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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 56 / 15 it is the complementary color CMYK 22 / 76 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 56 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 0 / 56 / 15: CMYK 38 / 0 / 59 / 15, CMYK 35 / 0 / 54 / 8, CMYK 33 / 0 / 49 / 1, CMYK 27 / 0 / 42 / 0 and CMYK 20 / 0 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 56 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 0 / 56 / 15: CMYK 40 / 0 / 56 / 15, CMYK 43 / 0 / 62 / 22, CMYK 47 / 0 / 69 / 29, CMYK 52 / 0 / 77 / 36 and CMYK 57 / 0 / 87 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

Complementary color

CMYK 22 / 76 / 0 / 37

HEX #7D26A0

RGB 125 38 160

HSL 282.79, 0.62%, 0.39%

LAB 34.57, 55.18, -48.55

 

CMYK 38 / 0 / 59 / 15

HEX #87D95A

RGB 135 217 90

HSL 98.74, 0.63%, 0.6%

LAB 79.34, -47.01, 53.69

 

CMYK 35 / 0 / 54 / 8

HEX #98EB6D

RGB 152 235 109

HSL 99.52, 0.76%, 0.67%

LAB 85.6, -47.04, 52.64

 

CMYK 33 / 0 / 49 / 1

HEX #A9FD80

RGB 169 253 128

HSL 100.32, 0.97%, 0.75%

LAB 91.79, -47.01, 51.52

 

CMYK 27 / 0 / 42 / 0

HEX #BAFF93

RGB 186 255 147

HSL 98.33, 1%, 0.79%

LAB 93.48, -39.95, 44.8

 

CMYK 20 / 0 / 35 / 0

HEX #CBFFA6

RGB 203 255 166

HSL 95.06, 1%, 0.83%

LAB 94.73, -31.68, 37.31

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 43 / 0 / 62 / 22

HEX #71C74C

RGB 113 199 76

HSL 101.95, 0.52%, 0.54%

LAB 72.81, -48, 52.19

 

CMYK 47 / 0 / 69 / 29

HEX #60B539

RGB 96 181 57

HSL 101.13, 0.52%, 0.47%

LAB 66.39, -47.73, 52.97

 

CMYK 52 / 0 / 77 / 36

HEX #4FA326

RGB 79 163 38

HSL 100.32, 0.62%, 0.39%

LAB 59.89, -47.21, 53.24

 

CMYK 57 / 0 / 87 / 43

HEX #3E9113

RGB 62 145 19

HSL 99.52, 0.77%, 0.32%

LAB 53.3, -46.29, 52.52

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 49 / 0 / 57 / 15

HEX #6ED95D

RGB 110 217 93

HSL 111.77, 0.62%, 0.61%

LAB 78.3, -54.29, 50.88

 

CMYK 57 / 0 / 55 / 15

HEX #5DD962

RGB 93 217 98

HSL 122.42, 0.62%, 0.61%

LAB 77.78, -58.08, 47.82

 

CMYK 57 / 0 / 46 / 15

HEX #5DD976

RGB 93 217 118

HSL 132.1, 0.62%, 0.61%

LAB 78.03, -55.31, 38.51

 

CMYK 57 / 0 / 36 / 15

HEX #5DD98B

RGB 93 217 139

HSL 142.26, 0.62%, 0.61%

LAB 78.35, -51.81, 28.31

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 38 / 0 / 54 / 95

HEX #080D06

RGB 8 13 6

HSL 102.86, 0.37%, 0.04%

LAB 3.19, -2.38, 2.26

 

CMYK 41 / 0 / 56 / 75

HEX #26401C

RGB 38 64 28

HSL 103.33, 0.39%, 0.18%

LAB 24.2, -18.09, 18.82

 

CMYK 40 / 0 / 57 / 55

HEX #457332

RGB 69 115 50

HSL 102.46, 0.39%, 0.32%

LAB 43.88, -28.87, 30.73

 

CMYK 40 / 0 / 56 / 35

HEX #63A649

RGB 99 166 73

HSL 103.23, 0.39%, 0.47%

LAB 62, -38.9, 41.01

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 57 / 0 / 6 / 15

HEX #5DD9CC

RGB 93 217 204

HSL 173.71, 0.62%, 0.61%

LAB 79.79, -37.49, -4

 

CMYK 0 / 57 / 17 / 15

HEX #D95DB4

RGB 217 93 180

HSL 317.9, 0.62%, 0.61%

LAB 57.92, 58.46, -22.65

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 57 / 40 / 0 / 15

HEX #5D82D9

RGB 93 130 217

HSL 222.1, 0.62%, 0.61%

LAB 55.38, 12.77, -48.57

 

CMYK 0 / 57 / 40 / 15

HEX #D95D82

RGB 217 93 130

HSL 342.1, 0.62%, 0.61%

LAB 56.28, 52.08, 4.04

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 57 / 0 / 6 / 15

HEX #5DD9CC

RGB 93 217 204

HSL 173.71, 0.62%, 0.61%

LAB 79.79, -37.49, -4

 

CMYK 17 / 57 / 0 / 15

HEX #B45DD9

RGB 180 93 217

HSL 282.1, 0.62%, 0.61%

LAB 54.6, 54.97, -49.35

 

CMYK 0 / 57 / 51 / 15

HEX #D95D6A

RGB 217 93 106

HSL 353.71, 0.62%, 0.61%

LAB 55.71, 49.75, 17.34

 

CMYK 40 / 0 / 56 / 15

HEX #82D95F

RGB 130 217 95

HSL 102.79, 0.62%, 0.61%

LAB 79.16, -48.11, 51.17

 

CMYK 57 / 12 / 0 / 15

HEX #5DC0D9

RGB 93 192 217

HSL 192.1, 0.62%, 0.61%

LAB 72.92, -21.87, -21.3

 

CMYK 17 / 57 / 0 / 15

HEX #B45DD9

RGB 180 93 217

HSL 282.1, 0.62%, 0.61%

LAB 54.6, 54.97, -49.35

 

CMYK 0 / 46 / 57 / 15

HEX #D9765D

RGB 217 118 93

HSL 12.1, 0.62%, 0.61%

LAB 60.34, 36.27, 30.9

 

Description

Color code: CMYK 40 / 0 / 56 / 15 | qconv.com Color code: CMYK 40 / 0 / 56 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 217 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 217 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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