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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D956A3 it is the complementary color #26A95C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D956A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D956A3: #DE569E, #EF68B1, #FF7AC4, #FF8CD7 and #FF9EEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D956A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D956A3: #D956A3, #C84490, #B7327D, #A6206A and #950E57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

Complementary color

CMYK 78 / 0 / 46 / 34

HEX #26A95C

RGB 38 169 92

HSL 144.73, 0.63%, 0.41%

LAB 61.27, -51.81, 30.08

 

CMYK 0 / 61 / 29 / 13

HEX #DE569E

RGB 222 86 158

HSL 328.24, 0.67%, 0.6%

LAB 56.74, 60, -11.62

 

CMYK 0 / 56 / 26 / 6

HEX #EF68B1

RGB 239 104 177

HSL 327.56, 0.81%, 0.67%

LAB 62.87, 59.57, -13.12

 

CMYK 0 / 52 / 23 / 0

HEX #FF7AC4

RGB 255 122 196

HSL 326.62, 1%, 0.74%

LAB 68.87, 58.68, -14.59

 

CMYK 0 / 45 / 16 / 0

HEX #FF8CD7

RGB 255 140 215

HSL 320.87, 1%, 0.77%

LAB 72.84, 52.75, -19.15

 

CMYK 0 / 38 / 8 / 0

HEX #FF9EEA

RGB 255 158 234

HSL 312.99, 1%, 0.81%

LAB 77.07, 46.71, -23.11

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 0 / 66 / 28 / 22

HEX #C84490

RGB 200 68 144

HSL 325.45, 0.55%, 0.53%

LAB 50.01, 59.35, -13.84

 

CMYK 0 / 73 / 32 / 28

HEX #B7327D

RGB 183 50 125

HSL 326.17, 0.57%, 0.46%

LAB 43.99, 59.08, -11.74

 

CMYK 0 / 81 / 36 / 35

HEX #A6206A

RGB 166 32 106

HSL 326.87, 0.68%, 0.39%

LAB 38.16, 58.08, -9

 

CMYK 0 / 91 / 42 / 42

HEX #950E57

RGB 149 14 87

HSL 327.56, 0.83%, 0.32%

LAB 32.68, 55.92, -5.36

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 0 / 61 / 35 / 15

HEX #D8548D

RGB 216 84 141

HSL 334.09, 0.63%, 0.59%

LAB 54.93, 57.02, -4.43

 

CMYK 0 / 61 / 45 / 15

HEX #D85477

RGB 216 84 119

HSL 344.09, 0.63%, 0.59%

LAB 54.31, 54.69, 7.7

 

CMYK 0 / 61 / 55 / 15

HEX #D85461

RGB 216 84 97

HSL 354.09, 0.63%, 0.59%

LAB 53.82, 52.77, 20.05

 

CMYK 0 / 57 / 61 / 15

HEX #D85D54

RGB 216 93 84

HSL 4.09, 0.63%, 0.59%

LAB 55.14, 47.71, 29.35

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 0 / 62 / 23 / 95

HEX #0D050A

RGB 13 5 10

HSL 322.5, 0.44%, 0.04%

LAB 1.95, 2.86, -1.13

 

CMYK 0 / 61 / 25 / 75

HEX #401930

RGB 64 25 48

HSL 324.62, 0.44%, 0.17%

LAB 15.48, 22.25, -6.29

 

CMYK 0 / 60 / 25 / 55

HEX #732E56

RGB 115 46 86

HSL 325.22, 0.43%, 0.32%

LAB 30.09, 35.23, -9.25

 

CMYK 0 / 60 / 25 / 35

HEX #A6427D

RGB 166 66 125

HSL 324.6, 0.43%, 0.45%

LAB 43.48, 47.67, -12.77

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 0 / 25 / 61 / 15

HEX #D8A354

RGB 216 163 84

HSL 35.91, 0.63%, 0.59%

LAB 70.48, 11.13, 47.87

 

CMYK 61 / 0 / 0 / 15

HEX #54D8D8

RGB 84 216 216

HSL 180, 0.63%, 0.59%

LAB 79.59, -35.44, -10.74

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 25 / 0 / 61 / 15

HEX #A3D854

RGB 163 216 84

HSL 84.09, 0.63%, 0.59%

LAB 80.48, -37.28, 57.98

 

CMYK 61 / 25 / 0 / 15

HEX #54A3D8

RGB 84 163 216

HSL 204.09, 0.63%, 0.59%

LAB 64.19, -8.47, -34.19

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 0 / 25 / 61 / 15

HEX #D8A354

RGB 216 163 84

HSL 35.91, 0.63%, 0.59%

LAB 70.48, 11.13, 47.87

 

CMYK 61 / 0 / 37 / 15

HEX #54D889

RGB 84 216 137

HSL 144.09, 0.63%, 0.59%

LAB 77.76, -53.68, 28.5

 

CMYK 61 / 37 / 0 / 15

HEX #5489D8

RGB 84 137 216

HSL 215.91, 0.63%, 0.59%

LAB 56.82, 6.49, -45.76

 

CMYK 0 / 60 / 25 / 15

HEX #D956A3

RGB 217 86 163

HSL 324.73, 0.63%, 0.59%

LAB 56.14, 59.18, -15.51

 

CMYK 0 / 6 / 61 / 15

HEX #D8CB54

RGB 216 203 84

HSL 54.09, 0.63%, 0.59%

LAB 80.71, -9.83, 59.32

 

CMYK 61 / 0 / 37 / 15

HEX #54D889

RGB 84 216 137

HSL 144.09, 0.63%, 0.59%

LAB 77.76, -53.68, 28.5

 

CMYK 61 / 55 / 0 / 15

HEX #5461D8

RGB 84 97 216

HSL 234.09, 0.63%, 0.59%

LAB 46.17, 31.04, -62.81

 

Description

Color code: HEX #D956A3 | qconv.com Color code: HEX #D956A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 86 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 86 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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