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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C0B5 it is the complementary color #263F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C0B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C0B5 shade: #DEC0B0, #EFD2C3, #FFE4D6, #FFF6E9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C0B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C0B5 shade: #D9C0B5, #C8AEA2, #B79C8F, #A68A7C and #957869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C0B5 shade: #D9C0B5, #D9B6B5 and #D9B5B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C0B5 shade: #D9C0B5, #D9CAB5, #D9D3B5, #D5D9B5 and #CBD9B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C0B5 shade matches the following richer shades: #D9C0B5, #E2BCAC, #EBB9A3, #F4B59A and #FDB291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C0B5 shade: #D9C0B5, #D0C3BE, #C7C7C7, #BECBD0 and #B5CED9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C0B5 shade: #D9B5BD, #D9B6B5, #D9C0B5, #D9C9B5 and #D9D3B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C0B5 shade: #BD927E, #CBA99A, #D9C0B5, #E7D7D0 and #F5EEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C0B5 shade: #D9C0B5, #C7D9B5 and #B5B9D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C0B5 shade: #D9C0B5, #B5D9C0 and #C0B5D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C0B5 shade: #D9C0B5, #C7D9B5, #B5CED9 and #C7B5D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C0B5 shade: #D9C0B5, #BCD9B5, #B5CED9 and #D2B5D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

Complementary color

CMYK 49 / 15 / 0 / 71

HEX #263F4A

RGB 38 63 74

HSL 198.33, 0.32%, 0.22%

LAB 25.14, -6.17, -9.71

 

CMYK 0 / 14 / 21 / 13

HEX #DEC0B0

RGB 222 192 176

HSL 20.87, 0.41%, 0.78%

LAB 79.82, 8.16, 11.99

 

CMYK 0 / 12 / 18 / 6

HEX #EFD2C3

RGB 239 210 195

HSL 20.45, 0.58%, 0.85%

LAB 86.2, 7.76, 11.13

 

CMYK 0 / 11 / 16 / 0

HEX #FFE4D6

RGB 255 228 214

HSL 20.49, 1%, 0.92%

LAB 92.4, 7.04, 10.19

 

CMYK 0 / 4 / 9 / 0

HEX #FFF6E9

RGB 255 246 233

HSL 35.45, 1%, 0.96%

LAB 97.25, 0.84, 7.31

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 13 / 19 / 22

HEX #C8AEA2

RGB 200 174 162

HSL 18.95, 0.26%, 0.71%

LAB 73, 7.46, 9.61

 

CMYK 0 / 15 / 22 / 28

HEX #B79C8F

RGB 183 156 143

HSL 19.5, 0.22%, 0.64%

LAB 66.39, 7.89, 10.5

 

CMYK 0 / 17 / 25 / 35

HEX #A68A7C

RGB 166 138 124

HSL 20, 0.19%, 0.57%

LAB 59.65, 8.39, 11.46

 

CMYK 0 / 19 / 30 / 42

HEX #957869

RGB 149 120 105

HSL 20.45, 0.17%, 0.5%

LAB 52.78, 8.96, 12.5

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 16 / 17 / 15

HEX #D9B6B5

RGB 217 182 181

HSL 1.67, 0.32%, 0.78%

LAB 77.01, 12.41, 5.2

 

CMYK 0 / 17 / 17 / 15

HEX #D9B5B5

RGB 217 181 181

HSL 0, 0.32%, 0.78%

LAB 76.76, 12.95, 4.85

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 7 / 17 / 15

HEX #D9CAB5

RGB 217 202 181

HSL 35, 0.32%, 0.78%

LAB 82.02, 1.8, 12.36

 

CMYK 0 / 3 / 17 / 15

HEX #D9D3B5

RGB 217 211 181

HSL 50, 0.32%, 0.78%

LAB 84.32, -2.89, 15.61

 

CMYK 2 / 0 / 17 / 15

HEX #D5D9B5

RGB 213 217 181

HSL 66.67, 0.32%, 0.78%

LAB 85.56, -7.42, 17.31

 

CMYK 6 / 0 / 17 / 15

HEX #CBD9B5

RGB 203 217 181

HSL 83.33, 0.32%, 0.78%

LAB 84.82, -11.01, 16.16

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 0 / 21 / 31 / 8

HEX #EBB9A3

RGB 235 185 163

HSL 18.33, 0.64%, 0.78%

LAB 79.04, 14.96, 18.05

 

CMYK 0 / 26 / 37 / 4

HEX #F4B59A

RGB 244 181 154

HSL 18, 0.8%, 0.78%

LAB 78.82, 19.42, 22.71

 

CMYK 0 / 30 / 43 / 1

HEX #FDB291

RGB 253 178 145

HSL 18.33, 0.96%, 0.78%

LAB 78.91, 23.47, 27.79

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 6 / 9 / 18

HEX #D0C3BE

RGB 208 195 190

HSL 16.67, 0.16%, 0.78%

LAB 79.7, 3.69, 4.13

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 9 / 2 / 0 / 18

HEX #BECBD0

RGB 190 203 208

HSL 196.67, 0.16%, 0.78%

LAB 80.86, -3.43, -4.01

 

CMYK 17 / 5 / 0 / 15

HEX #B5CED9

RGB 181 206 217

HSL 198.33, 0.32%, 0.78%

LAB 81.28, -6.08, -8.28

 

CMYK 0 / 17 / 13 / 15

HEX #D9B5BD

RGB 217 181 189

HSL 346.67, 0.32%, 0.78%

LAB 76.96, 14.23, 0.79

 

CMYK 0 / 16 / 17 / 15

HEX #D9B6B5

RGB 217 182 181

HSL 1.67, 0.32%, 0.78%

LAB 77.01, 12.41, 5.2

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 7 / 17 / 15

HEX #D9C9B5

RGB 217 201 181

HSL 33.33, 0.32%, 0.78%

LAB 81.76, 2.32, 12

 

CMYK 0 / 3 / 17 / 15

HEX #D9D3B5

RGB 217 211 181

HSL 50, 0.32%, 0.78%

LAB 84.32, -2.89, 15.61

 

CMYK 0 / 23 / 33 / 26

HEX #BD927E

RGB 189 146 126

HSL 19.05, 0.32%, 0.62%

LAB 64.07, 13.38, 16.83

 

CMYK 0 / 17 / 24 / 20

HEX #CBA99A

RGB 203 169 154

HSL 18.37, 0.32%, 0.7%

LAB 71.83, 10.11, 12.37

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 0 / 7 / 10 / 9

HEX #E7D7D0

RGB 231 215 208

HSL 18.26, 0.32%, 0.86%

LAB 87.07, 4.34, 5.42

 

CMYK 0 / 3 / 4 / 4

HEX #F5EEEB

RGB 245 238 235

HSL 18, 0.33%, 0.94%

LAB 94.55, 1.83, 2.27

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 8 / 0 / 17 / 15

HEX #C7D9B5

RGB 199 217 181

HSL 90, 0.32%, 0.78%

LAB 84.54, -12.43, 15.72

 

CMYK 17 / 15 / 0 / 15

HEX #B5B9D9

RGB 181 185 217

HSL 233.33, 0.32%, 0.78%

LAB 75.78, 5.12, -16.5

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 17 / 0 / 12 / 15

HEX #B5D9C0

RGB 181 217 192

HSL 138.33, 0.32%, 0.78%

LAB 83.58, -16.68, 8.39

 

CMYK 12 / 17 / 0 / 15

HEX #C0B5D9

RGB 192 181 217

HSL 258.33, 0.32%, 0.78%

LAB 75.62, 10.84, -16.67

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 8 / 0 / 17 / 15

HEX #C7D9B5

RGB 199 217 181

HSL 90, 0.32%, 0.78%

LAB 84.54, -12.43, 15.72

 

CMYK 17 / 5 / 0 / 15

HEX #B5CED9

RGB 181 206 217

HSL 198.33, 0.32%, 0.78%

LAB 81.28, -6.08, -8.28

 

CMYK 8 / 17 / 0 / 15

HEX #C7B5D9

RGB 199 181 217

HSL 270, 0.32%, 0.78%

LAB 76.19, 13.13, -15.74

 

CMYK 0 / 12 / 17 / 15

HEX #D9C0B5

RGB 217 192 181

HSL 18.33, 0.32%, 0.78%

LAB 79.49, 7.07, 8.77

 

CMYK 13 / 0 / 17 / 15

HEX #BCD9B5

RGB 188 217 181

HSL 108.33, 0.32%, 0.78%

LAB 83.78, -16.27, 14.56

 

CMYK 17 / 5 / 0 / 15

HEX #B5CED9

RGB 181 206 217

HSL 198.33, 0.32%, 0.78%

LAB 81.28, -6.08, -8.28

 

CMYK 3 / 17 / 0 / 15

HEX #D2B5D9

RGB 210 181 217

HSL 288.33, 0.32%, 0.78%

LAB 77.14, 16.78, -14.23

 

Description

Color code: HEX #D9C0B5 | qconv.com Color code: HEX #D9C0B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 192 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 192 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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