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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB2A98 it is the complementary color #34D567. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB2A98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB2A98 shade: #D02A93, #E13CA6, #F24EB9, #FF60CC and #FF72DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB2A98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB2A98 shade: #CB2A98, #BA1885, #A90672, #98005F and #87004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB2A98 shade: #CB2A98, #CB2A6C, #CB2A41 and #CB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB2A98 shade: #CB2A98, #CB2AC4, #A72ACB, #7C2ACB and #502ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB2A98 shade matches the following richer shades: #CB2A98, #DF169F and #F302A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB2A98 shade: #CB2A98, #B73D91, #A45189, #906582 and #7C797B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB2A98 shade: #A82ACB, #CB2AC3, #CB2A98, #CB2A6D and #CB2A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB2A98 shade: #871C65, #A9237E, #CB2A98, #D945AA and #E067BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB2A98 shade: #CB2A98, #CB7D2A and #2ACBBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB2A98 shade: #CB2A98, #98CB2A and #2A98CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB2A98 shade: #CB2A98, #CB7D2A, #2ACB5D and #2A78CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB2A98 shade: #CB2A98, #CBAE2A, #2ACB5D and #2A47CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

Complementary color

CMYK 76 / 0 / 52 / 16

HEX #34D567

RGB 52 213 103

HSL 139.01, 0.66%, 0.52%

LAB 75.64, -63.65, 42.64

 

CMYK 0 / 80 / 29 / 18

HEX #D02A93

RGB 208 42 147

HSL 322.05, 0.66%, 0.49%

LAB 48.48, 70.31, -17.85

 

CMYK 0 / 73 / 26 / 12

HEX #E13CA6

RGB 225 60 166

HSL 321.45, 0.73%, 0.56%

LAB 54.02, 71.48, -20.38

 

CMYK 0 / 68 / 24 / 5

HEX #F24EB9

RGB 242 78 185

HSL 320.85, 0.86%, 0.63%

LAB 59.73, 72.01, -22.41

 

CMYK 0 / 62 / 20 / 0

HEX #FF60CC

RGB 255 96 204

HSL 319.25, 1%, 0.69%

LAB 64.95, 71.04, -25.05

 

CMYK 0 / 55 / 13 / 0

HEX #FF72DF

RGB 255 114 223

HSL 313.62, 1%, 0.72%

LAB 68.48, 66.16, -30.25

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 87 / 28 / 27

HEX #BA1885

RGB 186 24 133

HSL 319.63, 0.77%, 0.41%

LAB 42.44, 67.65, -18.96

 

CMYK 0 / 96 / 33 / 34

HEX #A90672

RGB 169 6 114

HSL 320.25, 0.93%, 0.34%

LAB 37.44, 64.35, -15.08

 

CMYK 0 / 100 / 38 / 40

HEX #98005F

RGB 152 0 95

HSL 322.5, 1%, 0.3%

LAB 32.92, 59.41, -10.14

 

CMYK 0 / 100 / 44 / 47

HEX #87004C

RGB 135 0 76

HSL 326.22, 1%, 0.26%

LAB 28.57, 53.71, -4.54

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 79 / 47 / 20

HEX #CB2A6C

RGB 203 42 108

HSL 335.4, 0.66%, 0.48%

LAB 46.22, 65.13, 2.45

 

CMYK 0 / 79 / 68 / 20

HEX #CB2A41

RGB 203 42 65

HSL 351.43, 0.66%, 0.48%

LAB 45.27, 62.19, 27.66

 

CMYK 0 / 79 / 79 / 20

HEX #CB2A2A

RGB 203 42 42

HSL 0, 0.66%, 0.48%

LAB 44.97, 61.25, 40.75

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 79 / 3 / 20

HEX #CB2AC4

RGB 203 42 196

HSL 302.61, 0.66%, 0.48%

LAB 49.9, 75.74, -44.58

 

CMYK 18 / 79 / 0 / 20

HEX #A72ACB

RGB 167 42 203

HSL 286.58, 0.66%, 0.48%

LAB 44.49, 70.12, -57.63

 

CMYK 39 / 79 / 0 / 20

HEX #7C2ACB

RGB 124 42 203

HSL 270.56, 0.66%, 0.48%

LAB 38.29, 62.98, -67.98

 

CMYK 61 / 79 / 0 / 20

HEX #502ACB

RGB 80 42 203

HSL 254.16, 0.66%, 0.48%

LAB 33.29, 57.23, -76.38

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 90 / 29 / 13

HEX #DF169F

RGB 223 22 159

HSL 319.1, 0.82%, 0.48%

LAB 50.41, 78.75, -21.81

 

CMYK 0 / 99 / 31 / 5

HEX #F302A7

RGB 243 2 167

HSL 318.92, 0.98%, 0.48%

LAB 53.91, 85.34, -20.85

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 67 / 21 / 28

HEX #B73D91

RGB 183 61 145

HSL 318.69, 0.5%, 0.48%

LAB 46.24, 57.56, -20.45

 

CMYK 0 / 51 / 16 / 36

HEX #A45189

RGB 164 81 137

HSL 319.52, 0.34%, 0.48%

LAB 46.42, 41.46, -15.61

 

CMYK 0 / 30 / 10 / 44

HEX #906582

RGB 144 101 130

HSL 319.53, 0.18%, 0.48%

LAB 48.07, 22.15, -9.18

 

CMYK 0 / 2 / 1 / 51

HEX #7C797B

RGB 124 121 123

HSL 320, 0.01%, 0.48%

LAB 51.14, 1.54, -0.69

 

CMYK 17 / 79 / 0 / 20

HEX #A82ACB

RGB 168 42 203

HSL 286.96, 0.66%, 0.48%

LAB 44.65, 70.3, -57.37

 

CMYK 0 / 79 / 4 / 20

HEX #CB2AC3

RGB 203 42 195

HSL 302.98, 0.66%, 0.48%

LAB 49.85, 75.59, -44.09

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 79 / 46 / 20

HEX #CB2A6D

RGB 203 42 109

HSL 335.03, 0.66%, 0.48%

LAB 46.25, 65.22, 1.87

 

CMYK 0 / 79 / 67 / 20

HEX #CB2A42

RGB 203 42 66

HSL 351.06, 0.66%, 0.48%

LAB 45.28, 62.24, 27.07

 

CMYK 0 / 79 / 25 / 47

HEX #871C65

RGB 135 28 101

HSL 319.07, 0.66%, 0.32%

LAB 31.63, 50.71, -16.31

 

CMYK 0 / 79 / 25 / 34

HEX #A9237E

RGB 169 35 126

HSL 319.25, 0.66%, 0.4%

LAB 39.82, 60.36, -18.94

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 54 / 17 / 12

HEX #E067BA

RGB 224 103 186

HSL 318.84, 0.66%, 0.64%

LAB 60.86, 56.81, -21.5

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 38 / 79 / 20

HEX #CB7D2A

RGB 203 125 42

HSL 30.93, 0.66%, 0.48%

LAB 59.46, 23.94, 54.86

 

CMYK 79 / 0 / 6 / 20

HEX #2ACBBE

RGB 42 203 190

HSL 175.16, 0.66%, 0.48%

LAB 74.14, -42.13, -4.93

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 25 / 0 / 79 / 20

HEX #98CB2A

RGB 152 203 42

HSL 79.01, 0.66%, 0.48%

LAB 75.79, -38.23, 68.26

 

CMYK 79 / 25 / 0 / 20

HEX #2A98CB

RGB 42 152 203

HSL 199.01, 0.66%, 0.48%

LAB 59.21, -12.79, -34.79

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 38 / 79 / 20

HEX #CB7D2A

RGB 203 125 42

HSL 30.93, 0.66%, 0.48%

LAB 59.46, 23.94, 54.86

 

CMYK 79 / 0 / 54 / 20

HEX #2ACB5D

RGB 42 203 93

HSL 139.01, 0.66%, 0.48%

LAB 72.22, -63, 43.23

 

CMYK 79 / 41 / 0 / 20

HEX #2A78CB

RGB 42 120 203

HSL 210.93, 0.66%, 0.48%

LAB 49.78, 5.96, -49.68

 

CMYK 0 / 79 / 25 / 20

HEX #CB2A98

RGB 203 42 152

HSL 319.01, 0.66%, 0.48%

LAB 47.78, 69.73, -22

 

CMYK 0 / 14 / 79 / 20

HEX #CBAE2A

RGB 203 174 42

HSL 49.19, 0.66%, 0.48%

LAB 71.65, -2.53, 65.98

 

CMYK 79 / 0 / 54 / 20

HEX #2ACB5D

RGB 42 203 93

HSL 139.01, 0.66%, 0.48%

LAB 72.22, -63, 43.23

 

CMYK 79 / 65 / 0 / 20

HEX #2A47CB

RGB 42 71 203

HSL 229.19, 0.66%, 0.48%

LAB 36.58, 37.36, -71.07

 

Description

Color code: HEX #CB2A98 | qconv.com Color code: HEX #CB2A98 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 42 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 42 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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