.89%, 0.5%

LAB 86.76, -52.82, 82.76

 

CMYK 60 / 0 / 94 / 6

HEX #61F00E

RGB 97 240 14

HSL 97.96, 0.89%, 0.5%

LAB 84.43, -70.55, 79.91

 

CMYK 9 / 0 / 94 / 36

HEX #93A209

RGB 147 162 9

HSL 65.88, 0.89%, 0.34%

LAB 63.4, -21.85, 64.66

 

CMYK 9 / 0 / 95 / 21

HEX #B6C90B

RGB 182 201 11

HSL 66, 0.9%, 0.42%

LAB 77.13, -25.97, 76.16

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 8 / 0 / 78 / 5

HEX #DFF335

RGB 223 243 53

HSL 66.32, 0.89%, 0.58%

LAB 91.71, -28.01, 81.29

 

CMYK 7 / 0 / 62 / 4

HEX #E5F55C

RGB 229 245 92

HSL 66.27, 0.88%, 0.66%

LAB 92.9, -24.63, 69.39

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 94 / 0 / 66 / 6

HEX #0EF052

RGB 14 240 82

HSL 138.05, 0.89%, 0.5%

LAB 83.45, -77.74, 60.87

 

CMYK 28 / 94 / 0 / 6

HEX #AC0EF0

RGB 172 14 240

HSL 281.95, 0.89%, 0.5%

LAB 46.14, 83.19, -76.04

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 94 / 9 / 0 / 6

HEX #0EDAF0

RGB 14 218 240

HSL 185.84, 0.89%, 0.5%

LAB 79.91, -35.69, -23.15

 

CMYK 0 / 94 / 9 / 6

HEX #F00EDA

RGB 240 14 218

HSL 305.84, 0.89%, 0.5%

LAB 55.99, 89.93, -47.15

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 94 / 0 / 66 / 6

HEX #0EF052

RGB 14 240 82

HSL 138.05, 0.89%, 0.5%

LAB 83.45, -77.74, 60.87

 

CMYK 85 / 94 / 0 / 6

HEX #240EF0

RGB 36 14 240

HSL 245.84, 0.89%, 0.5%

LAB 31.76, 73.69, -100.28

 

CMYK 0 / 94 / 28 / 6

HEX #F00EAC

RGB 240 14 172

HSL 318.05, 0.89%, 0.5%

LAB 53.83, 84.43, -23.96

 

CMYK 10 / 0 / 94 / 6

HEX #D9F00E

RGB 217 240 14

HSL 66.11, 0.89%, 0.5%

LAB 90.37, -29.92, 87.13

 

CMYK 94 / 0 / 38 / 6

HEX #0EF096

RGB 14 240 150

HSL 156.11, 0.89%, 0.5%

LAB 84.29, -67.69, 30.4

 

CMYK 85 / 94 / 0 / 6

HEX #240EF0

RGB 36 14 240

HSL 245.84, 0.89%, 0.5%

LAB 31.76, 73.69, -100.28

 

CMYK 0 / 94 / 57 / 6

HEX #F00E68

RGB 240 14 104

HSL 336.11, 0.89%, 0.5%

LAB 51.65, 78.63, 13.6

 

Description

Color code: HEX #D9F00E | qconv.com Color code: HEX #D9F00E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 240 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 240 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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