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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9AF35 it is the complementary color #2650CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9AF35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D9AF35: #DEAF30, #EFC143, #FFD356, #FFE569 and #FFF77C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9AF35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D9AF35: #D9AF35, #C89D22, #B78B0F, #A67900 and #956700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

Complementary color

CMYK 81 / 60 / 0 / 21

HEX #2650CA

RGB 38 80 202

HSL 224.63, 0.68%, 0.47%

LAB 38.57, 30.87, -67.22

 

CMYK 0 / 21 / 78 / 13

HEX #DEAF30

RGB 222 175 48

HSL 43.79, 0.73%, 0.53%

LAB 73.81, 5.43, 66.67

 

CMYK 0 / 19 / 72 / 6

HEX #EFC143

RGB 239 193 67

HSL 43.95, 0.84%, 0.6%

LAB 80.12, 4.05, 66.35

 

CMYK 0 / 17 / 66 / 0

HEX #FFD356

RGB 255 211 86

HSL 44.38, 1%, 0.67%

LAB 86.27, 2.44, 65.47

 

CMYK 0 / 10 / 59 / 0

HEX #FFE569

RGB 255 229 105

HSL 49.6, 1%, 0.71%

LAB 90.93, -5.49, 62.38

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77C

RGB 255 247 124

HSL 56.34, 1%, 0.74%

LAB 95.68, -12.98, 59.34

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 0 / 22 / 83 / 22

HEX #C89D22

RGB 200 157 34

HSL 44.46, 0.71%, 0.46%

LAB 66.91, 4.96, 64.16

 

CMYK 0 / 24 / 92 / 28

HEX #B78B0F

RGB 183 139 15

HSL 44.29, 0.85%, 0.39%

LAB 60.4, 6.72, 62.85

 

CMYK 0 / 27 / 100 / 35

HEX #A67900

RGB 166 121 0

HSL 43.73, 1%, 0.33%

LAB 53.79, 8.75, 59.83

 

CMYK 0 / 31 / 100 / 42

HEX #956700

RGB 149 103 0

HSL 41.48, 1%, 0.29%

LAB 47.09, 11.11, 54.33

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 0 / 7 / 75 / 15

HEX #D8C835

RGB 216 200 53

HSL 54.11, 0.68%, 0.53%

LAB 79.71, -9.94, 70.22

 

CMYK 5 / 0 / 75 / 15

HEX #CDD835

RGB 205 216 53

HSL 64.05, 0.68%, 0.53%

LAB 83.1, -22.51, 73.02

 

CMYK 18 / 0 / 75 / 15

HEX #B2D835

RGB 178 216 53

HSL 73.99, 0.68%, 0.53%

LAB 81.2, -33.47, 70.57

 

CMYK 30 / 0 / 75 / 15

HEX #97D835

RGB 151 216 53

HSL 83.93, 0.68%, 0.53%

LAB 79.58, -43.78, 68.47

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 0 / 23 / 77 / 95

HEX #0D0A03

RGB 13 10 3

HSL 42, 0.63%, 0.03%

LAB 2.79, -0.12, 2.95

 

CMYK 0 / 19 / 75 / 75

HEX #403410

RGB 64 52 16

HSL 45, 0.6%, 0.16%

LAB 22.24, 0.48, 24.04

 

CMYK 0 / 19 / 76 / 55

HEX #735D1C

RGB 115 93 28

HSL 44.83, 0.61%, 0.28%

LAB 40.5, 1.54, 38.82

 

CMYK 0 / 19 / 75 / 35

HEX #A68629

RGB 166 134 41

HSL 44.64, 0.6%, 0.41%

LAB 57.38, 2.56, 51.77

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 70 / 0 / 75 / 15

HEX #40D835

RGB 64 216 53

HSL 115.95, 0.68%, 0.53%

LAB 76.35, -68.11, 64.23

 

CMYK 50 / 75 / 0 / 15

HEX #6B35D8

RGB 107 53 216

HSL 259.88, 0.68%, 0.53%

LAB 38.95, 59.2, -74.5

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 75 / 0 / 20 / 15

HEX #35D8AD

RGB 53 216 173

HSL 164.17, 0.68%, 0.53%

LAB 77.81, -50.92, 9.55

 

CMYK 20 / 75 / 0 / 15

HEX #AD35D8

RGB 173 53 216

HSL 284.17, 0.68%, 0.53%

LAB 47.48, 70.19, -60.24

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 70 / 0 / 75 / 15

HEX #40D835

RGB 64 216 53

HSL 115.95, 0.68%, 0.53%

LAB 76.35, -68.11, 64.23

 

CMYK 75 / 55 / 0 / 15

HEX #3561D8

RGB 53 97 216

HSL 223.8, 0.68%, 0.53%

LAB 44.61, 26.61, -65.41

 

CMYK 5 / 75 / 0 / 15

HEX #CD35D8

RGB 205 53 216

HSL 295.95, 0.68%, 0.53%

LAB 52.38, 76.31, -52.11

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF35

RGB 217 175 53

HSL 44.63, 0.68%, 0.53%

LAB 73.33, 3.46, 64.29

 

CMYK 75 / 0 / 58 / 15

HEX #35D85B

RGB 53 216 91

HSL 133.99, 0.68%, 0.53%

LAB 76.45, -66.15, 49.23

 

CMYK 75 / 55 / 0 / 15

HEX #3561D8

RGB 53 97 216

HSL 223.8, 0.68%, 0.53%

LAB 44.61, 26.61, -65.41

 

CMYK 0 / 75 / 18 / 15

HEX #D835B2

RGB 216 53 178

HSL 313.99, 0.68%, 0.53%

LAB 52.24, 72.99, -30.28

 

Description

Color code: HEX #D9AF35 | qconv.com Color code: HEX #D9AF35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 175 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 175 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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