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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D92F83 it is the complementary color #26D07C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D92F83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D92F83: #DE2F7E, #EF4191, #FF53A4, #FF65B7 and #FF77CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D92F83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D92F83: #D92F83, #C81D70, #B70B5D, #A6004A and #950037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

Complementary color

CMYK 82 / 0 / 40 / 18

HEX #26D07C

RGB 38 208 124

HSL 150.35, 0.69%, 0.48%

LAB 74.18, -60.03, 30.27

Pantone® 7479 C

CMYK 0 / 79 / 43 / 13

HEX #DE2F7E

RGB 222 47 126

HSL 332.91, 0.73%, 0.53%

LAB 50.77, 70.27, -1.49

 

CMYK 0 / 73 / 39 / 6

HEX #EF4191

RGB 239 65 145

HSL 332.41, 0.84%, 0.6%

LAB 56.26, 71.16, -4.4

 

CMYK 0 / 67 / 36 / 0

HEX #FF53A4

RGB 255 83 164

HSL 331.74, 1%, 0.66%

LAB 61.76, 71.2, -7.04

 

CMYK 0 / 60 / 28 / 0

HEX #FF65B7

RGB 255 101 183

HSL 328.05, 1%, 0.7%

LAB 64.95, 66.31, -13.16

 

CMYK 0 / 53 / 21 / 0

HEX #FF77CA

RGB 255 119 202

HSL 323.38, 1%, 0.73%

LAB 68.55, 60.88, -18.44

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 0 / 86 / 44 / 22

HEX #C81D70

RGB 200 29 112

HSL 330.88, 0.75%, 0.45%

LAB 44.7, 67.79, -2.32

 

CMYK 0 / 94 / 49 / 28

HEX #B70B5D

RGB 183 11 93

HSL 331.4, 0.89%, 0.38%

LAB 39.74, 64.96, 1.96

 

CMYK 0 / 100 / 55 / 35

HEX #A6004A

RGB 166 0 74

HSL 333.25, 1%, 0.33%

LAB 35.21, 60.79, 7.24

 

CMYK 0 / 100 / 63 / 42

HEX #950037

RGB 149 0 55

HSL 337.85, 1%, 0.29%

LAB 31.03, 55.44, 13.45

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 0 / 78 / 52 / 15

HEX #D93068

RGB 217 48 104

HSL 340.12, 0.69%, 0.52%

LAB 49.33, 66.85, 9.69

 

CMYK 0 / 78 / 65 / 15

HEX #D9304C

RGB 217 48 76

HSL 350.06, 0.69%, 0.52%

LAB 48.74, 65.02, 25.95

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 65 / 78 / 15

HEX #D94C30

RGB 217 76 48

HSL 9.94, 0.69%, 0.52%

LAB 51.99, 53.81, 45.55

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 0 / 77 / 38 / 95

HEX #0D0308

RGB 13 3 8

HSL 330, 0.63%, 0.03%

LAB 1.52, 3.38, -0.95

 

CMYK 0 / 78 / 39 / 75

HEX #400E27

RGB 64 14 39

HSL 330, 0.64%, 0.15%

LAB 12.93, 26.7, -3.59

 

CMYK 0 / 78 / 40 / 55

HEX #731945

RGB 115 25 69

HSL 330.67, 0.64%, 0.27%

LAB 26.07, 42.2, -4.01

 

CMYK 0 / 78 / 40 / 35

HEX #A62464

RGB 166 36 100

HSL 330.46, 0.64%, 0.4%

LAB 38.36, 56.29, -4.91

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 0 / 24 / 78 / 15

HEX #D9A630

RGB 217 166 48

HSL 41.89, 0.69%, 0.52%

LAB 71.03, 8.05, 63.94

 

CMYK 78 / 8 / 0 / 15

HEX #30C8D9

RGB 48 200 217

HSL 186.04, 0.69%, 0.52%

LAB 74.16, -32.29, -19.52

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 39 / 0 / 78 / 15

HEX #84D930

RGB 132 217 48

HSL 90.18, 0.69%, 0.52%

LAB 78.89, -51.11, 69

 

CMYK 78 / 39 / 0 / 15

HEX #3084D9

RGB 48 132 217

HSL 210.18, 0.69%, 0.52%

LAB 54.18, 4.49, -50.6

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 0 / 24 / 78 / 15

HEX #D9A630

RGB 217 166 48

HSL 41.89, 0.69%, 0.52%

LAB 71.03, 8.05, 63.94

 

CMYK 78 / 0 / 39 / 15

HEX #30D984

RGB 48 217 132

HSL 149.82, 0.69%, 0.52%

LAB 77.23, -60.69, 30.23

 

CMYK 78 / 55 / 0 / 15

HEX #3062D9

RGB 48 98 217

HSL 222.25, 0.69%, 0.52%

LAB 44.76, 25.81, -65.74

 

CMYK 0 / 78 / 40 / 15

HEX #D92F83

RGB 217 47 131

HSL 330.35, 0.69%, 0.52%

LAB 50.01, 69.48, -5.74

 

CMYK 0 / 0 / 78 / 15

HEX #D9D930

RGB 217 217 48

HSL 60, 0.69%, 0.52%

LAB 84.27, -18.19, 75.89

 

CMYK 78 / 0 / 39 / 15

HEX #30D984

RGB 48 217 132

HSL 149.82, 0.69%, 0.52%

LAB 77.23, -60.69, 30.23

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

Description

Color code: HEX #D92F83 | qconv.com Color code: HEX #D92F83 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 47 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 47 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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