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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 31 94 it is the complementary color RGB 89 224 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 31 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 31 94: RGB 171 31 89, RGB 188 49 108, RGB 205 67 127, RGB 222 85 146 and RGB 239 103 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 31 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 31 94: RGB 166 31 94, RGB 149 13 75, RGB 132 0 56, RGB 115 0 37 and RGB 98 0 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

Complementary color

CMYK 60 / 0 / 28 / 12

HEX #59E0A1

RGB 89 224 161

HSL 152, 0.69%, 0.61%

LAB 80.74, -51.23, 20.12

 

CMYK 0 / 82 / 48 / 33

HEX #AB1F59

RGB 171 31 89

HSL 335.14, 0.69%, 0.4%

LAB 38.48, 57.98, 2.38

 

CMYK 0 / 74 / 43 / 26

HEX #BC316C

RGB 188 49 108

HSL 334.53, 0.59%, 0.46%

LAB 44.19, 58.96, -0.85

 

CMYK 0 / 67 / 38 / 20

HEX #CD437F

RGB 205 67 127

HSL 333.91, 0.58%, 0.53%

LAB 50.13, 59.2, -3.38

 

CMYK 0 / 62 / 34 / 13

HEX #DE5592

RGB 222 85 146

HSL 333.28, 0.67%, 0.6%

LAB 56.19, 58.98, -5.41

 

CMYK 0 / 57 / 31 / 6

HEX #EF67A5

RGB 239 103 165

HSL 332.65, 0.81%, 0.67%

LAB 62.31, 58.51, -7.07

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 0 / 91 / 50 / 42

HEX #950D4B

RGB 149 13 75

HSL 332.65, 0.84%, 0.32%

LAB 32.23, 54.98, 1.84

 

CMYK 0 / 100 / 58 / 48

HEX #840038

RGB 132 0 56

HSL 334.55, 1%, 0.26%

LAB 27.27, 51.32, 7.01

 

CMYK 0 / 100 / 68 / 55

HEX #730025

RGB 115 0 37

HSL 340.7, 1%, 0.23%

LAB 22.92, 45.76, 13.57

 

CMYK 0 / 100 / 82 / 62

HEX #620012

RGB 98 0 18

HSL 348.98, 1%, 0.19%

LAB 18.54, 40.27, 20.37

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 0 / 82 / 57 / 34

HEX #A81E48

RGB 168 30 72

HSL 341.74, 0.7%, 0.39%

LAB 37.34, 56.07, 11.57

 

CMYK 0 / 82 / 71 / 34

HEX #A81E31

RGB 168 30 49

HSL 351.74, 0.7%, 0.39%

LAB 36.88, 54.69, 25.65

 

CMYK 0 / 79 / 82 / 34

HEX #A8231E

RGB 168 35 30

HSL 2.17, 0.7%, 0.39%

LAB 37.15, 52.52, 37.25

 

CMYK 0 / 65 / 82 / 34

HEX #A83A1E

RGB 168 58 30

HSL 12.17, 0.7%, 0.39%

LAB 40.32, 43.82, 40.3

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 0 / 81 / 43 / 15

HEX #D9297B

RGB 217 41 123

HSL 332.05, 0.7%, 0.51%

LAB 49.21, 70.27, -2.06

 

CMYK 0 / 85 / 46 / 95

HEX #0D0207

RGB 13 2 7

HSL 332.73, 0.73%, 0.03%

LAB 1.3, 3.64, -0.86

 

CMYK 0 / 81 / 44 / 75

HEX #400C24

RGB 64 12 36

HSL 332.31, 0.68%, 0.15%

LAB 12.48, 27.19, -2.03

 

CMYK 0 / 82 / 43 / 55

HEX #731541

RGB 115 21 65

HSL 331.91, 0.69%, 0.27%

LAB 25.45, 43.09, -2.22

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 0 / 22 / 82 / 34

HEX #A8831E

RGB 168 131 30

HSL 43.91, 0.7%, 0.39%

LAB 56.73, 4.7, 55.27

 

CMYK 82 / 11 / 0 / 34

HEX #1E95A8

RGB 30 149 168

HSL 188.26, 0.7%, 0.39%

LAB 56.68, -24.3, -18.91

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 82 / 44 / 0 / 34

HEX #1E5EA8

RGB 30 94 168

HSL 212.17, 0.7%, 0.39%

LAB 39.76, 7.7, -45.38

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 0 / 22 / 82 / 34

HEX #A8831E

RGB 168 131 30

HSL 43.91, 0.7%, 0.39%

LAB 56.73, 4.7, 55.27

 

CMYK 82 / 0 / 38 / 34

HEX #1EA868

RGB 30 168 104

HSL 152.17, 0.7%, 0.39%

LAB 61.03, -50.1, 23.35

 

CMYK 82 / 60 / 0 / 34

HEX #1E43A8

RGB 30 67 168

HSL 223.91, 0.7%, 0.39%

LAB 32.07, 25.73, -57.82

 

CMYK 0 / 81 / 43 / 35

HEX #A61F5E

RGB 166 31 94

HSL 332, 0.69%, 0.39%

LAB 37.65, 57.12, -2.14

 

CMYK 3 / 0 / 82 / 34

HEX #A3A81E

RGB 163 168 30

HSL 62.17, 0.7%, 0.39%

LAB 66.43, -17.39, 63.53

 

CMYK 82 / 0 / 38 / 34

HEX #1EA868

RGB 30 168 104

HSL 152.17, 0.7%, 0.39%

LAB 61.03, -50.1, 23.35

 

CMYK 79 / 82 / 0 / 34

HEX #231EA8

RGB 35 30 168

HSL 242.17, 0.7%, 0.39%

LAB 24.04, 48.57, -71.04

 

Description

Color code: RGB 166 31 94 | qconv.com Color code: RGB 166 31 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 31 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 31 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 43 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 43% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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