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Color name
HEX #D9BC2B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9BC2B it is the complementary color #2643D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9BC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9BC2B shade: #DEBC26, #EFCE39, #FFE04C, #FFF25F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9BC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9BC2B shade: #D9BC2B, #C8AA18, #B79805, #A68600 and #957400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9BC2B shade: #DABC2B, #DA8D2B, #DA5E2B, #DA2F2B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9BC2B shade: #DABC2B, #C7DA2B, #98DA2B, #69DA2B and #3ADA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9BC2B shade matches the following richer shades: #DABC2B and #EECA16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9BC2B shade: #DABC2B, #C5AF3F, #B1A153, #9D9467 and #89867B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9BC2B shade: #DA5F2B, #DA8E2B, #DABC2B, #C8DA2B and #99DA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9BC2B shade: #97821B, #BAA021, #DABC2B, #E0C74E and #E6D271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9BC2B shade: #D9BC2B, #2BDA30 and #762BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9BC2B shade: #D9BC2B, #2BDABC and #BC2BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9BC2B shade: #D9BC2B, #2BDA30, #2B48DA and #DA2BD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9BC2B shade: #D9BC2B, #2BDA65, #2B48DA and #DA2B9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 80 / 15

HEX #D9BC2B

RGB 217 188 43

HSL 50, 0.7%, 0.51%

LAB 76.61, -3.71, 70.57

 

Complementary color

CMYK 82 / 68 / 0 / 17

HEX #2643D4

RGB 38 67 212

HSL 230, 0.7%, 0.49%

LAB 36.33, 42.78, -76.69

 

CMYK 0 / 15 / 83 / 13

HEX #DEBC26

RGB 222 188 38

HSL 48.91, 0.74%, 0.51%

LAB 77.06, -1.7, 72.54

 

CMYK 0 / 14 / 76 / 6

HEX #EFCE39

RGB 239 206 57

HSL 49.12, 0.85%, 0.58%

LAB 83.33, -3.06, 73

 

CMYK 0 / 12 / 70 / 0

HEX #FFE04C

RGB 255 224 76

HSL 49.61, 1%, 0.65%

LAB 89.44, -4.66, 72.67

 

CMYK 0 / 5 / 63 / 0

HEX #FFF25F

RGB 255 242 95

HSL 55.13, 1%, 0.69%

LAB 94.14, -12.57, 70.11

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 13 / 80 / 15

HEX #D9BC2B

RGB 217 188 43

HSL 50, 0.7%, 0.51%

LAB 76.61, -3.71, 70.57

 

CMYK 0 / 15 / 88 / 22

HEX #C8AA18

RGB 200 170 24

HSL 49.77, 0.79%, 0.44%

LAB 70.24, -2.24, 69.44

 

CMYK 0 / 17 / 97 / 28

HEX #B79805

RGB 183 152 5

HSL 49.55, 0.95%, 0.37%

LAB 63.78, -0.52, 66.9

 

CMYK 0 / 19 / 100 / 35

HEX #A68600

RGB 166 134 0

HSL 48.43, 1%, 0.33%

LAB 57.23, 1.49, 62.2

 

CMYK 0 / 22 / 100 / 42

HEX #957400

RGB 149 116 0

HSL 46.71, 1%, 0.29%

LAB 50.55, 3.65, 56.69

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 57 / 80 / 15

HEX #DA5E2B

RGB 218 94 43

HSL 17.49, 0.7%, 0.51%

LAB 55.16, 45.94, 51.15

 

CMYK 0 / 78 / 80 / 15

HEX #DA2F2B

RGB 218 47 43

HSL 1.37, 0.7%, 0.51%

LAB 48.4, 64.22, 44.62

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 9 / 0 / 80 / 15

HEX #C7DA2B

RGB 199 218 43

HSL 66.51, 0.7%, 0.51%

LAB 83.16, -26.32, 75.73

 

CMYK 30 / 0 / 80 / 15

HEX #98DA2B

RGB 152 218 43

HSL 82.63, 0.7%, 0.51%

LAB 80.18, -44.74, 71.95

 

CMYK 52 / 0 / 80 / 15

HEX #69DA2B

RGB 105 218 43

HSL 98.74, 0.7%, 0.51%

LAB 78.06, -60.05, 69.24

 

CMYK 73 / 0 / 80 / 15

HEX #3ADA2B

RGB 58 218 43

HSL 114.86, 0.7%, 0.51%

LAB 76.81, -70.34, 67.62

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 0 / 15 / 91 / 7

HEX #EECA16

RGB 238 202 22

HSL 50, 0.86%, 0.51%

LAB 82.1, -2.36, 80.57

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 0 / 11 / 68 / 23

HEX #C5AF3F

RGB 197 175 63

HSL 50.15, 0.54%, 0.51%

LAB 71.48, -4.72, 57.93

 

CMYK 0 / 9 / 53 / 31

HEX #B1A153

RGB 177 161 83

HSL 49.79, 0.38%, 0.51%

LAB 66.11, -4.49, 42.28

 

CMYK 0 / 6 / 34 / 38

HEX #9D9467

RGB 157 148 103

HSL 50, 0.22%, 0.51%

LAB 61.07, -3.74, 25.03

 

CMYK 0 / 2 / 10 / 46

HEX #89867B

RGB 137 134 123

HSL 47.14, 0.06%, 0.51%

LAB 55.89, -0.93, 6.31

 

CMYK 0 / 56 / 80 / 15

HEX #DA5F2B

RGB 218 95 43

HSL 17.83, 0.7%, 0.51%

LAB 55.34, 45.47, 51.32

 

CMYK 0 / 35 / 80 / 15

HEX #DA8E2B

RGB 218 142 43

HSL 33.94, 0.7%, 0.51%

LAB 65.3, 21.19, 60.54

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 8 / 0 / 80 / 15

HEX #C8DA2B

RGB 200 218 43

HSL 66.17, 0.7%, 0.51%

LAB 83.23, -25.91, 75.82

 

CMYK 30 / 0 / 80 / 15

HEX #99DA2B

RGB 153 218 43

HSL 82.29, 0.7%, 0.51%

LAB 80.23, -44.37, 72.01

 

CMYK 0 / 14 / 82 / 41

HEX #97821B

RGB 151 130 27

HSL 49.84, 0.7%, 0.35%

LAB 54.68, -2.67, 53.76

 

CMYK 0 / 14 / 82 / 27

HEX #BAA021

RGB 186 160 33

HSL 49.8, 0.7%, 0.43%

LAB 66.28, -2.91, 63.37

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 0 / 11 / 65 / 12

HEX #E0C74E

RGB 224 199 78

HSL 49.73, 0.7%, 0.59%

LAB 80.32, -4.81, 61.66

 

CMYK 0 / 9 / 51 / 10

HEX #E6D271

RGB 230 210 113

HSL 49.74, 0.7%, 0.67%

LAB 84.02, -5.43, 50.14

 

CMYK 0 / 13 / 80 / 15

HEX #D9BC2B

RGB 217 188 43

HSL 50, 0.7%, 0.51%

LAB 76.61, -3.71, 70.57

 

CMYK 80 / 0 / 78 / 15

HEX #2BDA30

RGB 43 218 48

HSL 121.71, 0.7%, 0.51%

LAB 76.6, -72.08, 65.91

 

CMYK 46 / 80 / 0 / 15

HEX #762BDA

RGB 118 43 218

HSL 265.71, 0.7%, 0.51%

LAB 38.97, 65.29, -75.57

 

CMYK 0 / 13 / 80 / 15

HEX #D9BC2B

RGB 217 188 43

HSL 50, 0.7%, 0.51%

LAB 76.61, -3.71, 70.57

 

CMYK 80 / 0 / 14 / 15

HEX #2BDABC

RGB 43 218 188

HSL 169.71, 0.7%, 0.51%

LAB 78.63, -49.01, 2.72

 

CMYK 14 / 80 / 0 / 15

HEX #BC2BDA

RGB 188 43 218

HSL 289.71, 0.7%, 0.51%

LAB 48.86, 76.26, -59.04

 

CMYK 0 / 13 / 80 / 15

HEX #D9BC2B

RGB 217 188 43

HSL 50, 0.7%, 0.51%

LAB 76.61, -3.71, 70.57

 

CMYK 80 / 0 / 78 / 15

HEX #2BDA30

RGB 43 218 48

HSL 121.71, 0.7%, 0.51%

LAB 76.6, -72.08, 65.91

 

CMYK 80 / 67 / 0 / 15

HEX #2B48DA

RGB 43 72 218

HSL 230.06, 0.7%, 0.51%

LAB 38.22, 42.2, -77.02

 

CMYK 0 / 80 / 3 / 15

HEX #DA2BD4

RGB 218 43 212

HSL 302.06, 0.7%, 0.51%

LAB 53.37, 80.8, -48.12

 

CMYK 0 / 13 / 80 / 15

HEX #D9BC2B

RGB 217 188 43

HSL 50, 0.7%, 0.51%

LAB 76.61, -3.71, 70.57

 

CMYK 80 / 0 / 54 / 15

HEX #2BDA65

RGB 43 218 101

HSL 139.89, 0.7%, 0.51%

LAB 77.04, -66.69, 45.28

 

CMYK 80 / 67 / 0 / 15

HEX #2B48DA

RGB 43 72 218

HSL 230.06, 0.7%, 0.51%

LAB 38.22, 42.2, -77.02

 

CMYK 0 / 80 / 27 / 15

HEX #DA2B9F

RGB 218 43 159

HSL 320.23, 0.7%, 0.51%

LAB 50.85, 73.75, -21.22

 

Description

Color code: HEX #D9BC2B | qconv.com Color code: HEX #D9BC2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 188 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 188 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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