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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D946AB it is the complementary color #26B954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D946AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D946AB shade: #DE46A6, #EF58B9, #FF6ACC, #FF7CDF and #FF8EF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D946AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D946AB shade: #D946AB, #C83498, #B72285, #A61072 and #95005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D946AB shade: #D945AA, #D94583, #D9455B and #D94545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D946AB shade: #D945AA, #D945D2, #B745D9, #8F45D9 and #6745D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D946AB shade matches the following richer shades: #D945AA, #EB33B1 and #FD20B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D946AB shade: #D945AA, #C757A4, #B5699D, #A27B96 and #908D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D946AB shade: #B645D9, #D945D4, #D945AC, #D94585 and #D9455D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D946AB shade: #A9237F, #CB2A98, #D945AA, #E067BA and #E789CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D946AB shade: #D946AB, #D98F45 and #45D9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D946AB shade: #D946AB, #ACD945 and #45ACD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D946AB shade: #D946AB, #D98F45, #45D971 and #458FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D946AB shade: #D946AB, #D9BB45, #45D971 and #4562D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 21 / 15

HEX #D946AB

RGB 217 70 171

HSL 318.78, 0.66%, 0.56%

LAB 54.1, 66.68, -23.29

 

Complementary color

CMYK 79 / 0 / 55 / 27

HEX #26B954

RGB 38 185 84

HSL 138.78, 0.66%, 0.44%

LAB 66.33, -58.72, 40.41

 

CMYK 0 / 68 / 25 / 13

HEX #DE46A6

RGB 222 70 166

HSL 322.11, 0.7%, 0.57%

LAB 54.72, 67.33, -19.35

 

CMYK 0 / 63 / 23 / 6

HEX #EF58B9

RGB 239 88 185

HSL 321.46, 0.83%, 0.64%

LAB 60.63, 67.42, -21.08

 

CMYK 0 / 58 / 20 / 0

HEX #FF6ACC

RGB 255 106 204

HSL 320.54, 1%, 0.71%

LAB 66.46, 66.92, -22.73

 

CMYK 0 / 51 / 13 / 0

HEX #FF7CDF

RGB 255 124 223

HSL 314.66, 1%, 0.74%

LAB 70.18, 61.63, -27.63

 

CMYK 0 / 44 / 5 / 0

HEX #FF8EF2

RGB 255 142 242

HSL 306.9, 1%, 0.78%

LAB 74.2, 56.06, -31.87

 

CMYK 0 / 68 / 21 / 15

HEX #D946AB

RGB 217 70 171

HSL 318.78, 0.66%, 0.56%

LAB 54.1, 66.68, -23.29

 

CMYK 0 / 74 / 24 / 22

HEX #C83498

RGB 200 52 152

HSL 319.46, 0.59%, 0.49%

LAB 48.26, 66.12, -21.29

 

CMYK 0 / 81 / 27 / 28

HEX #B72285

RGB 183 34 133

HSL 320.13, 0.69%, 0.43%

LAB 42.62, 64.82, -18.73

 

CMYK 0 / 90 / 31 / 35

HEX #A61072

RGB 166 16 114

HSL 320.8, 0.82%, 0.36%

LAB 37.28, 62.41, -15.38

 

CMYK 0 / 100 / 36 / 42

HEX #95005F

RGB 149 0 95

HSL 321.74, 1%, 0.29%

LAB 32.29, 58.76, -11.16

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 68 / 40 / 15

HEX #D94583

RGB 217 69 131

HSL 334.86, 0.66%, 0.56%

LAB 52.56, 62.32, -1.97

 

CMYK 0 / 68 / 58 / 15

HEX #D9455B

RGB 217 69 91

HSL 351.08, 0.66%, 0.56%

LAB 51.57, 58.87, 20.63

 

CMYK 0 / 68 / 68 / 15

HEX #D94545

RGB 217 69 69

HSL 0, 0.66%, 0.56%

LAB 51.2, 57.54, 33.13

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 68 / 3 / 15

HEX #D945D2

RGB 217 69 210

HSL 302.84, 0.66%, 0.56%

LAB 55.75, 72.72, -43.23

 

CMYK 16 / 68 / 0 / 15

HEX #B745D9

RGB 183 69 217

HSL 286.22, 0.66%, 0.56%

LAB 51.07, 66.45, -54.95

 

CMYK 34 / 68 / 0 / 15

HEX #8F45D9

RGB 143 69 217

HSL 270, 0.66%, 0.56%

LAB 45.78, 58.21, -63.76

 

CMYK 53 / 68 / 0 / 15

HEX #6745D9

RGB 103 69 217

HSL 253.78, 0.66%, 0.56%

LAB 41.45, 50.97, -70.99

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 78 / 25 / 8

HEX #EB33B1

RGB 235 51 177

HSL 318.91, 0.82%, 0.56%

LAB 55.28, 77.72, -24.72

 

CMYK 0 / 87 / 27 / 1

HEX #FD20B8

RGB 253 32 184

HSL 318.73, 0.98%, 0.56%

LAB 57.44, 86.2, -25.2

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 56 / 18 / 22

HEX #C757A4

RGB 199 87 164

HSL 318.75, 0.5%, 0.56%

LAB 53.64, 53.58, -20.15

 

CMYK 0 / 42 / 13 / 29

HEX #B5699D

RGB 181 105 157

HSL 318.95, 0.34%, 0.56%

LAB 54.41, 37.68, -15.12

 

CMYK 0 / 24 / 7 / 36

HEX #A27B96

RGB 162 123 150

HSL 318.46, 0.17%, 0.56%

LAB 56.14, 19.72, -8.66

 

CMYK 0 / 2 / 1 / 44

HEX #908D8F

RGB 144 141 143

HSL 320, 0.01%, 0.56%

LAB 58.94, 1.5, -0.68

 

CMYK 16 / 68 / 0 / 15

HEX #B645D9

RGB 182 69 217

HSL 285.81, 0.66%, 0.56%

LAB 50.93, 66.24, -55.19

 

CMYK 0 / 68 / 2 / 15

HEX #D945D4

RGB 217 69 212

HSL 302.03, 0.66%, 0.56%

LAB 55.85, 73.03, -44.2

 

CMYK 0 / 68 / 21 / 15

HEX #D945AC

RGB 217 69 172

HSL 318.24, 0.66%, 0.56%

LAB 54.01, 67.18, -24.02

 

CMYK 0 / 68 / 39 / 15

HEX #D94585

RGB 217 69 133

HSL 334.05, 0.66%, 0.56%

LAB 52.62, 62.52, -3.07

 

CMYK 0 / 68 / 57 / 15

HEX #D9455D

RGB 217 69 93

HSL 350.27, 0.66%, 0.56%

LAB 51.61, 59.01, 19.49

 

CMYK 0 / 79 / 25 / 34

HEX #A9237F

RGB 169 35 127

HSL 318.81, 0.66%, 0.4%

LAB 39.86, 60.49, -19.49

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 54 / 17 / 12

HEX #E067BA

RGB 224 103 186

HSL 318.84, 0.66%, 0.64%

LAB 60.86, 56.81, -21.5

 

CMYK 0 / 41 / 13 / 9

HEX #E789CA

RGB 231 137 202

HSL 318.51, 0.66%, 0.72%

LAB 68.86, 44.65, -18.27

 

CMYK 0 / 68 / 21 / 15

HEX #D946AB

RGB 217 70 171

HSL 318.78, 0.66%, 0.56%

LAB 54.1, 66.68, -23.29

 

CMYK 0 / 34 / 68 / 15

HEX #D98F45

RGB 217 143 69

HSL 30, 0.66%, 0.56%

LAB 65.61, 21.38, 49.67

 

CMYK 68 / 0 / 7 / 15

HEX #45D9CA

RGB 69 217 202

HSL 173.92, 0.66%, 0.56%

LAB 79.13, -41.94, -3.97

 

CMYK 0 / 68 / 21 / 15

HEX #D946AB

RGB 217 70 171

HSL 318.78, 0.66%, 0.56%

LAB 54.1, 66.68, -23.29

 

CMYK 21 / 0 / 68 / 15

HEX #ACD945

RGB 172 217 69

HSL 78.24, 0.66%, 0.56%

LAB 81.2, -35.41, 64.92

 

CMYK 68 / 21 / 0 / 15

HEX #45ACD9

RGB 69 172 217

HSL 198.24, 0.66%, 0.56%

LAB 66.35, -15.55, -31.43

 

CMYK 0 / 68 / 21 / 15

HEX #D946AB

RGB 217 70 171

HSL 318.78, 0.66%, 0.56%

LAB 54.1, 66.68, -23.29

 

CMYK 0 / 34 / 68 / 15

HEX #D98F45

RGB 217 143 69

HSL 30, 0.66%, 0.56%

LAB 65.61, 21.38, 49.67

 

CMYK 68 / 0 / 48 / 15

HEX #45D971

RGB 69 217 113

HSL 137.84, 0.66%, 0.56%

LAB 77.33, -60.92, 39.96

 

CMYK 68 / 34 / 0 / 15

HEX #458FD9

RGB 69 143 217

HSL 210, 0.66%, 0.56%

LAB 57.96, 0.71, -44.55

 

CMYK 0 / 68 / 21 / 15

HEX #D946AB

RGB 217 70 171

HSL 318.78, 0.66%, 0.56%

LAB 54.1, 66.68, -23.29

 

CMYK 0 / 14 / 68 / 15

HEX #D9BB45

RGB 217 187 69

HSL 47.84, 0.66%, 0.56%

LAB 76.51, -2.08, 61.22

 

CMYK 68 / 0 / 48 / 15

HEX #45D971

RGB 69 217 113

HSL 137.84, 0.66%, 0.56%

LAB 77.33, -60.92, 39.96

 

CMYK 68 / 55 / 0 / 15

HEX #4562D9

RGB 69 98 217

HSL 228.24, 0.66%, 0.56%

LAB 45.65, 28.39, -64.26

 

Description

Color code: HEX #D946AB | qconv.com Color code: HEX #D946AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 70 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 70 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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