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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF00E it is the complementary color #250FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF00E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF00E shade: #DFF009, #F0FF1C, #FFFF2F, #FFFF42 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF00E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF00E shade: #DAF00E, #C9DE00, #B8CC00, #A7BA00 and #96A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF00E shade: #DAF00E, #F0C90E, #F08C0E, #F04F0E and #F0120E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF00E shade: #DAF00E, #9DF00E, #60F00E, #23F00E and #0EF035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF00E shade matches the following richer shades: #DAF00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF00E shade: #DAF00E, #CADC22, #B9C737, #A9B34B and #989E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF00E shade: #F08A0E, #F0C70E, #DEF00E, #A1F00E and #65F00E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF00E shade: #94A209, #B7C90B, #DAF00E, #E0F335 and #E6F55C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF00E shade: #DAF00E, #0EF04E and #A90EF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF00E shade: #DAF00E, #0EDEF0 and #F00EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF00E shade: #DAF00E, #0EF04E, #200EF0 and #F00EB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF00E shade: #DAF00E, #0EF092, #200EF0 and #F00E6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

Complementary color

CMYK 85 / 94 / 0 / 5

HEX #250FF1

RGB 37 15 241

HSL 245.84, 0.89%, 0.5%

LAB 32, 73.76, -100.45

 

CMYK 7 / 0 / 96 / 6

HEX #DFF009

RGB 223 240 9

HSL 64.42, 0.93%, 0.49%

LAB 90.79, -27.52, 88.05

 

CMYK 6 / 0 / 89 / 0

HEX #F0FF1C

RGB 240 255 28

HSL 63.96, 1%, 0.55%

LAB 96.05, -27.38, 90.58

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2F

RGB 255 255 47

HSL 60, 1%, 0.59%

LAB 97.22, -20.88, 88.47

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 9 / 0 / 100 / 13

HEX #C9DE00

RGB 201 222 0

HSL 65.68, 1%, 0.44%

LAB 84.31, -28.18, 83.21

 

CMYK 10 / 0 / 100 / 20

HEX #B8CC00

RGB 184 204 0

HSL 65.88, 1%, 0.4%

LAB 78.1, -26.69, 78.04

 

CMYK 10 / 0 / 100 / 27

HEX #A7BA00

RGB 167 186 0

HSL 66.13, 1%, 0.36%

LAB 71.78, -25.19, 72.79

 

CMYK 11 / 0 / 100 / 34

HEX #96A800

RGB 150 168 0

HSL 66.43, 1%, 0.33%

LAB 65.35, -23.67, 67.43

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 0 / 16 / 94 / 6

HEX #F0C90E

RGB 240 201 14

HSL 49.65, 0.89%, 0.5%

LAB 82.02, -1.09, 81.68

 

CMYK 0 / 42 / 94 / 6

HEX #F08C0E

RGB 240 140 14

HSL 33.45, 0.89%, 0.5%

LAB 67.51, 30.87, 71.31

 

CMYK 0 / 67 / 94 / 6

HEX #F04F0E

RGB 240 79 14

HSL 17.26, 0.89%, 0.5%

LAB 56.24, 59.58, 63.93

 

CMYK 0 / 93 / 94 / 6

HEX #F0120E

RGB 240 18 14

HSL 1.06, 0.89%, 0.5%

LAB 50.68, 75.14, 60.72

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 35 / 0 / 94 / 6

HEX #9DF00E

RGB 157 240 14

HSL 82.04, 0.89%, 0.5%

LAB 86.76, -52.82, 82.76

 

CMYK 60 / 0 / 94 / 6

HEX #60F00E

RGB 96 240 14

HSL 98.23, 0.89%, 0.5%

LAB 84.4, -70.79, 79.87

 

CMYK 85 / 0 / 94 / 6

HEX #23F00E

RGB 35 240 14

HSL 114.42, 0.89%, 0.5%

LAB 83.29, -80.38, 78.5

 

CMYK 94 / 0 / 78 / 6

HEX #0EF035

RGB 14 240 53

HSL 130.35, 0.89%, 0.5%

LAB 83.27, -80.11, 70.74

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 8 / 0 / 85 / 14

HEX #CADC22

RGB 202 220 34

HSL 65.81, 0.73%, 0.5%

LAB 83.89, -26.3, 78.54

 

CMYK 7 / 0 / 72 / 22

HEX #B9C737

RGB 185 199 55

HSL 65.83, 0.57%, 0.5%

LAB 76.94, -22.45, 66.05

 

CMYK 6 / 0 / 58 / 30

HEX #A9B34B

RGB 169 179 75

HSL 65.77, 0.41%, 0.5%

LAB 70.3, -17.93, 50.76

 

CMYK 4 / 0 / 39 / 38

HEX #989E60

RGB 152 158 96

HSL 65.81, 0.24%, 0.5%

LAB 63.32, -12.06, 31.66

 

CMYK 0 / 43 / 94 / 6

HEX #F08A0E

RGB 240 138 14

HSL 32.92, 0.89%, 0.5%

LAB 67.08, 31.9, 71.01

 

CMYK 0 / 17 / 94 / 6

HEX #F0C70E

RGB 240 199 14

HSL 49.12, 0.89%, 0.5%

LAB 81.51, -0.06, 81.31

 

CMYK 8 / 0 / 94 / 6

HEX #DEF00E

RGB 222 240 14

HSL 64.78, 0.89%, 0.5%

LAB 90.73, -27.88, 87.55

 

CMYK 33 / 0 / 94 / 6

HEX #A1F00E

RGB 161 240 14

HSL 80.97, 0.89%, 0.5%

LAB 86.96, -51.42, 83

 

CMYK 58 / 0 / 94 / 6

HEX #65F00E

RGB 101 240 14

HSL 96.9, 0.89%, 0.5%

LAB 84.54, -69.6, 80.05

 

CMYK 9 / 0 / 94 / 36

HEX #94A209

RGB 148 162 9

HSL 65.49, 0.89%, 0.34%

LAB 63.47, -21.41, 64.75

 

CMYK 9 / 0 / 95 / 21

HEX #B7C90B

RGB 183 201 11

HSL 65.68, 0.9%, 0.42%

LAB 77.2, -25.55, 76.25

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 8 / 0 / 78 / 5

HEX #E0F335

RGB 224 243 53

HSL 66, 0.89%, 0.58%

LAB 91.78, -27.61, 81.38

 

CMYK 6 / 0 / 62 / 4

HEX #E6F55C

RGB 230 245 92

HSL 65.88, 0.88%, 0.66%

LAB 92.97, -24.23, 69.49

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 94 / 0 / 68 / 6

HEX #0EF04E

RGB 14 240 78

HSL 136.99, 0.89%, 0.5%

LAB 83.42, -78.14, 62.4

 

CMYK 30 / 94 / 0 / 6

HEX #A90EF0

RGB 169 14 240

HSL 281.15, 0.89%, 0.5%

LAB 45.69, 82.83, -76.81

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 94 / 8 / 0 / 6

HEX #0EDEF0

RGB 14 222 240

HSL 184.78, 0.89%, 0.5%

LAB 81.09, -37.54, -21.37

 

CMYK 0 / 94 / 8 / 6

HEX #F00EDE

RGB 240 14 222

HSL 304.78, 0.89%, 0.5%

LAB 56.2, 90.46, -49.08

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 94 / 0 / 68 / 6

HEX #0EF04E

RGB 14 240 78

HSL 136.99, 0.89%, 0.5%

LAB 83.42, -78.14, 62.4

 

CMYK 87 / 94 / 0 / 6

HEX #200EF0

RGB 32 14 240

HSL 244.78, 0.89%, 0.5%

LAB 31.61, 73.61, -100.55

 

CMYK 0 / 94 / 27 / 6

HEX #F00EB0

RGB 240 14 176

HSL 316.99, 0.89%, 0.5%

LAB 54, 84.86, -26.05

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 94 / 0 / 39 / 6

HEX #0EF092

RGB 14 240 146

HSL 155.04, 0.89%, 0.5%

LAB 84.22, -68.45, 32.33

 

CMYK 87 / 94 / 0 / 6

HEX #200EF0

RGB 32 14 240

HSL 244.78, 0.89%, 0.5%

LAB 31.61, 73.61, -100.55

 

CMYK 0 / 94 / 55 / 6

HEX #F00E6C

RGB 240 14 108

HSL 335.04, 0.89%, 0.5%

LAB 51.75, 78.88, 11.3

 

Description

Color code: HEX #DAF00E | qconv.com Color code: HEX #DAF00E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 240 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 240 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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