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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 57 / 0 / 15 it is the complementary color CMYK 0 / 5 / 78 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 57 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 57 / 0 / 15: CMYK 58 / 56 / 0 / 17, CMYK 54 / 52 / 0 / 9, CMYK 50 / 48 / 0 / 2, CMYK 45 / 42 / 0 / 0 and CMYK 38 / 35 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 57 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 57 / 0 / 15: CMYK 61 / 57 / 0 / 15, CMYK 66 / 62 / 0 / 22, CMYK 72 / 68 / 0 / 30, CMYK 79 / 76 / 0 / 37 and CMYK 88 / 85 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

Complementary color

CMYK 0 / 5 / 78 / 33

HEX #AAA226

RGB 170 162 38

HSL 56.36, 0.63%, 0.41%

LAB 65.38, -10.91, 60.47

 

CMYK 58 / 56 / 0 / 17

HEX #5A5DD4

RGB 90 93 212

HSL 238.52, 0.59%, 0.59%

LAB 45.3, 33.25, -61.92

 

CMYK 54 / 52 / 0 / 9

HEX #6B6FE7

RGB 107 111 231

HSL 238.06, 0.72%, 0.66%

LAB 52.13, 31.6, -61.58

 

CMYK 50 / 48 / 0 / 2

HEX #7C81FA

RGB 124 129 250

HSL 237.62, 0.93%, 0.73%

LAB 58.87, 30.18, -61.26

 

CMYK 45 / 42 / 0 / 0

HEX #8D93FF

RGB 141 147 255

HSL 236.84, 1%, 0.78%

LAB 64.76, 24.91, -54.54

 

CMYK 38 / 35 / 0 / 0

HEX #9EA5FF

RGB 158 165 255

HSL 235.67, 1%, 0.81%

LAB 70.45, 18.79, -45.47

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 66 / 62 / 0 / 22

HEX #444BC6

RGB 68 75 198

HSL 236.77, 0.53%, 0.52%

LAB 38.44, 36.09, -65.05

 

CMYK 72 / 68 / 0 / 30

HEX #3339B3

RGB 51 57 179

HSL 237.19, 0.56%, 0.45%

LAB 31.54, 38.48, -65.22

 

CMYK 79 / 76 / 0 / 37

HEX #2227A0

RGB 34 39 160

HSL 237.62, 0.65%, 0.38%

LAB 24.73, 41.07, -65.04

 

CMYK 88 / 85 / 0 / 45

HEX #11158D

RGB 17 21 141

HSL 238.06, 0.78%, 0.31%

LAB 18.27, 43.39, -64.06

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 55 / 61 / 0 / 15

HEX #6154D8

RGB 97 84 216

HSL 245.91, 0.63%, 0.59%

LAB 44, 41.2, -66.28

 

CMYK 45 / 61 / 0 / 15

HEX #7754D8

RGB 119 84 216

HSL 255.91, 0.63%, 0.59%

LAB 45.93, 45.4, -63.06

 

CMYK 35 / 61 / 0 / 15

HEX #8D54D8

RGB 141 84 216

HSL 265.91, 0.63%, 0.59%

LAB 48.21, 50.07, -59.27

 

CMYK 25 / 61 / 0 / 15

HEX #A354D8

RGB 163 84 216

HSL 275.91, 0.63%, 0.59%

LAB 50.79, 55.07, -54.99

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 62 / 54 / 0 / 95

HEX #05060D

RGB 5 6 13

HSL 232.5, 0.44%, 0.04%

LAB 1.73, 0.75, -2.84

 

CMYK 61 / 58 / 0 / 75

HEX #191B40

RGB 25 27 64

HSL 236.92, 0.44%, 0.17%

LAB 11.69, 11.86, -23.98

 

CMYK 61 / 57 / 0 / 55

HEX #2D3173

RGB 45 49 115

HSL 236.57, 0.44%, 0.31%

LAB 23.65, 19.83, -38.73

 

CMYK 61 / 57 / 0 / 35

HEX #4147A6

RGB 65 71 166

HSL 236.44, 0.44%, 0.45%

LAB 34.77, 27.14, -52.16

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 0 / 61 / 8 / 15

HEX #D854C6

RGB 216 84 198

HSL 308.18, 0.63%, 0.59%

LAB 57.09, 64.82, -34.28

 

CMYK 32 / 0 / 61 / 15

HEX #92D854

RGB 146 216 84

HSL 91.82, 0.63%, 0.59%

LAB 79.54, -43.42, 56.67

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 0 / 61 / 57 / 15

HEX #D8545D

RGB 216 84 93

HSL 355.91, 0.63%, 0.59%

LAB 53.74, 52.46, 22.3

 

CMYK 57 / 0 / 61 / 15

HEX #5DD854

RGB 93 216 84

HSL 115.91, 0.63%, 0.59%

LAB 77.33, -59.33, 53.59

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 0 / 61 / 8 / 15

HEX #D854C6

RGB 216 84 198

HSL 308.18, 0.63%, 0.59%

LAB 57.09, 64.82, -34.28

 

CMYK 0 / 4 / 61 / 15

HEX #D8CF54

RGB 216 207 84

HSL 55.91, 0.63%, 0.59%

LAB 81.76, -11.85, 60.47

 

CMYK 61 / 0 / 53 / 15

HEX #54D866

RGB 84 216 102

HSL 128.18, 0.63%, 0.59%

LAB 77.25, -59.23, 45.26

 

CMYK 61 / 57 / 0 / 15

HEX #555DD9

RGB 85 93 217

HSL 236.36, 0.63%, 0.59%

LAB 45.32, 34.01, -64.76

 

CMYK 0 / 61 / 26 / 15

HEX #D8549F

RGB 216 84 159

HSL 325.91, 0.63%, 0.59%

LAB 55.53, 59.22, -14.12

 

CMYK 0 / 4 / 61 / 15

HEX #D8CF54

RGB 216 207 84

HSL 55.91, 0.63%, 0.59%

LAB 81.76, -11.85, 60.47

 

CMYK 61 / 0 / 35 / 15

HEX #54D88D

RGB 84 216 141

HSL 145.91, 0.63%, 0.59%

LAB 77.83, -52.94, 26.52

 

Description

Color code: CMYK 61 / 57 / 0 / 15 | qconv.com Color code: CMYK 61 / 57 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 93 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 93 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 57 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 57% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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