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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96AE1 it is the complementary color #26951E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96AE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96AE1 shade: #DE6ADC, #EF7CEF, #FF8EFF, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96AE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96AE1 shade: #D96AE1, #C858CE, #B746BB, #A634A8 and #952295

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96AE1 shade: #D96BE1, #E16BC9, #E16BA9, #E16B89 and #E16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96AE1 shade: #D96BE1, #B96BE1, #996BE1, #796BE1 and #6B6BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96AE1 shade matches the following richer shades: #D96BE1, #E55CEF and #F24EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96AE1 shade: #D96BE1, #CC79D2, #C088C4, #B396B5 and #A7A5A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96AE1 shade: #986BE1, #B76BE1, #D76BE1, #E16BCB and #E16BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96AE1 shade: #C42ACF, #D049DA, #D96BE1, #E28DE8 and #EAAFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96AE1 shade: #D96AE1, #E1796B and #6BE1A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96AE1 shade: #D96AE1, #E1D76B and #6BE1D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96AE1 shade: #D96AE1, #E1796B, #75E16B and #6BD3E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96AE1 shade: #D96AE1, #E19C6B, #75E16B and #6BB0E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 53 / 0 / 12

HEX #D96AE1

RGB 217 106 225

HSL 295.97, 0.66%, 0.65%

LAB 62.08, 59.84, -41.71

 

Complementary color

CMYK 74 / 0 / 80 / 42

HEX #26951E

RGB 38 149 30

HSL 115.97, 0.66%, 0.35%

LAB 54.03, -52.55, 49.82

 

CMYK 0 / 52 / 1 / 13

HEX #DE6ADC

RGB 222 106 220

HSL 301.03, 0.64%, 0.64%

LAB 62.51, 60.3, -38.19

 

CMYK 0 / 48 / 0 / 6

HEX #EF7CEF

RGB 239 124 239

HSL 300, 0.78%, 0.71%

LAB 68.75, 59.73, -38.83

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 4 / 53 / 0 / 12

HEX #D96AE1

RGB 217 106 225

HSL 295.97, 0.66%, 0.65%

LAB 62.08, 59.84, -41.71

 

CMYK 3 / 57 / 0 / 19

HEX #C858CE

RGB 200 88 206

HSL 296.95, 0.55%, 0.58%

LAB 55.8, 60.3, -41.03

 

CMYK 2 / 63 / 0 / 27

HEX #B746BB

RGB 183 70 187

HSL 297.95, 0.46%, 0.5%

LAB 49.54, 60.52, -40.14

 

CMYK 1 / 69 / 0 / 34

HEX #A634A8

RGB 166 52 168

HSL 298.97, 0.53%, 0.43%

LAB 43.35, 60.33, -38.94

 

CMYK 0 / 77 / 0 / 42

HEX #952295

RGB 149 34 149

HSL 300, 0.63%, 0.36%

LAB 37.31, 59.43, -37.27

 

CMYK 4 / 52 / 0 / 12

HEX #D96BE1

RGB 217 107 225

HSL 295.93, 0.66%, 0.65%

LAB 62.26, 59.37, -41.44

 

CMYK 0 / 52 / 11 / 12

HEX #E16BC9

RGB 225 107 201

HSL 312.2, 0.66%, 0.65%

LAB 62.29, 57.53, -27.82

 

CMYK 0 / 52 / 25 / 12

HEX #E16BA9

RGB 225 107 169

HSL 328.47, 0.66%, 0.65%

LAB 61.12, 52.81, -11.36

 

CMYK 0 / 52 / 39 / 12

HEX #E16B89

RGB 225 107 137

HSL 344.75, 0.66%, 0.65%

LAB 60.18, 48.87, 5.73

 

CMYK 0 / 52 / 52 / 12

HEX #E16B6B

RGB 225 107 107

HSL 0, 0.66%, 0.65%

LAB 59.51, 45.95, 22.12

 

CMYK 4 / 52 / 0 / 12

HEX #D96BE1

RGB 217 107 225

HSL 295.93, 0.66%, 0.65%

LAB 62.26, 59.37, -41.44

 

CMYK 18 / 52 / 0 / 12

HEX #B96BE1

RGB 185 107 225

HSL 279.66, 0.66%, 0.65%

LAB 58.29, 50.88, -47.96

 

CMYK 32 / 52 / 0 / 12

HEX #996BE1

RGB 153 107 225

HSL 263.39, 0.66%, 0.65%

LAB 54.79, 42.67, -53.74

 

CMYK 46 / 52 / 0 / 12

HEX #796BE1

RGB 121 107 225

HSL 247.12, 0.66%, 0.65%

LAB 51.86, 35.12, -58.6

 

CMYK 52 / 52 / 0 / 12

HEX #6B6BE1

RGB 107 107 225

HSL 240, 0.66%, 0.65%

LAB 50.78, 32.15, -60.39

 

CMYK 4 / 52 / 0 / 12

HEX #D96BE1

RGB 217 107 225

HSL 295.93, 0.66%, 0.65%

LAB 62.26, 59.37, -41.44

 

CMYK 4 / 62 / 0 / 6

HEX #E55CEF

RGB 229 92 239

HSL 295.92, 0.82%, 0.65%

LAB 62.12, 71.48, -49.34

 

CMYK 5 / 69 / 0 / 0

HEX #F24EFE

RGB 242 78 254

HSL 295.91, 0.99%, 0.65%

LAB 62.91, 82.08, -56.27

 

CMYK 4 / 52 / 0 / 12

HEX #D96BE1

RGB 217 107 225

HSL 295.93, 0.66%, 0.65%

LAB 62.26, 59.37, -41.44

 

CMYK 3 / 42 / 0 / 18

HEX #CC79D2

RGB 204 121 210

HSL 295.96, 0.5%, 0.65%

LAB 62.65, 45.95, -32.55

 

CMYK 2 / 31 / 0 / 23

HEX #C088C4

RGB 192 136 196

HSL 296, 0.34%, 0.65%

LAB 64, 31.45, -22.71

 

CMYK 1 / 17 / 0 / 29

HEX #B396B5

RGB 179 150 181

HSL 296.13, 0.17%, 0.65%

LAB 65.54, 16.35, -12.08

 

CMYK 0 / 1 / 0 / 35

HEX #A7A5A7

RGB 167 165 167

HSL 300, 0.01%, 0.65%

LAB 67.96, 1.1, -0.79

 

CMYK 32 / 52 / 0 / 12

HEX #986BE1

RGB 152 107 225

HSL 262.88, 0.66%, 0.65%

LAB 54.69, 42.42, -53.91

 

CMYK 19 / 52 / 0 / 12

HEX #B76BE1

RGB 183 107 225

HSL 278.64, 0.66%, 0.65%

LAB 58.05, 50.35, -48.34

 

CMYK 4 / 52 / 0 / 12

HEX #D76BE1

RGB 215 107 225

HSL 294.92, 0.66%, 0.65%

LAB 62, 58.84, -41.86

 

CMYK 0 / 52 / 10 / 12

HEX #E16BCB

RGB 225 107 203

HSL 311.19, 0.66%, 0.65%

LAB 62.37, 57.84, -28.82

 

CMYK 0 / 52 / 24 / 12

HEX #E16BAC

RGB 225 107 172

HSL 326.95, 0.66%, 0.65%

LAB 61.22, 53.22, -12.93

 

CMYK 5 / 80 / 0 / 19

HEX #C42ACF

RGB 196 42 207

HSL 296, 0.66%, 0.49%

LAB 49.37, 76.12, -51.85

 

CMYK 5 / 67 / 0 / 15

HEX #D049DA

RGB 208 73 218

HSL 295.86, 0.66%, 0.57%

LAB 55.32, 70.55, -48.54

 

CMYK 4 / 52 / 0 / 12

HEX #D96BE1

RGB 217 107 225

HSL 295.93, 0.66%, 0.65%

LAB 62.26, 59.37, -41.44

 

CMYK 3 / 39 / 0 / 9

HEX #E28DE8

RGB 226 141 232

HSL 296.04, 0.66%, 0.73%

LAB 70.21, 46.22, -32.84

 

CMYK 2 / 27 / 0 / 6

HEX #EAAFEF

RGB 234 175 239

HSL 295.31, 0.67%, 0.81%

LAB 78.69, 32.03, -23.57

 

CMYK 4 / 53 / 0 / 12

HEX #D96AE1

RGB 217 106 225

HSL 295.97, 0.66%, 0.65%

LAB 62.08, 59.84, -41.71

 

CMYK 0 / 46 / 52 / 12

HEX #E1796B

RGB 225 121 107

HSL 7.12, 0.66%, 0.65%

LAB 62.29, 38.92, 25.82

 

CMYK 52 / 0 / 25 / 12

HEX #6BE1A8

RGB 107 225 168

HSL 151.02, 0.66%, 0.65%

LAB 81.73, -46.38, 17.91

 

CMYK 4 / 53 / 0 / 12

HEX #D96AE1

RGB 217 106 225

HSL 295.97, 0.66%, 0.65%

LAB 62.08, 59.84, -41.71

 

CMYK 0 / 4 / 52 / 12

HEX #E1D76B

RGB 225 215 107

HSL 54.92, 0.66%, 0.65%

LAB 84.83, -10.49, 53.82

 

CMYK 52 / 0 / 4 / 12

HEX #6BE1D7

RGB 107 225 215

HSL 174.92, 0.66%, 0.65%

LAB 82.85, -35.65, -5.29

 

CMYK 4 / 53 / 0 / 12

HEX #D96AE1

RGB 217 106 225

HSL 295.97, 0.66%, 0.65%

LAB 62.08, 59.84, -41.71

 

CMYK 0 / 46 / 52 / 12

HEX #E1796B

RGB 225 121 107

HSL 7.12, 0.66%, 0.65%

LAB 62.29, 38.92, 25.82

 

CMYK 48 / 0 / 52 / 12

HEX #75E16B

RGB 117 225 107

HSL 114.92, 0.66%, 0.65%

LAB 81.12, -53.83, 47.84

 

CMYK 52 / 6 / 0 / 12

HEX #6BD3E1

RGB 107 211 225

HSL 187.12, 0.66%, 0.65%

LAB 79.13, -26.35, -16.17

 

CMYK 4 / 53 / 0 / 12

HEX #D96AE1

RGB 217 106 225

HSL 295.97, 0.66%, 0.65%

LAB 62.08, 59.84, -41.71

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 48 / 0 / 52 / 12

HEX #75E16B

RGB 117 225 107

HSL 114.92, 0.66%, 0.65%

LAB 81.12, -53.83, 47.84

 

CMYK 52 / 22 / 0 / 12

HEX #6BB0E1

RGB 107 176 225

HSL 204.92, 0.66%, 0.65%

LAB 69.19, -8.22, -31.32

 

Description

Color code: HEX #D96AE1 | qconv.com Color code: HEX #D96AE1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 106 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 106 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 53 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 53% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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