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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D89E5E it is the complementary color #2761A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D89E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D89E5E shade: #DD9E59, #EEB06C, #FFC27F, #FFD492 and #FFE6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D89E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D89E5E shade: #D89E5E, #C78C4B, #B67A38, #A56825 and #945612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D89E5E shade: #D89E5E, #D87D5E and #D85E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D89E5E shade: #D89E5E, #D8BF5E, #D0D85E, #AFD85E and #8FD85E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D89E5E shade matches the following richer shades: #D89E5E, #E89F4E and #F8A03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D89E5E shade: #D89E5E, #C89D6E, #B89C7F, #A79C8F and #979B9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D89E5E shade: #D85E60, #D87D5E, #D89D5E, #D8BD5E and #D2D85E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D89E5E shade: #B8752C, #D08A3D, #D89E5E, #E0B280 and #E8C6A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D89E5E shade: #D89E5E, #81D85E and #6D5ED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D89E5E shade: #D89E5E, #5ED89D and #9D5ED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D89E5E shade: #D89E5E, #81D85E, #5E99D8 and #B55ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D89E5E shade: #D89E5E, #5ED860, #5E99D8 and #D85ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

Complementary color

CMYK 76 / 40 / 0 / 37

HEX #2761A1

RGB 39 97 161

HSL 211.48, 0.61%, 0.39%

LAB 40.5, 4.09, -40.04

 

CMYK 0 / 29 / 60 / 13

HEX #DD9E59

RGB 221 158 89

HSL 31.36, 0.66%, 0.61%

LAB 69.86, 16.27, 44.81

 

CMYK 0 / 26 / 55 / 7

HEX #EEB06C

RGB 238 176 108

HSL 31.38, 0.79%, 0.68%

LAB 76.26, 15.14, 43.37

 

CMYK 0 / 24 / 50 / 0

HEX #FFC27F

RGB 255 194 127

HSL 31.41, 1%, 0.75%

LAB 82.58, 14.16, 41.98

 

CMYK 0 / 17 / 43 / 0

HEX #FFD492

RGB 255 212 146

HSL 36.33, 1%, 0.79%

LAB 87.2, 6.63, 38.25

 

CMYK 0 / 10 / 35 / 0

HEX #FFE6A5

RGB 255 230 165

HSL 43.33, 1%, 0.82%

LAB 91.94, -0.51, 34.82

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 0 / 30 / 62 / 22

HEX #C78C4B

RGB 199 140 75

HSL 31.45, 0.53%, 0.54%

LAB 62.85, 15.77, 43.04

 

CMYK 0 / 33 / 69 / 29

HEX #B67A38

RGB 182 122 56

HSL 31.43, 0.53%, 0.47%

LAB 56.24, 17.17, 44.5

 

CMYK 0 / 37 / 78 / 35

HEX #A56825

RGB 165 104 37

HSL 31.41, 0.63%, 0.4%

LAB 49.54, 18.83, 45.77

 

CMYK 0 / 42 / 88 / 42

HEX #945612

RGB 148 86 18

HSL 31.38, 0.78%, 0.33%

LAB 42.76, 20.79, 46.37

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 0 / 42 / 56 / 15

HEX #D87D5E

RGB 216 125 94

HSL 15.25, 0.61%, 0.61%

LAB 61.72, 32.29, 32.08

 

CMYK 0 / 56 / 56 / 15

HEX #D85E5E

RGB 216 94 94

HSL 0, 0.61%, 0.61%

LAB 55.49, 47.96, 24.04

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 4 / 0 / 56 / 15

HEX #D0D85E

RGB 208 216 94

HSL 63.93, 0.61%, 0.61%

LAB 83.62, -18.9, 57.98

 

CMYK 19 / 0 / 56 / 15

HEX #AFD85E

RGB 175 216 94

HSL 80.16, 0.61%, 0.61%

LAB 81.31, -31.9, 54.75

 

CMYK 34 / 0 / 56 / 15

HEX #8FD85E

RGB 143 216 94

HSL 95.9, 0.61%, 0.61%

LAB 79.48, -43.51, 52.16

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 0 / 31 / 66 / 9

HEX #E89F4E

RGB 232 159 78

HSL 31.56, 0.77%, 0.61%

LAB 71.22, 19.6, 52.06

 

CMYK 0 / 35 / 75 / 3

HEX #F8A03E

RGB 248 160 62

HSL 31.61, 0.93%, 0.61%

LAB 73.18, 24.92, 61.82

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 0 / 22 / 45 / 22

HEX #C89D6E

RGB 200 157 110

HSL 31.33, 0.45%, 0.61%

LAB 67.66, 9.94, 30.65

 

CMYK 0 / 15 / 31 / 28

HEX #B89C7F

RGB 184 156 127

HSL 30.53, 0.29%, 0.61%

LAB 66.14, 6, 19.05

 

CMYK 0 / 7 / 14 / 35

HEX #A79C8F

RGB 167 156 143

HSL 32.5, 0.12%, 0.61%

LAB 64.94, 1.76, 8.24

 

CMYK 5 / 3 / 0 / 38

HEX #979B9F

RGB 151 155 159

HSL 210, 0.04%, 0.61%

LAB 63.77, -0.64, -2.6

 

CMYK 0 / 56 / 56 / 15

HEX #D85E60

RGB 216 94 96

HSL 359.02, 0.61%, 0.61%

LAB 55.53, 48.11, 22.92

 

CMYK 0 / 42 / 56 / 15

HEX #D87D5E

RGB 216 125 94

HSL 15.25, 0.61%, 0.61%

LAB 61.72, 32.29, 32.08

 

CMYK 0 / 27 / 56 / 15

HEX #D89D5E

RGB 216 157 94

HSL 30.98, 0.61%, 0.61%

LAB 69.13, 15.11, 41.27

 

CMYK 0 / 13 / 56 / 15

HEX #D8BD5E

RGB 216 189 94

HSL 46.72, 0.61%, 0.61%

LAB 77.16, -1.91, 50.8

 

CMYK 3 / 0 / 56 / 15

HEX #D2D85E

RGB 210 216 94

HSL 62.95, 0.61%, 0.61%

LAB 83.77, -18.09, 58.2

 

CMYK 0 / 36 / 76 / 28

HEX #B8752C

RGB 184 117 44

HSL 31.29, 0.61%, 0.45%

LAB 55.17, 20.22, 49.05

 

CMYK 0 / 34 / 71 / 18

HEX #D08A3D

RGB 208 138 61

HSL 31.43, 0.61%, 0.53%

LAB 63.28, 19.85, 50.61

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 0 / 21 / 43 / 12

HEX #E0B280

RGB 224 178 128

HSL 31.25, 0.61%, 0.69%

LAB 75.6, 10.27, 31.88

 

CMYK 0 / 15 / 31 / 9

HEX #E8C6A1

RGB 232 198 161

HSL 31.27, 0.61%, 0.77%

LAB 81.9, 6.7, 23.02

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 40 / 0 / 56 / 15

HEX #81D85E

RGB 129 216 94

HSL 102.79, 0.61%, 0.61%

LAB 78.8, -48.11, 51.21

 

CMYK 50 / 56 / 0 / 15

HEX #6D5ED8

RGB 109 94 216

HSL 247.38, 0.61%, 0.61%

LAB 47.25, 37.59, -60.97

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 56 / 0 / 27 / 15

HEX #5ED89D

RGB 94 216 157

HSL 150.98, 0.61%, 0.61%

LAB 78.42, -47.72, 19.02

 

CMYK 27 / 56 / 0 / 15

HEX #9D5ED8

RGB 157 94 216

HSL 270.98, 0.61%, 0.61%

LAB 51.99, 48.53, -53.11

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 40 / 0 / 56 / 15

HEX #81D85E

RGB 129 216 94

HSL 102.79, 0.61%, 0.61%

LAB 78.8, -48.11, 51.21

 

CMYK 56 / 29 / 0 / 15

HEX #5E99D8

RGB 94 153 216

HSL 210.98, 0.61%, 0.61%

LAB 61.76, -0.88, -37.96

 

CMYK 16 / 56 / 0 / 15

HEX #B55ED8

RGB 181 94 216

HSL 282.79, 0.61%, 0.61%

LAB 54.85, 54.53, -48.37

 

CMYK 0 / 27 / 56 / 15

HEX #D89E5E

RGB 216 158 94

HSL 31.48, 0.61%, 0.61%

LAB 69.37, 14.57, 41.56

 

CMYK 56 / 0 / 56 / 15

HEX #5ED860

RGB 94 216 96

HSL 120.98, 0.61%, 0.61%

LAB 77.48, -57.72, 48.4

 

CMYK 56 / 29 / 0 / 15

HEX #5E99D8

RGB 94 153 216

HSL 210.98, 0.61%, 0.61%

LAB 61.76, -0.88, -37.96

 

CMYK 0 / 56 / 1 / 15

HEX #D85ED6

RGB 216 94 214

HSL 300.98, 0.61%, 0.61%

LAB 59.4, 63.14, -39.76

 

Description

Color code: HEX #D89E5E | qconv.com Color code: HEX #D89E5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 158 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 158 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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