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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C140 it is the complementary color #273EBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D8C140: #DDC13B, #EED34E, #FFE561, #FFF774 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D8C140: #D8C140, #C7AF2D, #B69D1A, #A58B07 and #947900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

Complementary color

CMYK 80 / 68 / 0 / 25

HEX #273EBF

RGB 39 62 191

HSL 230.92, 0.66%, 0.45%

LAB 33.22, 38.43, -69.58

 

CMYK 0 / 13 / 73 / 13

HEX #DDC13B

RGB 221 193 59

HSL 49.63, 0.7%, 0.55%

LAB 78.36, -3.97, 67.05

 

CMYK 0 / 11 / 67 / 7

HEX #EED34E

RGB 238 211 78

HSL 49.88, 0.82%, 0.62%

LAB 84.65, -5.07, 66.56

 

CMYK 0 / 10 / 62 / 0

HEX #FFE561

RGB 255 229 97

HSL 50.13, 1%, 0.69%

LAB 90.85, -6.02, 65.76

 

CMYK 0 / 3 / 55 / 0

HEX #FFF774

RGB 255 247 116

HSL 56.55, 1%, 0.73%

LAB 95.6, -13.6, 62.82

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 0 / 12 / 77 / 22

HEX #C7AF2D

RGB 199 175 45

HSL 50.65, 0.63%, 0.48%

LAB 71.55, -4.69, 64.78

 

CMYK 0 / 14 / 86 / 29

HEX #B69D1A

RGB 182 157 26

HSL 50.38, 0.75%, 0.41%

LAB 65.07, -3.29, 64.08

 

CMYK 0 / 16 / 96 / 35

HEX #A58B07

RGB 165 139 7

HSL 50.13, 0.92%, 0.34%

LAB 58.49, -1.63, 61.91

 

CMYK 0 / 18 / 100 / 42

HEX #947900

RGB 148 121 0

HSL 49.05, 1%, 0.29%

LAB 51.8, 0.35, 57.52

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 0 / 0 / 70 / 16

HEX #D7D740

RGB 215 215 64

HSL 60, 0.65%, 0.55%

LAB 83.66, -17.39, 70.21

 

CMYK 12 / 0 / 70 / 16

HEX #BED740

RGB 190 215 64

HSL 69.93, 0.65%, 0.55%

LAB 81.79, -27.65, 67.74

 

CMYK 23 / 0 / 70 / 16

HEX #A5D740

RGB 165 215 64

HSL 79.87, 0.65%, 0.55%

LAB 80.16, -37.5, 65.58

 

CMYK 35 / 0 / 70 / 16

HEX #8CD740

RGB 140 215 64

HSL 89.8, 0.65%, 0.55%

LAB 78.78, -46.63, 63.73

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 0 / 8 / 67 / 95

HEX #0C0B04

RGB 12 11 4

HSL 52.5, 0.5%, 0.03%

LAB 2.95, -0.69, 2.76

 

CMYK 0 / 11 / 70 / 75

HEX #3F3813

RGB 63 56 19

HSL 50.45, 0.54%, 0.16%

LAB 23.45, -2.4, 23.67

 

CMYK 0 / 11 / 70 / 55

HEX #726622

RGB 114 102 34

HSL 51, 0.54%, 0.29%

LAB 43.06, -3.86, 38.66

 

CMYK 0 / 11 / 70 / 35

HEX #A59331

RGB 165 147 49

HSL 50.69, 0.54%, 0.42%

LAB 60.86, -4.63, 51.93

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 70 / 0 / 68 / 16

HEX #40D745

RGB 64 215 69

HSL 121.99, 0.65%, 0.55%

LAB 76.14, -66.51, 58.27

 

CMYK 40 / 70 / 0 / 16

HEX #8240D7

RGB 130 64 215

HSL 266.23, 0.65%, 0.55%

LAB 43.24, 57.6, -66.81

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 70 / 0 / 12 / 16

HEX #40D7BE

RGB 64 215 190

HSL 170.07, 0.65%, 0.55%

LAB 78.12, -44.88, 0.95

 

CMYK 12 / 70 / 0 / 16

HEX #BE40D7

RGB 190 64 215

HSL 290.07, 0.65%, 0.55%

LAB 51.29, 69.48, -53.41

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 70 / 0 / 68 / 16

HEX #40D745

RGB 64 215 69

HSL 121.99, 0.65%, 0.55%

LAB 76.14, -66.51, 58.27

 

CMYK 70 / 59 / 0 / 16

HEX #4059D7

RGB 64 89 215

HSL 230.07, 0.65%, 0.55%

LAB 42.97, 32.68, -67.48

 

CMYK 0 / 70 / 2 / 16

HEX #D740D2

RGB 215 64 210

HSL 301.99, 0.65%, 0.55%

LAB 54.83, 73.98, -44.69

 

CMYK 0 / 11 / 70 / 15

HEX #D8C140

RGB 216 193 64

HSL 50.92, 0.66%, 0.55%

LAB 77.94, -5.87, 64.62

 

CMYK 70 / 0 / 47 / 16

HEX #40D773

RGB 64 215 115

HSL 140.26, 0.65%, 0.55%

LAB 76.64, -60.73, 38.08

 

CMYK 70 / 59 / 0 / 16

HEX #4059D7

RGB 64 89 215

HSL 230.07, 0.65%, 0.55%

LAB 42.97, 32.68, -67.48

 

CMYK 0 / 70 / 23 / 16

HEX #D740A5

RGB 215 64 165

HSL 319.87, 0.65%, 0.55%

LAB 52.76, 67.53, -21.87

 

Description

Color code: HEX #D8C140 | qconv.com Color code: HEX #D8C140 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 193 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 193 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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