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Color name
RGB 216 174 24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 174 24 it is the complementary color RGB 39 81 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 174 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 174 24 shade: RGB 221 174 19, RGB 238 192 38, RGB 255 210 57, RGB 255 228 76 and RGB 255 246 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 174 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 199 156 5, RGB 182 138 0, RGB 165 120 0 and RGB 148 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 216 122 24, RGB 216 70 24 and RGB 216 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 206 216 24, RGB 154 216 24, RGB 103 216 24 and RGB 51 216 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 174 24 shade matches the following richer shades: RGB 216 174 24 and RGB 235 185 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 196 163 43, RGB 177 152 63, RGB 158 141 82 and RGB 138 130 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 174 24 shade: RGB 216 69 24, RGB 216 120 24, RGB 216 171 24, RGB 209 216 24 and RGB 158 216 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 174 24 shade: RGB 141 114 16, RGB 179 144 20, RGB 216 174 24, RGB 232 192 49 and RGB 236 203 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 30 216 24 and RGB 94 24 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 24 216 171 and RGB 171 24 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 30 216 24, RGB 24 69 216 and RGB 209 24 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 174 24 shade: RGB 216 174 24, RGB 24 216 75, RGB 24 69 216 and RGB 216 24 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

Complementary color

CMYK 83 / 65 / 0 / 9

HEX #2751E7

RGB 39 81 231

HSL 226.88, 0.8%, 0.53%

LAB 41.35, 41, -79.28

 

CMYK 0 / 21 / 91 / 13

HEX #DDAE13

RGB 221 174 19

HSL 46.04, 0.84%, 0.47%

LAB 73.34, 4.8, 73.69

 

CMYK 0 / 19 / 84 / 7

HEX #EEC026

RGB 238 192 38

HSL 46.2, 0.85%, 0.54%

LAB 79.62, 3.12, 75.31

 

CMYK 0 / 18 / 78 / 0

HEX #FFD239

RGB 255 210 57

HSL 46.36, 1%, 0.61%

LAB 85.83, 1.65, 75.84

 

CMYK 0 / 11 / 70 / 0

HEX #FFE44C

RGB 255 228 76

HSL 50.95, 1%, 0.65%

LAB 90.45, -6.66, 73.66

 

CMYK 0 / 4 / 63 / 0

HEX #FFF65F

RGB 255 246 95

HSL 56.63, 1%, 0.69%

LAB 95.16, -14.52, 71.19

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 0 / 22 / 97 / 22

HEX #C79C05

RGB 199 156 5

HSL 46.7, 0.95%, 0.4%

LAB 66.47, 4.52, 69.58

 

CMYK 0 / 24 / 100 / 29

HEX #B68A00

RGB 182 138 0

HSL 45.49, 1%, 0.36%

LAB 60, 6.61, 64.92

 

CMYK 0 / 27 / 100 / 35

HEX #A57800

RGB 165 120 0

HSL 43.64, 1%, 0.32%

LAB 53.42, 8.86, 59.52

 

CMYK 0 / 31 / 100 / 42

HEX #946600

RGB 148 102 0

HSL 41.35, 1%, 0.29%

LAB 46.71, 11.22, 54.02

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 0 / 44 / 89 / 15

HEX #D87A18

RGB 216 122 24

HSL 30.63, 0.8%, 0.47%

LAB 60.41, 30.52, 62.53

 

CMYK 0 / 68 / 89 / 15

HEX #D84618

RGB 216 70 24

HSL 14.38, 0.8%, 0.47%

LAB 50.74, 55.29, 55.18

 

CMYK 0 / 89 / 89 / 15

HEX #D81818

RGB 216 24 24

HSL 0, 0.8%, 0.47%

LAB 46.07, 68.34, 51.71

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 5 / 0 / 89 / 15

HEX #CED818

RGB 206 216 24

HSL 63.13, 0.8%, 0.47%

LAB 83.07, -22.94, 79.85

 

CMYK 29 / 0 / 89 / 15

HEX #9AD818

RGB 154 216 24

HSL 79.38, 0.8%, 0.47%

LAB 79.64, -43.75, 75.64

 

CMYK 52 / 0 / 89 / 15

HEX #67D818

RGB 103 216 24

HSL 95.31, 0.8%, 0.47%

LAB 77.32, -60.61, 72.77

 

CMYK 76 / 0 / 89 / 15

HEX #33D818

RGB 51 216 24

HSL 111.56, 0.8%, 0.47%

LAB 76, -71.6, 71.12

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 0 / 21 / 98 / 8

HEX #EBB905

RGB 235 185 5

HSL 46.96, 0.96%, 0.47%

LAB 77.5, 4.96, 79.11

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 0 / 17 / 78 / 23

HEX #C4A32B

RGB 196 163 43

HSL 47.06, 0.64%, 0.47%

LAB 68.1, 0.27, 62.19

 

CMYK 0 / 14 / 64 / 31

HEX #B1983F

RGB 177 152 63

HSL 46.84, 0.48%, 0.47%

LAB 63.48, -1.17, 48.9

 

CMYK 0 / 11 / 48 / 38

HEX #9E8D52

RGB 158 141 82

HSL 46.58, 0.32%, 0.47%

LAB 58.91, -1.89, 33.65

 

CMYK 0 / 6 / 26 / 46

HEX #8A8266

RGB 138 130 102

HSL 46.67, 0.15%, 0.47%

LAB 54.37, -1.72, 16.28

 

CMYK 0 / 68 / 89 / 15

HEX #D84518

RGB 216 69 24

HSL 14.06, 0.8%, 0.47%

LAB 50.59, 55.68, 55.07

 

CMYK 0 / 44 / 89 / 15

HEX #D87818

RGB 216 120 24

HSL 30, 0.8%, 0.47%

LAB 59.98, 31.58, 62.2

 

CMYK 0 / 21 / 89 / 15

HEX #D8AB18

RGB 216 171 24

HSL 45.94, 0.8%, 0.47%

LAB 72.09, 4.28, 71.57

 

CMYK 3 / 0 / 89 / 15

HEX #D1D818

RGB 209 216 24

HSL 62.19, 0.8%, 0.47%

LAB 83.3, -21.68, 80.13

 

CMYK 27 / 0 / 89 / 15

HEX #9ED818

RGB 158 216 24

HSL 78.13, 0.8%, 0.47%

LAB 79.87, -42.24, 75.92

 

CMYK 0 / 19 / 89 / 45

HEX #8D7210

RGB 141 114 16

HSL 47.04, 0.8%, 0.31%

LAB 49.17, 1.32, 51.88

 

CMYK 0 / 20 / 89 / 30

HEX #B39014

RGB 179 144 20

HSL 46.79, 0.8%, 0.39%

LAB 61.29, 2.25, 62.32

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 0 / 17 / 79 / 9

HEX #E8C031

RGB 232 192 49

HSL 46.89, 0.8%, 0.55%

LAB 79.09, 0.87, 71.47

 

CMYK 0 / 14 / 64 / 7

HEX #ECCB56

RGB 236 203 86

HSL 46.8, 0.8%, 0.63%

LAB 82.5, -1.36, 60.91

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 86 / 0 / 89 / 15

HEX #1ED818

RGB 30 216 24

HSL 118.13, 0.8%, 0.47%

LAB 75.73, -73.95, 70.79

 

CMYK 56 / 89 / 0 / 15

HEX #5E18D8

RGB 94 24 216

HSL 261.88, 0.8%, 0.47%

LAB 33.96, 68.2, -82.77

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 89 / 0 / 21 / 15

HEX #18D8AB

RGB 24 216 171

HSL 165.94, 0.8%, 0.47%

LAB 77.43, -53.85, 10.03

 

CMYK 21 / 89 / 0 / 15

HEX #AB18D8

RGB 171 24 216

HSL 285.94, 0.8%, 0.47%

LAB 44.62, 77.31, -64.89

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 86 / 0 / 89 / 15

HEX #1ED818

RGB 30 216 24

HSL 118.13, 0.8%, 0.47%

LAB 75.73, -73.95, 70.79

 

CMYK 89 / 68 / 0 / 15

HEX #1845D8

RGB 24 69 216

HSL 225.94, 0.8%, 0.47%

LAB 36.76, 42.19, -78.29

 

CMYK 3 / 89 / 0 / 15

HEX #D118D8

RGB 209 24 216

HSL 297.81, 0.8%, 0.47%

LAB 50.88, 83.31, -54.47

 

CMYK 0 / 19 / 89 / 15

HEX #D8AE18

RGB 216 174 24

HSL 46.88, 0.8%, 0.47%

LAB 72.85, 2.7, 72.17

 

CMYK 89 / 0 / 65 / 15

HEX #18D84B

RGB 24 216 75

HSL 135.94, 0.8%, 0.47%

LAB 75.95, -70.94, 55.5

 

CMYK 89 / 68 / 0 / 15

HEX #1845D8

RGB 24 69 216

HSL 225.94, 0.8%, 0.47%

LAB 36.76, 42.19, -78.29

 

CMYK 0 / 89 / 24 / 15

HEX #D818A5

RGB 216 24 165

HSL 315.94, 0.8%, 0.47%

LAB 49.46, 77.72, -26.95

 

Description

Color code: RGB 216 174 24 | qconv.com Color code: RGB 216 174 24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 174 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 174 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 89% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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