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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D95597 it is the complementary color #26AA68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D95597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D95597 shade: #DE5592, #EF67A5, #FF79B8, #FF8BCB and #FF9DDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D95597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D95597 shade: #D95597, #C84384, #B73171, #A61F5E and #950D4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D95597 shade: #D85596, #D85573 and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D95597 shade: #D85596, #D855BA, #D355D8, #B055D8 and #8C55D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D95597 shade matches the following richer shades: #D85596, #E94496 and #FA3396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D95597 shade: #D85596, #C76596, #B67696, #A68796 and #959896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D95597 shade: #D455D8, #D855BA, #D85596, #D85573 and #D85955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D95597 shade: #B2286D, #D13382, #D85596, #E076AB and #E898C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D95597 shade: #D95597, #D8B155 and #55CBD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D95597 shade: #D95597, #96D855 and #5596D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D95597 shade: #D95597, #D8B155, #55D896 and #557CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D95597 shade: #D95597, #D8D855, #55D896 and #5555D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 30 / 15

HEX #D95597

RGB 217 85 151

HSL 330, 0.63%, 0.59%

LAB 55.57, 58.08, -9.36

 

Complementary color

CMYK 78 / 0 / 39 / 33

HEX #26AA68

RGB 38 170 104

HSL 150, 0.63%, 0.41%

LAB 61.79, -49.93, 24.39

 

CMYK 0 / 62 / 34 / 13

HEX #DE5592

RGB 222 85 146

HSL 333.28, 0.67%, 0.6%

LAB 56.19, 58.98, -5.41

 

CMYK 0 / 57 / 31 / 6

HEX #EF67A5

RGB 239 103 165

HSL 332.65, 0.81%, 0.67%

LAB 62.31, 58.51, -7.07

 

CMYK 0 / 53 / 28 / 0

HEX #FF79B8

RGB 255 121 184

HSL 331.79, 1%, 0.74%

LAB 68.31, 57.57, -8.7

 

CMYK 0 / 45 / 20 / 0

HEX #FF8BCB

RGB 255 139 203

HSL 326.9, 1%, 0.77%

LAB 72.25, 51.48, -13.41

 

CMYK 0 / 38 / 13 / 0

HEX #FF9DDE

RGB 255 157 222

HSL 320.2, 1%, 0.81%

LAB 76.47, 45.28, -17.5

 

CMYK 0 / 61 / 30 / 15

HEX #D95597

RGB 217 85 151

HSL 330, 0.63%, 0.59%

LAB 55.57, 58.08, -9.36

 

CMYK 0 / 67 / 34 / 22

HEX #C84384

RGB 200 67 132

HSL 330.68, 0.55%, 0.52%

LAB 49.45, 58.3, -7.49

 

CMYK 0 / 73 / 38 / 28

HEX #B73171

RGB 183 49 113

HSL 331.34, 0.58%, 0.45%

LAB 43.44, 58.08, -5.16

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 0 / 91 / 50 / 42

HEX #950D4B

RGB 149 13 75

HSL 332.65, 0.84%, 0.32%

LAB 32.23, 54.98, 1.84

 

CMYK 0 / 61 / 31 / 15

HEX #D85596

RGB 216 85 150

HSL 330.23, 0.63%, 0.59%

LAB 55.38, 57.66, -9.07

 

CMYK 0 / 61 / 47 / 15

HEX #D85573

RGB 216 85 115

HSL 346.26, 0.63%, 0.59%

LAB 54.38, 53.87, 10.17

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 61 / 31 / 15

HEX #D85596

RGB 216 85 150

HSL 330.23, 0.63%, 0.59%

LAB 55.38, 57.66, -9.07

 

CMYK 0 / 61 / 14 / 15

HEX #D855BA

RGB 216 85 186

HSL 313.74, 0.63%, 0.59%

LAB 56.72, 62.57, -27.96

 

CMYK 2 / 61 / 0 / 15

HEX #D355D8

RGB 211 85 216

HSL 297.71, 0.63%, 0.59%

LAB 57.37, 66.11, -44.13

 

CMYK 19 / 61 / 0 / 15

HEX #B055D8

RGB 176 85 216

HSL 281.68, 0.63%, 0.59%

LAB 52.6, 57.65, -51.99

 

CMYK 35 / 61 / 0 / 15

HEX #8C55D8

RGB 140 85 216

HSL 265.19, 0.63%, 0.59%

LAB 48.3, 49.32, -59.13

 

CMYK 0 / 61 / 31 / 15

HEX #D85596

RGB 216 85 150

HSL 330.23, 0.63%, 0.59%

LAB 55.38, 57.66, -9.07

 

CMYK 0 / 71 / 36 / 9

HEX #E94496

RGB 233 68 150

HSL 330.18, 0.79%, 0.59%

LAB 55.75, 69.08, -8.23

 

CMYK 0 / 80 / 40 / 2

HEX #FA3396

RGB 250 51 150

HSL 330.15, 0.95%, 0.59%

LAB 56.97, 78.35, -6.08

 

CMYK 0 / 61 / 31 / 15

HEX #D85596

RGB 216 85 150

HSL 330.23, 0.63%, 0.59%

LAB 55.38, 57.66, -9.07

 

CMYK 0 / 49 / 25 / 22

HEX #C76596

RGB 199 101 150

HSL 330, 0.47%, 0.59%

LAB 55.74, 44.72, -8.79

 

CMYK 0 / 35 / 18 / 29

HEX #B67696

RGB 182 118 150

HSL 330, 0.3%, 0.59%

LAB 57.18, 29.77, -6.88

 

CMYK 0 / 19 / 10 / 35

HEX #A68796

RGB 166 135 150

HSL 330.97, 0.15%, 0.59%

LAB 59.56, 14.35, -3.54

 

CMYK 2 / 0 / 1 / 40

HEX #959896

RGB 149 152 150

HSL 140, 0.01%, 0.59%

LAB 62.55, -1.47, 0.66

 

CMYK 2 / 61 / 0 / 15

HEX #D455D8

RGB 212 85 216

HSL 298.17, 0.63%, 0.59%

LAB 57.51, 66.36, -43.89

 

CMYK 0 / 61 / 14 / 15

HEX #D855BA

RGB 216 85 186

HSL 313.74, 0.63%, 0.59%

LAB 56.72, 62.57, -27.96

 

CMYK 0 / 61 / 31 / 15

HEX #D85596

RGB 216 85 150

HSL 330.23, 0.63%, 0.59%

LAB 55.38, 57.66, -9.07

 

CMYK 0 / 61 / 47 / 15

HEX #D85573

RGB 216 85 115

HSL 346.26, 0.63%, 0.59%

LAB 54.38, 53.87, 10.17

 

CMYK 0 / 59 / 61 / 15

HEX #D85955

RGB 216 89 85

HSL 1.83, 0.63%, 0.59%

LAB 54.45, 49.64, 27.89

 

CMYK 0 / 78 / 39 / 30

HEX #B2286D

RGB 178 40 109

HSL 330, 0.63%, 0.43%

LAB 41.35, 59.22, -5.87

 

CMYK 0 / 76 / 38 / 18

HEX #D13382

RGB 209 51 130

HSL 330, 0.63%, 0.51%

LAB 48.93, 66.19, -6.9

 

CMYK 0 / 61 / 31 / 15

HEX #D85596

RGB 216 85 150

HSL 330.23, 0.63%, 0.59%

LAB 55.38, 57.66, -9.07

 

CMYK 0 / 47 / 24 / 12

HEX #E076AB

RGB 224 118 171

HSL 330, 0.63%, 0.67%

LAB 63.13, 47.37, -9.51

 

CMYK 0 / 34 / 17 / 9

HEX #E898C0

RGB 232 152 192

HSL 330, 0.63%, 0.75%

LAB 71.84, 35.56, -8.22

 

CMYK 0 / 61 / 30 / 15

HEX #D95597

RGB 217 85 151

HSL 330, 0.63%, 0.59%

LAB 55.57, 58.08, -9.36

 

CMYK 0 / 18 / 61 / 15

HEX #D8B155

RGB 216 177 85

HSL 42.14, 0.63%, 0.59%

LAB 74, 3.74, 51.42

 

CMYK 61 / 6 / 0 / 15

HEX #55CBD8

RGB 85 203 216

HSL 185.95, 0.63%, 0.59%

LAB 75.82, -29.08, -16.38

 

CMYK 0 / 61 / 30 / 15

HEX #D95597

RGB 217 85 151

HSL 330, 0.63%, 0.59%

LAB 55.57, 58.08, -9.36

 

CMYK 31 / 0 / 61 / 15

HEX #96D855

RGB 150 216 85

HSL 90.23, 0.63%, 0.59%

LAB 79.76, -41.92, 56.55

 

CMYK 61 / 31 / 0 / 15

HEX #5596D8

RGB 85 150 216

HSL 210.23, 0.63%, 0.59%

LAB 60.52, -0.94, -39.93

 

CMYK 0 / 61 / 30 / 15

HEX #D95597

RGB 217 85 151

HSL 330, 0.63%, 0.59%

LAB 55.57, 58.08, -9.36

 

CMYK 0 / 18 / 61 / 15

HEX #D8B155

RGB 216 177 85

HSL 42.14, 0.63%, 0.59%

LAB 74, 3.74, 51.42

 

CMYK 61 / 0 / 31 / 15

HEX #55D896

RGB 85 216 150

HSL 149.77, 0.63%, 0.59%

LAB 78.02, -50.99, 22.1

 

CMYK 61 / 43 / 0 / 15

HEX #557CD8

RGB 85 124 216

HSL 222.14, 0.63%, 0.59%

LAB 53.28, 14.52, -51.38

 

CMYK 0 / 61 / 30 / 15

HEX #D95597

RGB 217 85 151

HSL 330, 0.63%, 0.59%

LAB 55.57, 58.08, -9.36

 

CMYK 0 / 0 / 61 / 15

HEX #D8D855

RGB 216 216 85

HSL 60, 0.63%, 0.59%

LAB 84.16, -16.28, 62.62

 

CMYK 61 / 0 / 31 / 15

HEX #55D896

RGB 85 216 150

HSL 149.77, 0.63%, 0.59%

LAB 78.02, -50.99, 22.1

 

CMYK 61 / 61 / 0 / 15

HEX #5555D8

RGB 85 85 216

HSL 240, 0.63%, 0.59%

LAB 43.34, 38.56, -67.4

 

Description

Color code: HEX #D95597 | qconv.com Color code: HEX #D95597 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 85 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 85 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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