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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97BD6 it is the complementary color #268429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97BD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D97BD6: #DE7BD1, #EF8DE4, #FF9FF7, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97BD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D97BD6: #D97BD6, #C869C3, #B757B0, #A6459D and #95338A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

Complementary color

CMYK 71 / 0 / 69 / 48

HEX #268429

RGB 38 132 41

HSL 121.91, 0.55%, 0.33%

LAB 48.35, -45.75, 39.84

 

CMYK 0 / 45 / 6 / 13

HEX #DE7BD1

RGB 222 123 209

HSL 307.88, 0.6%, 0.68%

LAB 65.2, 50.15, -27.86

 

CMYK 0 / 41 / 5 / 6

HEX #EF8DE4

RGB 239 141 228

HSL 306.73, 0.75%, 0.75%

LAB 71.56, 49.43, -28.44

 

CMYK 0 / 38 / 3 / 0

HEX #FF9FF7

RGB 255 159 247

HSL 305, 1%, 0.81%

LAB 77.74, 48.4, -29.13

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 0 / 48 / 3 / 22

HEX #C869C3

RGB 200 105 195

HSL 303.16, 0.46%, 0.6%

LAB 58.34, 50.22, -30.79

 

CMYK 0 / 52 / 4 / 28

HEX #B757B0

RGB 183 87 176

HSL 304.38, 0.4%, 0.53%

LAB 51.86, 50.84, -30.1

 

CMYK 0 / 58 / 5 / 35

HEX #A6459D

RGB 166 69 157

HSL 305.57, 0.41%, 0.46%

LAB 45.36, 51.3, -29.22

 

CMYK 0 / 66 / 7 / 42

HEX #95338A

RGB 149 51 138

HSL 306.73, 0.49%, 0.39%

LAB 38.88, 51.44, -28.05

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 0 / 43 / 8 / 15

HEX #D97CC8

RGB 217 124 200

HSL 310.97, 0.55%, 0.67%

LAB 64.43, 46.57, -24.04

 

CMYK 0 / 43 / 15 / 15

HEX #D97CB8

RGB 217 124 184

HSL 321.29, 0.55%, 0.67%

LAB 63.86, 43.96, -15.89

 

CMYK 0 / 43 / 22 / 15

HEX #D97CA9

RGB 217 124 169

HSL 330.97, 0.55%, 0.67%

LAB 63.37, 41.68, -8.11

 

CMYK 0 / 43 / 29 / 15

HEX #D97C99

RGB 217 124 153

HSL 341.29, 0.55%, 0.67%

LAB 62.9, 39.46, 0.32

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 0 / 46 / 0 / 95

HEX #0D070D

RGB 13 7 13

HSL 300, 0.3%, 0.04%

LAB 2.41, 2.51, -1.79

 

CMYK 0 / 44 / 2 / 75

HEX #40243F

RGB 64 36 63

HSL 302.14, 0.28%, 0.2%

LAB 18.85, 18.38, -11.7

 

CMYK 0 / 43 / 2 / 55

HEX #734171

RGB 115 65 113

HSL 302.4, 0.28%, 0.35%

LAB 35.24, 29.57, -18.62

 

CMYK 0 / 43 / 1 / 35

HEX #A65EA4

RGB 166 94 164

HSL 301.67, 0.29%, 0.51%

LAB 50.44, 39.96, -25.45

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 0 / 34 / 43 / 15

HEX #D9907C

RGB 217 144 124

HSL 12.9, 0.55%, 0.67%

LAB 66.64, 25.33, 21.96

 

CMYK 43 / 0 / 17 / 15

HEX #7CD9B5

RGB 124 217 181

HSL 156.77, 0.55%, 0.67%

LAB 80.32, -35.95, 9.16

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 1 / 0 / 43 / 15

HEX #D7D97C

RGB 215 217 124

HSL 61.29, 0.55%, 0.67%

LAB 84.76, -13.94, 45.42

 

CMYK 43 / 1 / 0 / 15

HEX #7CD7D9

RGB 124 215 217

HSL 181.29, 0.55%, 0.67%

LAB 80.68, -26.63, -9.5

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 0 / 34 / 43 / 15

HEX #D9907C

RGB 217 144 124

HSL 12.9, 0.55%, 0.67%

LAB 66.64, 25.33, 21.96

 

CMYK 43 / 0 / 42 / 15

HEX #7CD97E

RGB 124 217 126

HSL 121.29, 0.55%, 0.67%

LAB 79.28, -45.97, 36.36

 

CMYK 43 / 9 / 0 / 15

HEX #7CC5D9

RGB 124 197 217

HSL 192.9, 0.55%, 0.67%

LAB 75.59, -17.61, -17.12

 

CMYK 0 / 43 / 1 / 15

HEX #D97BD6

RGB 217 123 214

HSL 301.91, 0.55%, 0.67%

LAB 64.78, 49.52, -31.35

 

CMYK 0 / 21 / 43 / 15

HEX #D9AC7C

RGB 217 172 124

HSL 30.97, 0.55%, 0.67%

LAB 73.36, 10.24, 30.92

 

CMYK 43 / 0 / 42 / 15

HEX #7CD97E

RGB 124 217 126

HSL 121.29, 0.55%, 0.67%

LAB 79.28, -45.97, 36.36

 

CMYK 43 / 22 / 0 / 15

HEX #7CA9D9

RGB 124 169 217

HSL 210.97, 0.55%, 0.67%

LAB 67.78, -2.64, -29.05

 

Description

Color code: HEX #D97BD6 | qconv.com Color code: HEX #D97BD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 123 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 123 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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