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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8D054 it is the complementary color #272FAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8D054. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8D054 shade: #DDD04F, #EEE262, #FFF475, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8D054. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8D054 shade: #D8D054, #C7BE41, #B6AC2E, #A59A1B and #948808

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8D054 shade: #D8D055, #D8AD55, #D88955, #D86655 and #D85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8D054 shade: #D8D055, #BDD855, #99D855, #76D855 and #55D857

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8D054 shade matches the following richer shades: #D8D055, #E9DF44 and #FAEE33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8D054 shade: #D8D055, #C7C165, #B6B376, #A6A487 and #959598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8D054 shade: #D88955, #D8AC55, #D8D055, #BED855 and #9BD855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8D054 shade: #B2AA28, #D1C733, #D8D055, #E0DA76 and #E8E398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8D054 shade: #D8D054, #55D866 and #9B55D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8D054 shade: #D8D054, #55D8D0 and #D055D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8D054 shade: #D8D054, #55D866, #555DD8 and #D855C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8D054 shade: #D8D054, #55D88E, #555DD8 and #D8559F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 61 / 15

HEX #D8D054

RGB 216 208 84

HSL 56.36, 0.63%, 0.59%

LAB 82.03, -12.36, 60.75

 

Complementary color

CMYK 77 / 73 / 0 / 33

HEX #272FAB

RGB 39 47 171

HSL 236.36, 0.63%, 0.41%

LAB 27.86, 40.56, -66.52

 

CMYK 0 / 6 / 64 / 13

HEX #DDD04F

RGB 221 208 79

HSL 54.51, 0.68%, 0.59%

LAB 82.4, -10.59, 63.37

 

CMYK 0 / 5 / 59 / 7

HEX #EEE262

RGB 238 226 98

HSL 54.86, 0.8%, 0.66%

LAB 88.66, -11.38, 62.52

 

CMYK 0 / 4 / 54 / 0

HEX #FFF475

RGB 255 244 117

HSL 55.22, 1%, 0.73%

LAB 94.84, -12.06, 61.51

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 4 / 61 / 15

HEX #D8D054

RGB 216 208 84

HSL 56.36, 0.63%, 0.59%

LAB 82.03, -12.36, 60.75

 

CMYK 0 / 5 / 67 / 22

HEX #C7BE41

RGB 199 190 65

HSL 55.97, 0.54%, 0.52%

LAB 75.67, -11.52, 61.46

 

CMYK 0 / 5 / 75 / 29

HEX #B6AC2E

RGB 182 172 46

HSL 55.59, 0.6%, 0.45%

LAB 69.22, -10.52, 61.73

 

CMYK 0 / 7 / 84 / 35

HEX #A59A1B

RGB 165 154 27

HSL 55.22, 0.72%, 0.38%

LAB 62.67, -9.31, 61.17

 

CMYK 0 / 8 / 95 / 42

HEX #948808

RGB 148 136 8

HSL 54.86, 0.9%, 0.31%

LAB 56.01, -7.82, 59.16

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 0 / 20 / 61 / 15

HEX #D8AD55

RGB 216 173 85

HSL 40.31, 0.63%, 0.59%

LAB 72.99, 5.86, 50.26

 

CMYK 0 / 37 / 61 / 15

HEX #D88955

RGB 216 137 85

HSL 23.82, 0.63%, 0.59%

LAB 64.28, 25.21, 40.08

 

CMYK 0 / 53 / 61 / 15

HEX #D86655

RGB 216 102 85

HSL 7.79, 0.63%, 0.59%

LAB 56.84, 43.43, 30.93

 

CMYK 0 / 61 / 61 / 15

HEX #D85555

RGB 216 85 85

HSL 0, 0.63%, 0.59%

LAB 53.76, 51.45, 27.01

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 13 / 0 / 61 / 15

HEX #BDD855

RGB 189 216 85

HSL 72.37, 0.63%, 0.59%

LAB 82.16, -27.19, 59.87

 

CMYK 29 / 0 / 61 / 15

HEX #99D855

RGB 153 216 85

HSL 88.85, 0.63%, 0.59%

LAB 79.92, -40.85, 56.78

 

CMYK 45 / 0 / 61 / 15

HEX #76D855

RGB 118 216 85

HSL 104.89, 0.63%, 0.59%

LAB 78.24, -52.43, 54.43

 

CMYK 61 / 0 / 60 / 15

HEX #55D857

RGB 85 216 87

HSL 120.92, 0.63%, 0.59%

LAB 77.12, -60.86, 51.98

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 0 / 4 / 71 / 9

HEX #E9DF44

RGB 233 223 68

HSL 56.36, 0.79%, 0.59%

LAB 87.25, -13.67, 72.78

 

CMYK 0 / 5 / 80 / 2

HEX #FAEE33

RGB 250 238 51

HSL 56.38, 0.95%, 0.59%

LAB 92.45, -14.63, 83.27

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 0 / 3 / 49 / 22

HEX #C7C165

RGB 199 193 101

HSL 56.33, 0.47%, 0.59%

LAB 76.81, -10.44, 46.66

 

CMYK 0 / 2 / 35 / 29

HEX #B6B376

RGB 182 179 118

HSL 57.19, 0.3%, 0.59%

LAB 71.89, -8.3, 31.57

 

CMYK 0 / 1 / 19 / 35

HEX #A6A487

RGB 166 164 135

HSL 56.13, 0.15%, 0.59%

LAB 66.83, -4.28, 15.34

 

CMYK 2 / 2 / 0 / 40

HEX #959598

RGB 149 149 152

HSL 240, 0.01%, 0.59%

LAB 61.78, 0.59, -1.58

 

CMYK 0 / 37 / 61 / 15

HEX #D88955

RGB 216 137 85

HSL 23.82, 0.63%, 0.59%

LAB 64.28, 25.21, 40.08

 

CMYK 0 / 20 / 61 / 15

HEX #D8AC55

RGB 216 172 85

HSL 39.85, 0.63%, 0.59%

LAB 72.73, 6.39, 49.98

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 12 / 0 / 61 / 15

HEX #BED855

RGB 190 216 85

HSL 71.91, 0.63%, 0.59%

LAB 82.23, -26.79, 59.97

 

CMYK 28 / 0 / 61 / 15

HEX #9BD855

RGB 155 216 85

HSL 87.94, 0.63%, 0.59%

LAB 80.03, -40.13, 56.93

 

CMYK 0 / 4 / 78 / 30

HEX #B2AA28

RGB 178 170 40

HSL 56.52, 0.63%, 0.43%

LAB 68.29, -11.48, 62.74

 

CMYK 0 / 5 / 76 / 18

HEX #D1C733

RGB 209 199 51

HSL 56.2, 0.63%, 0.51%

LAB 78.83, -12.5, 69.84

 

CMYK 0 / 4 / 61 / 15

HEX #D8D055

RGB 216 208 85

HSL 56.34, 0.63%, 0.59%

LAB 82.04, -12.29, 60.33

 

CMYK 0 / 3 / 47 / 12

HEX #E0DA76

RGB 224 218 118

HSL 56.6, 0.63%, 0.67%

LAB 85.65, -11.45, 49.59

 

CMYK 0 / 2 / 34 / 9

HEX #E8E398

RGB 232 227 152

HSL 56.25, 0.63%, 0.75%

LAB 89.09, -9.3, 37.29

 

CMYK 0 / 4 / 61 / 15

HEX #D8D054

RGB 216 208 84

HSL 56.36, 0.63%, 0.59%

LAB 82.03, -12.36, 60.75

 

CMYK 61 / 0 / 53 / 15

HEX #55D866

RGB 85 216 102

HSL 127.79, 0.63%, 0.59%

LAB 77.28, -59.02, 45.3

 

CMYK 28 / 61 / 0 / 15

HEX #9B55D8

RGB 155 85 216

HSL 272.06, 0.63%, 0.59%

LAB 50.01, 52.72, -56.3

 

CMYK 0 / 4 / 61 / 15

HEX #D8D054

RGB 216 208 84

HSL 56.36, 0.63%, 0.59%

LAB 82.03, -12.36, 60.75

 

CMYK 61 / 0 / 4 / 15

HEX #55D8D0

RGB 85 216 208

HSL 176.34, 0.63%, 0.59%

LAB 79.38, -37.42, -6.76

 

CMYK 4 / 61 / 0 / 15

HEX #D055D8

RGB 208 85 216

HSL 296.34, 0.63%, 0.59%

LAB 56.94, 65.38, -44.83

 

CMYK 0 / 4 / 61 / 15

HEX #D8D054

RGB 216 208 84

HSL 56.36, 0.63%, 0.59%

LAB 82.03, -12.36, 60.75

 

CMYK 61 / 0 / 53 / 15

HEX #55D866

RGB 85 216 102

HSL 127.79, 0.63%, 0.59%

LAB 77.28, -59.02, 45.3

 

CMYK 61 / 57 / 0 / 15

HEX #555DD8

RGB 85 93 216

HSL 236.34, 0.63%, 0.59%

LAB 45.25, 33.68, -64.3

 

CMYK 0 / 61 / 8 / 15

HEX #D855C7

RGB 216 85 199

HSL 307.79, 0.63%, 0.59%

LAB 57.29, 64.56, -34.54

 

CMYK 0 / 4 / 61 / 15

HEX #D8D054

RGB 216 208 84

HSL 56.36, 0.63%, 0.59%

LAB 82.03, -12.36, 60.75

 

CMYK 61 / 0 / 34 / 15

HEX #55D88E

RGB 85 216 142

HSL 146.11, 0.63%, 0.59%

LAB 77.87, -52.55, 26.07

 

CMYK 61 / 57 / 0 / 15

HEX #555DD8

RGB 85 93 216

HSL 236.34, 0.63%, 0.59%

LAB 45.25, 33.68, -64.3

 

CMYK 0 / 61 / 26 / 15

HEX #D8559F

RGB 216 85 159

HSL 326.11, 0.63%, 0.59%

LAB 55.68, 58.79, -13.88

 

Description

Color code: HEX #D8D054 | qconv.com Color code: HEX #D8D054 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 208 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 208 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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