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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19C6B it is the complementary color #1E6394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19C6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19C6B shade: #E69C66, #F7AE79, #FFC08C, #FFD29F and #FFE4B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19C6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19C6B shade: #E19C6B, #D08A58, #BF7845, #AE6632 and #9D541F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19C6B shade: #E19C6B, #E17C6B and #E16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19C6B shade: #E19C6B, #E1BC6B, #E1DB6B, #C6E16B and #A6E16B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19C6B shade matches the following richer shades: #E19C6B, #EF995C and #FE974E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19C6B shade: #E19C6B, #D29E79, #C4A188, #B5A396 and #A7A6A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19C6B shade: #E16B7B, #E17B6B, #E19A6B, #E1B96B and #E1D96B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19C6B shade: #CF6F2A, #DA8549, #E19C6B, #E8B38D and #EFCAAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19C6B shade: #E19C6B, #9AE16B and #6B6BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19C6B shade: #E19C6B, #6BE19A and #9A6BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19C6B shade: #E19C6B, #9AE16B, #6BB2E1 and #B26BE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19C6B shade: #E19C6B, #77E16B, #6BB2E1 and #D56BE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

Complementary color

CMYK 80 / 33 / 0 / 42

HEX #1E6394

RGB 30 99 148

HSL 204.92, 0.66%, 0.35%

LAB 40.14, -3.29, -32.85

 

CMYK 0 / 32 / 56 / 10

HEX #E69C66

RGB 230 156 102

HSL 25.31, 0.72%, 0.65%

LAB 70.57, 22.03, 39.24

 

CMYK 0 / 30 / 51 / 3

HEX #F7AE79

RGB 247 174 121

HSL 25.24, 0.89%, 0.72%

LAB 76.94, 20.92, 37.74

 

CMYK 0 / 25 / 45 / 0

HEX #FFC08C

RGB 255 192 140

HSL 27.13, 1%, 0.77%

LAB 82.3, 16.41, 34.95

 

CMYK 0 / 18 / 38 / 0

HEX #FFD29F

RGB 255 210 159

HSL 31.88, 1%, 0.81%

LAB 86.93, 9.05, 31.22

 

CMYK 0 / 11 / 30 / 0

HEX #FFE4B2

RGB 255 228 178

HSL 38.96, 1%, 0.85%

LAB 91.67, 2.06, 27.82

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 0 / 34 / 58 / 18

HEX #D08A58

RGB 208 138 88

HSL 25, 0.56%, 0.58%

LAB 63.58, 21.6, 37.43

 

CMYK 0 / 37 / 64 / 25

HEX #BF7845

RGB 191 120 69

HSL 25.08, 0.49%, 0.51%

LAB 57.02, 22.95, 39.09

 

CMYK 0 / 41 / 71 / 32

HEX #AE6632

RGB 174 102 50

HSL 25.16, 0.55%, 0.44%

LAB 50.37, 24.51, 40.81

 

CMYK 0 / 46 / 80 / 38

HEX #9D541F

RGB 157 84 31

HSL 25.24, 0.67%, 0.37%

LAB 43.66, 26.31, 42.4

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 0 / 45 / 52 / 12

HEX #E17C6B

RGB 225 124 107

HSL 8.64, 0.66%, 0.65%

LAB 62.91, 37.37, 26.64

 

CMYK 0 / 52 / 52 / 12

HEX #E16B6B

RGB 225 107 107

HSL 0, 0.66%, 0.65%

LAB 59.51, 45.95, 22.12

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 0 / 16 / 52 / 12

HEX #E1BC6B

RGB 225 188 107

HSL 41.19, 0.66%, 0.65%

LAB 77.9, 3.4, 45.57

 

CMYK 0 / 3 / 52 / 12

HEX #E1DB6B

RGB 225 219 107

HSL 56.95, 0.66%, 0.65%

LAB 85.87, -12.49, 55.04

 

CMYK 12 / 0 / 52 / 12

HEX #C6E16B

RGB 198 225 107

HSL 73.73, 0.66%, 0.65%

LAB 85.46, -26.14, 54.06

 

CMYK 26 / 0 / 52 / 12

HEX #A6E16B

RGB 166 225 107

HSL 90, 0.66%, 0.65%

LAB 83.45, -38.1, 51.19

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 0 / 36 / 62 / 6

HEX #EF995C

RGB 239 153 92

HSL 24.9, 0.82%, 0.65%

LAB 70.81, 26.54, 44.93

 

CMYK 0 / 41 / 69 / 0

HEX #FE974E

RGB 254 151 78

HSL 24.89, 0.99%, 0.65%

LAB 72.06, 32.77, 53.75

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 0 / 25 / 42 / 18

HEX #D29E79

RGB 210 158 121

HSL 24.94, 0.5%, 0.65%

LAB 69.14, 14.64, 26.83

 

CMYK 0 / 18 / 31 / 23

HEX #C4A188

RGB 196 161 136

HSL 25, 0.34%, 0.65%

LAB 68.75, 9.23, 17.87

 

CMYK 0 / 10 / 17 / 29

HEX #B5A396

RGB 181 163 150

HSL 25.16, 0.17%, 0.65%

LAB 68.18, 4.38, 9.13

 

CMYK 0 / 1 / 1 / 35

HEX #A7A6A5

RGB 167 166 165

HSL 30, 0.01%, 0.65%

LAB 68.17, 0.17, 0.63

 

CMYK 0 / 52 / 45 / 12

HEX #E16B7B

RGB 225 107 123

HSL 351.86, 0.66%, 0.65%

LAB 59.85, 47.41, 13.35

 

CMYK 0 / 45 / 52 / 12

HEX #E17B6B

RGB 225 123 107

HSL 8.14, 0.66%, 0.65%

LAB 62.71, 37.89, 26.36

 

CMYK 0 / 32 / 52 / 12

HEX #E19A6B

RGB 225 154 107

HSL 23.9, 0.66%, 0.65%

LAB 69.6, 21.49, 35.27

 

CMYK 0 / 18 / 52 / 12

HEX #E1B96B

RGB 225 185 107

HSL 39.66, 0.66%, 0.65%

LAB 77.14, 4.97, 44.65

 

CMYK 0 / 4 / 52 / 12

HEX #E1D96B

RGB 225 217 107

HSL 55.93, 0.66%, 0.65%

LAB 85.35, -11.49, 54.43

 

CMYK 0 / 46 / 80 / 19

HEX #CF6F2A

RGB 207 111 42

HSL 25.09, 0.66%, 0.49%

LAB 56.88, 33.09, 52.63

 

CMYK 0 / 39 / 67 / 15

HEX #DA8549

RGB 218 133 73

HSL 24.83, 0.66%, 0.57%

LAB 63.48, 27.39, 45.37

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 0 / 23 / 39 / 9

HEX #E8B38D

RGB 232 179 141

HSL 25.05, 0.66%, 0.73%

LAB 76.87, 14.33, 26.81

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAF

RGB 239 202 175

HSL 25.31, 0.67%, 0.81%

LAB 83.8, 9.1, 18.34

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 32 / 0 / 52 / 12

HEX #9AE16B

RGB 154 225 107

HSL 96.1, 0.66%, 0.65%

LAB 82.8, -42.3, 50.25

 

CMYK 52 / 52 / 0 / 12

HEX #6B6BE1

RGB 107 107 225

HSL 240, 0.66%, 0.65%

LAB 50.78, 32.15, -60.39

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 52 / 0 / 32 / 12

HEX #6BE19A

RGB 107 225 154

HSL 143.9, 0.66%, 0.65%

LAB 81.46, -49.11, 24.83

 

CMYK 32 / 52 / 0 / 12

HEX #9A6BE1

RGB 154 107 225

HSL 263.9, 0.66%, 0.65%

LAB 54.89, 42.91, -53.58

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 32 / 0 / 52 / 12

HEX #9AE16B

RGB 154 225 107

HSL 96.1, 0.66%, 0.65%

LAB 82.8, -42.3, 50.25

 

CMYK 52 / 21 / 0 / 12

HEX #6BB2E1

RGB 107 178 225

HSL 203.9, 0.66%, 0.65%

LAB 69.76, -9.3, -30.45

 

CMYK 21 / 52 / 0 / 12

HEX #B26BE1

RGB 178 107 225

HSL 276.1, 0.66%, 0.65%

LAB 57.48, 49.05, -49.29

 

CMYK 0 / 31 / 52 / 12

HEX #E19C6B

RGB 225 156 107

HSL 24.92, 0.66%, 0.65%

LAB 70.07, 20.42, 35.87

 

CMYK 47 / 0 / 52 / 12

HEX #77E16B

RGB 119 225 107

HSL 113.9, 0.66%, 0.65%

LAB 81.2, -53.27, 47.95

 

CMYK 52 / 21 / 0 / 12

HEX #6BB2E1

RGB 107 178 225

HSL 203.9, 0.66%, 0.65%

LAB 69.76, -9.3, -30.45

 

CMYK 5 / 52 / 0 / 12

HEX #D56BE1

RGB 213 107 225

HSL 293.9, 0.66%, 0.65%

LAB 61.74, 58.3, -42.29

 

Description

Color code: HEX #E19C6B | qconv.com Color code: HEX #E19C6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 156 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 156 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 52 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 52% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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