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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8D71B it is the complementary color #2728E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8D71B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8D71B shade: #DDD716, #EEE929, #FFFB3C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8D71B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8D71B shade: #D8D71B, #C7C508, #B6B300, #A5A100 and #948F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8D71B shade: #DAD91B, #DAA51B, #DA721B, #DA3E1B and #DA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8D71B shade: #DAD91B, #A7DA1B, #74DA1B, #40DA1B and #1BDA29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8D71B shade matches the following richer shades: #DAD91B and #EEEC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8D71B shade: #DAD91B, #C6C52F, #B2B243, #9E9E56 and #8B8A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8D71B shade: #DA711B, #DAA41B, #DAD71B, #AADA1B and #77DA1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8D71B shade: #909012, #B5B416, #DAD91B, #E6E538 and #EBEA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8D71B shade: #D8D71B, #1BDA3E and #8A1BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8D71B shade: #D8D71B, #1BDAD7 and #D71BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8D71B shade: #D8D71B, #1BDA3E, #1B1EDA and #DA1BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8D71B shade: #D8D71B, #1BDA77, #1B1EDA and #DA1B7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 88 / 15

HEX #D8D71B

RGB 216 215 27

HSL 59.68, 0.78%, 0.48%

LAB 83.59, -18.19, 80.09

 

Complementary color

CMYK 83 / 82 / 0 / 11

HEX #2728E4

RGB 39 40 228

HSL 239.68, 0.78%, 0.52%

LAB 33.03, 62.42, -91.34

 

CMYK 0 / 3 / 90 / 13

HEX #DDD716

RGB 221 215 22

HSL 58.19, 0.82%, 0.48%

LAB 83.98, -16.17, 81.38

 

CMYK 0 / 2 / 83 / 7

HEX #EEE929

RGB 238 233 41

HSL 58.48, 0.85%, 0.55%

LAB 90.14, -17.46, 83.35

 

CMYK 0 / 2 / 76 / 0

HEX #FFFB3C

RGB 255 251 60

HSL 58.77, 1%, 0.62%

LAB 96.24, -18.58, 84.31

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 88 / 15

HEX #D8D71B

RGB 216 215 27

HSL 59.68, 0.78%, 0.48%

LAB 83.59, -18.19, 80.09

 

CMYK 0 / 1 / 96 / 22

HEX #C7C508

RGB 199 197 8

HSL 59.37, 0.92%, 0.41%

LAB 77.34, -16.8, 77.2

 

CMYK 0 / 2 / 100 / 29

HEX #B6B300

RGB 182 179 0

HSL 59.01, 1%, 0.36%

LAB 71, -15.21, 72.74

 

CMYK 0 / 2 / 100 / 35

HEX #A5A100

RGB 165 161 0

HSL 58.55, 1%, 0.32%

LAB 64.55, -13.49, 67.39

 

CMYK 0 / 3 / 100 / 42

HEX #948F00

RGB 148 143 0

HSL 57.97, 1%, 0.29%

LAB 57.98, -11.72, 61.93

 

CMYK 0 / 0 / 88 / 15

HEX #DAD91B

RGB 218 217 27

HSL 59.69, 0.78%, 0.48%

LAB 84.28, -18.33, 80.71

 

CMYK 0 / 24 / 88 / 15

HEX #DAA51B

RGB 218 165 27

HSL 43.35, 0.78%, 0.48%

LAB 70.8, 8.41, 69.99

 

CMYK 0 / 48 / 88 / 15

HEX #DA721B

RGB 218 114 27

HSL 27.33, 0.78%, 0.48%

LAB 58.99, 35.58, 60.66

 

CMYK 0 / 72 / 88 / 15

HEX #DA3E1B

RGB 218 62 27

HSL 10.99, 0.78%, 0.48%

LAB 50.01, 59.02, 53.62

 

CMYK 0 / 88 / 88 / 15

HEX #DA1B1B

RGB 218 27 27

HSL 0, 0.78%, 0.48%

LAB 46.67, 68.42, 51.01

 

CMYK 0 / 0 / 88 / 15

HEX #DAD91B

RGB 218 217 27

HSL 59.69, 0.78%, 0.48%

LAB 84.28, -18.33, 80.71

 

CMYK 23 / 0 / 88 / 15

HEX #A7DA1B

RGB 167 218 27

HSL 76.02, 0.78%, 0.48%

LAB 80.98, -39.6, 76.54

 

CMYK 47 / 0 / 88 / 15

HEX #74DA1B

RGB 116 218 27

HSL 92.04, 0.78%, 0.48%

LAB 78.42, -57.46, 73.37

 

CMYK 71 / 0 / 88 / 15

HEX #40DA1B

RGB 64 218 27

HSL 108.38, 0.78%, 0.48%

LAB 76.87, -70.06, 71.42

 

CMYK 88 / 0 / 81 / 15

HEX #1BDA29

RGB 27 218 41

HSL 124.4, 0.78%, 0.48%

LAB 76.4, -74.01, 67.63

 

CMYK 0 / 0 / 88 / 15

HEX #DAD91B

RGB 218 217 27

HSL 59.69, 0.78%, 0.48%

LAB 84.28, -18.33, 80.71

 

CMYK 0 / 1 / 97 / 7

HEX #EEEC07

RGB 238 236 7

HSL 59.48, 0.94%, 0.48%

LAB 90.86, -19.44, 88.76

 

CMYK 0 / 0 / 88 / 15

HEX #DAD91B

RGB 218 217 27

HSL 59.69, 0.78%, 0.48%

LAB 84.28, -18.33, 80.71

 

CMYK 0 / 1 / 76 / 22

HEX #C6C52F

RGB 198 197 47

HSL 59.6, 0.62%, 0.48%

LAB 77.37, -16.33, 69.42

 

CMYK 0 / 0 / 62 / 30

HEX #B2B243

RGB 178 178 67

HSL 60, 0.45%, 0.48%

LAB 70.67, -14.2, 54.89

 

CMYK 0 / 0 / 46 / 38

HEX #9E9E56

RGB 158 158 86

HSL 60, 0.3%, 0.48%

LAB 63.67, -10.67, 37.43

 

CMYK 0 / 1 / 24 / 45

HEX #8B8A6A

RGB 139 138 106

HSL 58.18, 0.13%, 0.48%

LAB 56.79, -5.19, 17.33

 

CMYK 0 / 48 / 88 / 15

HEX #DA711B

RGB 218 113 27

HSL 27.02, 0.78%, 0.48%

LAB 58.78, 36.09, 60.5

 

CMYK 0 / 25 / 88 / 15

HEX #DAA41B

RGB 218 164 27

HSL 43.04, 0.78%, 0.48%

LAB 70.55, 8.95, 69.8

 

CMYK 0 / 1 / 88 / 15

HEX #DAD71B

RGB 218 215 27

HSL 59.06, 0.78%, 0.48%

LAB 83.75, -17.35, 80.28

 

CMYK 22 / 0 / 88 / 15

HEX #AADA1B

RGB 170 218 27

HSL 75.08, 0.78%, 0.48%

LAB 81.16, -38.44, 76.77

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 0 / 0 / 88 / 44

HEX #909012

RGB 144 144 18

HSL 60, 0.78%, 0.32%

LAB 57.96, -13.75, 58.69

 

CMYK 0 / 1 / 88 / 29

HEX #B5B416

RGB 181 180 22

HSL 59.62, 0.78%, 0.4%

LAB 71.23, -15.84, 69.92

 

CMYK 0 / 0 / 88 / 15

HEX #DAD91B

RGB 218 217 27

HSL 59.69, 0.78%, 0.48%

LAB 84.28, -18.33, 80.71

 

CMYK 0 / 0 / 76 / 10

HEX #E6E538

RGB 230 229 56

HSL 59.66, 0.78%, 0.56%

LAB 88.52, -18.36, 77.78

 

CMYK 0 / 0 / 61 / 8

HEX #EBEA5C

RGB 235 234 92

HSL 59.58, 0.78%, 0.64%

LAB 90.45, -16.94, 66.92

 

CMYK 0 / 0 / 88 / 15

HEX #D8D71B

RGB 216 215 27

HSL 59.68, 0.78%, 0.48%

LAB 83.59, -18.19, 80.09

 

CMYK 88 / 0 / 72 / 15

HEX #1BDA3E

RGB 27 218 62

HSL 130.99, 0.78%, 0.48%

LAB 76.51, -72.55, 61.13

 

CMYK 37 / 88 / 0 / 15

HEX #8A1BDA

RGB 138 27 218

HSL 274.87, 0.78%, 0.48%

LAB 40, 72.58, -73.79

 

CMYK 0 / 0 / 88 / 15

HEX #D8D71B

RGB 216 215 27

HSL 59.68, 0.78%, 0.48%

LAB 83.59, -18.19, 80.09

 

CMYK 88 / 0 / 1 / 15

HEX #1BDAD7

RGB 27 218 215

HSL 179.06, 0.78%, 0.48%

LAB 79.2, -42.7, -10.88

 

CMYK 1 / 88 / 0 / 15

HEX #D71BDA

RGB 215 27 218

HSL 299.06, 0.78%, 0.48%

LAB 52.17, 84.19, -53.49

 

CMYK 0 / 0 / 88 / 15

HEX #D8D71B

RGB 216 215 27

HSL 59.68, 0.78%, 0.48%

LAB 83.59, -18.19, 80.09

 

CMYK 88 / 0 / 72 / 15

HEX #1BDA3E

RGB 27 218 62

HSL 130.99, 0.78%, 0.48%

LAB 76.51, -72.55, 61.13

 

CMYK 88 / 86 / 0 / 15

HEX #1B1EDA

RGB 27 30 218

HSL 239.06, 0.78%, 0.48%

LAB 29.97, 63.19, -90.7

 

CMYK 0 / 88 / 16 / 15

HEX #DA1BB7

RGB 218 27 183

HSL 310.99, 0.78%, 0.48%

LAB 50.81, 79.88, -35.41

 

CMYK 0 / 0 / 88 / 15

HEX #D8D71B

RGB 216 215 27

HSL 59.68, 0.78%, 0.48%

LAB 83.59, -18.19, 80.09

 

CMYK 88 / 0 / 45 / 15

HEX #1BDA77

RGB 27 218 119

HSL 148.9, 0.78%, 0.48%

LAB 77.11, -65.28, 36.59

 

CMYK 88 / 86 / 0 / 15

HEX #1B1EDA

RGB 27 30 218

HSL 239.06, 0.78%, 0.48%

LAB 29.97, 63.19, -90.7

 

CMYK 0 / 88 / 42 / 15

HEX #DA1B7E

RGB 218 27 126

HSL 328.9, 0.78%, 0.48%

LAB 48.51, 73.63, -4.91

 

Description

Color code: HEX #D8D71B | qconv.com Color code: HEX #D8D71B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 215 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 215 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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