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Color name
HEX #D9B018

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B018 it is the complementary color #264FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B018 shade: #DEB013, #EFC226, #FFD439, #FFE64C and #FFF85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B018 shade: #D9B018, #C89E05, #B78C00, #A67A00 and #956800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B018 shade: #D8AF18, #D87B18, #D84818 and #D81818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B018 shade: #D8AF18, #CDD818, #99D818, #65D818 and #32D818

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B018 shade matches the following richer shades: #D8AF18 and #EBBA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B018 shade: #D8AF18, #C4A42B, #B1993F, #9E8E52 and #8A8266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B018 shade: #D84818, #D87B18, #D8AE18, #CED818 and #9BD818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B018 shade: #8D7310, #B39114, #D8AF18, #E8C131 and #ECCC56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B018 shade: #D9B018, #1BD818 and #6118D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B018 shade: #D9B018, #18D8AE and #AE18D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B018 shade: #D9B018, #1BD818, #1842D8 and #D518D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B018 shade: #D9B018, #18D84E, #1842D8 and #D818A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 89 / 15

HEX #D9B018

RGB 217 176 24

HSL 47.25, 0.8%, 0.47%

LAB 73.46, 2.08, 72.69

 

Complementary color

CMYK 84 / 66 / 0 / 9

HEX #264FE7

RGB 38 79 231

HSL 227.25, 0.8%, 0.53%

LAB 40.85, 42.17, -80.1

 

CMYK 0 / 21 / 91 / 13

HEX #DEB013

RGB 222 176 19

HSL 46.4, 0.84%, 0.47%

LAB 73.95, 4.18, 74.2

 

CMYK 0 / 19 / 84 / 6

HEX #EFC226

RGB 239 194 38

HSL 46.57, 0.86%, 0.54%

LAB 80.22, 2.51, 75.85

 

CMYK 0 / 17 / 78 / 0

HEX #FFD439

RGB 255 212 57

HSL 46.97, 1%, 0.61%

LAB 86.33, 0.63, 76.29

 

CMYK 0 / 10 / 70 / 0

HEX #FFE64C

RGB 255 230 76

HSL 51.62, 1%, 0.65%

LAB 90.95, -7.66, 74.16

 

CMYK 0 / 3 / 63 / 0

HEX #FFF85F

RGB 255 248 95

HSL 57.38, 1%, 0.69%

LAB 95.67, -15.5, 71.73

 

CMYK 0 / 19 / 89 / 15

HEX #D9B018

RGB 217 176 24

HSL 47.25, 0.8%, 0.47%

LAB 73.46, 2.08, 72.69

 

CMYK 0 / 21 / 98 / 22

HEX #C89E05

RGB 200 158 5

HSL 47.08, 0.95%, 0.4%

LAB 67.08, 3.89, 70.07

 

CMYK 0 / 23 / 100 / 28

HEX #B78C00

RGB 183 140 0

HSL 45.9, 1%, 0.36%

LAB 60.63, 5.96, 65.41

 

CMYK 0 / 27 / 100 / 35

HEX #A67A00

RGB 166 122 0

HSL 44.1, 1%, 0.33%

LAB 54.05, 8.19, 60.01

 

CMYK 0 / 30 / 100 / 42

HEX #956800

RGB 149 104 0

HSL 41.88, 1%, 0.29%

LAB 47.35, 10.53, 54.51

 

CMYK 0 / 19 / 89 / 15

HEX #D8AF18

RGB 216 175 24

HSL 47.19, 0.8%, 0.47%

LAB 73.11, 2.17, 72.37

 

CMYK 0 / 43 / 89 / 15

HEX #D87B18

RGB 216 123 24

HSL 30.94, 0.8%, 0.47%

LAB 60.63, 30, 62.7

 

CMYK 0 / 67 / 89 / 15

HEX #D84818

RGB 216 72 24

HSL 15, 0.8%, 0.47%

LAB 51.04, 54.49, 55.4

 

CMYK 0 / 89 / 89 / 15

HEX #D81818

RGB 216 24 24

HSL 0, 0.8%, 0.47%

LAB 46.07, 68.34, 51.71

 

CMYK 0 / 19 / 89 / 15

HEX #D8AF18

RGB 216 175 24

HSL 47.19, 0.8%, 0.47%

LAB 73.11, 2.17, 72.37

 

CMYK 5 / 0 / 89 / 15

HEX #CDD818

RGB 205 216 24

HSL 63.44, 0.8%, 0.47%

LAB 83, -23.36, 79.76

 

CMYK 29 / 0 / 89 / 15

HEX #99D818

RGB 153 216 24

HSL 79.69, 0.8%, 0.47%

LAB 79.59, -44.12, 75.58

 

CMYK 53 / 0 / 89 / 15

HEX #65D818

RGB 101 216 24

HSL 95.94, 0.8%, 0.47%

LAB 77.25, -61.17, 72.68

 

CMYK 77 / 0 / 89 / 15

HEX #32D818

RGB 50 216 24

HSL 111.88, 0.8%, 0.47%

LAB 75.98, -71.74, 71.1

 

CMYK 0 / 19 / 89 / 15

HEX #D8AF18

RGB 216 175 24

HSL 47.19, 0.8%, 0.47%

LAB 73.11, 2.17, 72.37

 

CMYK 0 / 21 / 98 / 8

HEX #EBBA05

RGB 235 186 5

HSL 47.22, 0.96%, 0.47%

LAB 77.75, 4.44, 79.29

 

CMYK 0 / 19 / 89 / 15

HEX #D8AF18

RGB 216 175 24

HSL 47.19, 0.8%, 0.47%

LAB 73.11, 2.17, 72.37

 

CMYK 0 / 16 / 78 / 23

HEX #C4A42B

RGB 196 164 43

HSL 47.45, 0.64%, 0.47%

LAB 68.36, -0.26, 62.43

 

CMYK 0 / 14 / 64 / 31

HEX #B1993F

RGB 177 153 63

HSL 47.37, 0.48%, 0.47%

LAB 63.74, -1.71, 49.19

 

CMYK 0 / 10 / 48 / 38

HEX #9E8E52

RGB 158 142 82

HSL 47.37, 0.32%, 0.47%

LAB 59.18, -2.44, 33.99

 

CMYK 0 / 6 / 26 / 46

HEX #8A8266

RGB 138 130 102

HSL 46.67, 0.15%, 0.47%

LAB 54.37, -1.72, 16.28

 

CMYK 0 / 67 / 89 / 15

HEX #D84818

RGB 216 72 24

HSL 15, 0.8%, 0.47%

LAB 51.04, 54.49, 55.4

 

CMYK 0 / 43 / 89 / 15

HEX #D87B18

RGB 216 123 24

HSL 30.94, 0.8%, 0.47%

LAB 60.63, 30, 62.7

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 5 / 0 / 89 / 15

HEX #CED818

RGB 206 216 24

HSL 63.13, 0.8%, 0.47%

LAB 83.07, -22.94, 79.85

 

CMYK 28 / 0 / 89 / 15

HEX #9BD818

RGB 155 216 24

HSL 79.06, 0.8%, 0.47%

LAB 79.7, -43.38, 75.71

 

CMYK 0 / 18 / 89 / 45

HEX #8D7310

RGB 141 115 16

HSL 47.52, 0.8%, 0.31%

LAB 49.45, 0.75, 52.1

 

CMYK 0 / 19 / 89 / 30

HEX #B39114

RGB 179 145 20

HSL 47.17, 0.8%, 0.39%

LAB 61.55, 1.71, 62.53

 

CMYK 0 / 19 / 89 / 15

HEX #D8AF18

RGB 216 175 24

HSL 47.19, 0.8%, 0.47%

LAB 73.11, 2.17, 72.37

 

CMYK 0 / 17 / 79 / 9

HEX #E8C131

RGB 232 193 49

HSL 47.21, 0.8%, 0.55%

LAB 79.34, 0.35, 71.7

 

CMYK 0 / 14 / 64 / 7

HEX #ECCC56

RGB 236 204 86

HSL 47.2, 0.8%, 0.63%

LAB 82.75, -1.87, 61.18

 

CMYK 0 / 19 / 89 / 15

HEX #D9B018

RGB 217 176 24

HSL 47.25, 0.8%, 0.47%

LAB 73.46, 2.08, 72.69

 

CMYK 88 / 0 / 89 / 15

HEX #1BD818

RGB 27 216 24

HSL 119.06, 0.8%, 0.47%

LAB 75.71, -74.19, 70.75

 

CMYK 55 / 89 / 0 / 15

HEX #6118D8

RGB 97 24 216

HSL 262.81, 0.8%, 0.47%

LAB 34.3, 68.46, -82.2

 

CMYK 0 / 19 / 89 / 15

HEX #D9B018

RGB 217 176 24

HSL 47.25, 0.8%, 0.47%

LAB 73.46, 2.08, 72.69

 

CMYK 89 / 0 / 19 / 15

HEX #18D8AE

RGB 24 216 174

HSL 166.88, 0.8%, 0.47%

LAB 77.5, -53.11, 8.53

 

CMYK 19 / 89 / 0 / 15

HEX #AE18D8

RGB 174 24 216

HSL 286.88, 0.8%, 0.47%

LAB 45.1, 77.76, -64.09

 

CMYK 0 / 19 / 89 / 15

HEX #D9B018

RGB 217 176 24

HSL 47.25, 0.8%, 0.47%

LAB 73.46, 2.08, 72.69

 

CMYK 88 / 0 / 89 / 15

HEX #1BD818

RGB 27 216 24

HSL 119.06, 0.8%, 0.47%

LAB 75.71, -74.19, 70.75

 

CMYK 89 / 69 / 0 / 15

HEX #1842D8

RGB 24 66 216

HSL 226.88, 0.8%, 0.47%

LAB 36.08, 44.04, -79.42

 

CMYK 1 / 89 / 0 / 15

HEX #D518D8

RGB 213 24 216

HSL 299.06, 0.8%, 0.47%

LAB 51.56, 83.99, -53.34

 

CMYK 0 / 19 / 89 / 15

HEX #D9B018

RGB 217 176 24

HSL 47.25, 0.8%, 0.47%

LAB 73.46, 2.08, 72.69

 

CMYK 89 / 0 / 64 / 15

HEX #18D84E

RGB 24 216 78

HSL 136.88, 0.8%, 0.47%

LAB 75.98, -70.62, 54.28

 

CMYK 89 / 69 / 0 / 15

HEX #1842D8

RGB 24 66 216

HSL 226.88, 0.8%, 0.47%

LAB 36.08, 44.04, -79.42

 

CMYK 0 / 89 / 25 / 15

HEX #D818A1

RGB 216 24 161

HSL 317.19, 0.8%, 0.47%

LAB 49.28, 77.26, -24.85

 

Description

Color code: HEX #D9B018 | qconv.com Color code: HEX #D9B018 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 176 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 176 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 89% 15% C M Y K

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Provide designers and agencies with accurate color values.

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