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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77DA1B it is the complementary color #8825E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77DA1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77DA1B shade: #7CDA16, #8DEC29, #9EFE3C, #AFFF4F and #C0FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77DA1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77DA1B shade: #77DA1B, #66C808, #55B600, #44A400 and #339200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77DA1B shade: #77DA1B, #AADA1B, #DAD61B, #DAA21B and #DA6F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77DA1B shade: #77DA1B, #43DA1B, #1BDA26, #1BDA59 and #1BDA8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77DA1B shade matches the following richer shades: #77DA1B and #76EE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77DA1B shade: #77DA1B, #78C62F, #78B243, #799E56 and #7A8B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77DA1B shade: #DAD71B, #AADA1B, #77DA1B, #44DA1B and #1BDA24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77DA1B shade: #4F9012, #63B516, #77DA1B, #8CE638 and #A1EB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77DA1B shade: #77DA1B, #1BDAA4 and #DA1BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77DA1B shade: #77DA1B, #1B77DA and #DA1B77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77DA1B shade: #77DA1B, #1BDAA4, #7E1BDA and #DA1B51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77DA1B shade: #77DA1B, #1BD7DA, #7E1BDA and #DA1E1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

Complementary color

CMYK 40 / 84 / 0 / 11

HEX #8825E4

RGB 136 37 228

HSL 271.1, 0.78%, 0.52%

LAB 41.47, 71.88, -77.11

 

CMYK 43 / 0 / 90 / 15

HEX #7CDA16

RGB 124 218 22

HSL 88.78, 0.82%, 0.47%

LAB 78.74, -55.09, 74.62

 

CMYK 40 / 0 / 83 / 7

HEX #8DEC29

RGB 141 236 41

HSL 89.23, 0.84%, 0.54%

LAB 84.9, -55.96, 76.45

 

CMYK 38 / 0 / 76 / 0

HEX #9EFE3C

RGB 158 254 60

HSL 89.69, 0.99%, 0.62%

LAB 91, -56.61, 77.28

 

CMYK 31 / 0 / 69 / 0

HEX #AFFF4F

RGB 175 255 79

HSL 87.27, 1%, 0.65%

LAB 92.22, -50.19, 72.56

 

CMYK 25 / 0 / 62 / 0

HEX #C0FF62

RGB 192 255 98

HSL 84.08, 1%, 0.69%

LAB 93.28, -42.83, 66.69

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 49 / 0 / 96 / 22

HEX #66C808

RGB 102 200 8

HSL 90.63, 0.92%, 0.41%

LAB 72.33, -55.42, 70.78

 

CMYK 53 / 0 / 100 / 29

HEX #55B600

RGB 85 182 0

HSL 91.98, 1%, 0.36%

LAB 66.05, -53.93, 66.42

 

CMYK 59 / 0 / 100 / 36

HEX #44A400

RGB 68 164 0

HSL 95.12, 1%, 0.32%

LAB 59.69, -52.14, 61.16

 

CMYK 65 / 0 / 100 / 43

HEX #339200

RGB 51 146 0

HSL 99.04, 1%, 0.29%

LAB 53.23, -50.1, 55.84

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 22 / 0 / 88 / 15

HEX #AADA1B

RGB 170 218 27

HSL 75.08, 0.78%, 0.48%

LAB 81.16, -38.44, 76.77

 

CMYK 0 / 2 / 88 / 15

HEX #DAD61B

RGB 218 214 27

HSL 58.74, 0.78%, 0.48%

LAB 83.48, -16.86, 80.07

 

CMYK 0 / 26 / 88 / 15

HEX #DAA21B

RGB 218 162 27

HSL 42.41, 0.78%, 0.48%

LAB 70.05, 10.01, 69.4

 

CMYK 0 / 49 / 88 / 15

HEX #DA6F1B

RGB 218 111 27

HSL 26.39, 0.78%, 0.48%

LAB 58.37, 37.12, 60.17

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 69 / 0 / 88 / 15

HEX #43DA1B

RGB 67 218 27

HSL 107.43, 0.78%, 0.48%

LAB 76.93, -69.52, 71.5

 

CMYK 88 / 0 / 83 / 15

HEX #1BDA26

RGB 27 218 38

HSL 123.46, 0.78%, 0.48%

LAB 76.38, -74.16, 68.39

 

CMYK 88 / 0 / 59 / 15

HEX #1BDA59

RGB 27 218 89

HSL 139.48, 0.78%, 0.48%

LAB 76.74, -69.73, 50.38

 

CMYK 88 / 0 / 35 / 15

HEX #1BDA8D

RGB 27 218 141

HSL 155.81, 0.78%, 0.48%

LAB 77.46, -61.16, 25.86

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 50 / 0 / 97 / 7

HEX #76EE07

RGB 118 238 7

HSL 91.17, 0.94%, 0.48%

LAB 84.49, -64.54, 80.84

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 39 / 0 / 76 / 22

HEX #78C62F

RGB 120 198 47

HSL 90.99, 0.62%, 0.48%

LAB 72.62, -47.5, 63.17

 

CMYK 33 / 0 / 62 / 30

HEX #78B243

RGB 120 178 67

HSL 91.35, 0.45%, 0.48%

LAB 66.7, -37.49, 49.43

 

CMYK 23 / 0 / 46 / 38

HEX #799E56

RGB 121 158 86

HSL 90.83, 0.3%, 0.48%

LAB 60.95, -25.66, 33.46

 

CMYK 12 / 0 / 24 / 45

HEX #7A8B6A

RGB 122 139 106

HSL 90.91, 0.13%, 0.48%

LAB 55.73, -12.48, 15.66

 

CMYK 0 / 1 / 88 / 15

HEX #DAD71B

RGB 218 215 27

HSL 59.06, 0.78%, 0.48%

LAB 83.75, -17.35, 80.28

 

CMYK 22 / 0 / 88 / 15

HEX #AADA1B

RGB 170 218 27

HSL 75.08, 0.78%, 0.48%

LAB 81.16, -38.44, 76.77

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 69 / 0 / 88 / 15

HEX #44DA1B

RGB 68 218 27

HSL 107.12, 0.78%, 0.48%

LAB 76.95, -69.34, 71.52

 

CMYK 88 / 0 / 83 / 15

HEX #1BDA24

RGB 27 218 36

HSL 122.83, 0.78%, 0.48%

LAB 76.38, -74.26, 68.87

 

CMYK 45 / 0 / 88 / 44

HEX #4F9012

RGB 79 144 18

HSL 90.95, 0.78%, 0.32%

LAB 53.66, -40.62, 53.33

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 39 / 0 / 76 / 10

HEX #8CE638

RGB 140 230 56

HSL 91.03, 0.78%, 0.56%

LAB 83.15, -53.24, 70.74

 

CMYK 31 / 0 / 61 / 8

HEX #A1EB5C

RGB 161 235 92

HSL 91.05, 0.78%, 0.64%

LAB 85.89, -45.66, 60.55

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 88 / 0 / 25 / 15

HEX #1BDAA4

RGB 27 218 164

HSL 163.04, 0.78%, 0.48%

LAB 77.91, -56.13, 14.42

 

CMYK 0 / 88 / 10 / 15

HEX #DA1BC4

RGB 218 27 196

HSL 306.91, 0.78%, 0.48%

LAB 51.47, 81.59, -41.94

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 88 / 45 / 0 / 15

HEX #1B77DA

RGB 27 119 218

HSL 211.1, 0.78%, 0.48%

LAB 50.08, 11.08, -57.73

 

CMYK 0 / 88 / 45 / 15

HEX #DA1B77

RGB 218 27 119

HSL 331.1, 0.78%, 0.48%

LAB 48.29, 73.02, -0.96

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 88 / 0 / 25 / 15

HEX #1BDAA4

RGB 27 218 164

HSL 163.04, 0.78%, 0.48%

LAB 77.91, -56.13, 14.42

 

CMYK 42 / 88 / 0 / 15

HEX #7E1BDA

RGB 126 27 218

HSL 271.1, 0.78%, 0.48%

LAB 38.34, 71.13, -76.56

 

CMYK 0 / 88 / 63 / 15

HEX #DA1B51

RGB 218 27 81

HSL 343.04, 0.78%, 0.48%

LAB 47.34, 70.36, 21.12

 

CMYK 45 / 0 / 88 / 15

HEX #77DA1B

RGB 119 218 27

HSL 91.1, 0.78%, 0.48%

LAB 78.55, -56.54, 73.52

 

CMYK 88 / 1 / 0 / 15

HEX #1BD7DA

RGB 27 215 218

HSL 180.94, 0.78%, 0.48%

LAB 78.4, -40.48, -13.68

 

CMYK 42 / 88 / 0 / 15

HEX #7E1BDA

RGB 126 27 218

HSL 271.1, 0.78%, 0.48%

LAB 38.34, 71.13, -76.56

 

CMYK 0 / 86 / 88 / 15

HEX #DA1E1B

RGB 218 30 27

HSL 0.94, 0.78%, 0.48%

LAB 46.86, 67.87, 51.16

 

Description

Color code: HEX #77DA1B | qconv.com Color code: HEX #77DA1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 218 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 218 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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