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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8677C it is the complementary color #279883. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8677C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8677C shade: #DD6777, #EE798A, #FF8B9D, #FF9DB0 and #FFAFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8677C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8677C shade: #D8677C, #C75569, #B64356, #A53143 and #941F30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8677C shade: #D8697E and #D86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8677C shade: #D8697E, #D8699C, #D869BA, #D869D8 and #BB69D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8677C shade matches the following richer shades: #D8697E, #E85A74 and #F74A6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8677C shade: #D8697E, #C97887, #BA8891, #AB979A and #9BA6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8677C shade: #D869BB, #D8699D, #D8697F, #D87069 and #D88E69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8677C shade: #BE314B, #D04861, #D8697E, #E18A9A and #E9ABB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8677C shade: #D8677C, #D8D869 and #69ACD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8677C shade: #D8677C, #7FD869 and #697FD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8677C shade: #D8677C, #D8D869, #69D8C2 and #6969D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8677C shade: #D8677C, #B7D869, #69D8C2 and #8A69D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 43 / 15

HEX #D8677C

RGB 216 103 124

HSL 348.85, 0.59%, 0.63%

LAB 57.8, 46.33, 9.71

 

Complementary color

CMYK 74 / 0 / 14 / 40

HEX #279883

RGB 39 152 131

HSL 168.85, 0.59%, 0.37%

LAB 56.61, -35.98, 2.15

 

CMYK 0 / 53 / 46 / 13

HEX #DD6777

RGB 221 103 119

HSL 351.86, 0.63%, 0.64%

LAB 58.42, 47.57, 13.59

 

CMYK 0 / 49 / 42 / 7

HEX #EE798A

RGB 238 121 138

HSL 351.28, 0.77%, 0.7%

LAB 64.71, 46.6, 11.85

 

CMYK 0 / 45 / 38 / 0

HEX #FF8B9D

RGB 255 139 157

HSL 350.69, 1%, 0.77%

LAB 70.98, 45.64, 10.33

 

CMYK 0 / 38 / 31 / 0

HEX #FF9DB0

RGB 255 157 176

HSL 348.37, 1%, 0.81%

LAB 75.14, 38.74, 5.76

 

CMYK 0 / 31 / 24 / 0

HEX #FFAFC3

RGB 255 175 195

HSL 345, 1%, 0.84%

LAB 79.53, 31.92, 1.74

 

CMYK 0 / 52 / 43 / 15

HEX #D8677C

RGB 216 103 124

HSL 348.85, 0.59%, 0.63%

LAB 57.8, 46.33, 9.71

 

CMYK 0 / 57 / 47 / 22

HEX #C75569

RGB 199 85 105

HSL 349.47, 0.5%, 0.56%

LAB 51.45, 47.23, 11.61

 

CMYK 0 / 63 / 53 / 29

HEX #B64356

RGB 182 67 86

HSL 350.09, 0.46%, 0.49%

LAB 45.12, 48.01, 13.91

 

CMYK 0 / 70 / 59 / 35

HEX #A53143

RGB 165 49 67

HSL 350.69, 0.54%, 0.42%

LAB 38.9, 48.5, 16.78

 

CMYK 0 / 79 / 68 / 42

HEX #941F30

RGB 148 31 48

HSL 351.28, 0.65%, 0.35%

LAB 32.9, 48.41, 20.44

 

CMYK 0 / 51 / 42 / 15

HEX #D8697E

RGB 216 105 126

HSL 348.65, 0.59%, 0.63%

LAB 58.23, 45.55, 9.16

 

CMYK 0 / 51 / 51 / 15

HEX #D86969

RGB 216 105 105

HSL 0, 0.59%, 0.63%

LAB 57.77, 43.51, 20.7

 

CMYK 0 / 51 / 42 / 15

HEX #D8697E

RGB 216 105 126

HSL 348.65, 0.59%, 0.63%

LAB 58.23, 45.55, 9.16

 

CMYK 0 / 51 / 28 / 15

HEX #D8699C

RGB 216 105 156

HSL 332.43, 0.59%, 0.63%

LAB 59.07, 49.15, -7.06

 

CMYK 0 / 51 / 14 / 15

HEX #D869BA

RGB 216 105 186

HSL 316.22, 0.59%, 0.63%

LAB 60.11, 53.48, -22.74

 

CMYK 0 / 51 / 0 / 15

HEX #D869D8

RGB 216 105 216

HSL 300, 0.59%, 0.63%

LAB 61.36, 58.45, -37.81

 

CMYK 13 / 51 / 0 / 15

HEX #BB69D8

RGB 187 105 216

HSL 284.32, 0.59%, 0.63%

LAB 57.68, 50.56, -43.85

 

CMYK 0 / 51 / 42 / 15

HEX #D8697E

RGB 216 105 126

HSL 348.65, 0.59%, 0.63%

LAB 58.23, 45.55, 9.16

 

CMYK 0 / 61 / 50 / 9

HEX #E85A74

RGB 232 90 116

HSL 349.01, 0.76%, 0.63%

LAB 57.78, 56.95, 14.71

 

CMYK 0 / 70 / 57 / 3

HEX #F74A6A

RGB 247 74 106

HSL 348.9, 0.92%, 0.63%

LAB 57.76, 67.1, 20.96

 

CMYK 0 / 51 / 42 / 15

HEX #D8697E

RGB 216 105 126

HSL 348.65, 0.59%, 0.63%

LAB 58.23, 45.55, 9.16

 

CMYK 0 / 40 / 33 / 21

HEX #C97887

RGB 201 120 135

HSL 348.89, 0.43%, 0.63%

LAB 59.53, 33.45, 5.51

 

CMYK 0 / 27 / 22 / 27

HEX #BA8891

RGB 186 136 145

HSL 349.2, 0.27%, 0.63%

LAB 61.73, 20.45, 2.74

 

CMYK 0 / 12 / 10 / 33

HEX #AB979A

RGB 171 151 154

HSL 351, 0.11%, 0.63%

LAB 64.26, 7.91, 1.13

 

CMYK 7 / 0 / 1 / 35

HEX #9BA6A4

RGB 155 166 164

HSL 169.09, 0.06%, 0.63%

LAB 67.22, -4.27, -0.31

 

CMYK 0 / 51 / 13 / 15

HEX #D869BB

RGB 216 105 187

HSL 315.68, 0.59%, 0.63%

LAB 60.15, 53.63, -23.26

 

CMYK 0 / 51 / 27 / 15

HEX #D8699D

RGB 216 105 157

HSL 331.89, 0.59%, 0.63%

LAB 59.1, 49.28, -7.59

 

CMYK 0 / 51 / 41 / 15

HEX #D8697F

RGB 216 105 127

HSL 348.11, 0.59%, 0.63%

LAB 58.26, 45.66, 8.61

 

CMYK 0 / 48 / 51 / 15

HEX #D87069

RGB 216 112 105

HSL 3.78, 0.59%, 0.63%

LAB 59.17, 39.98, 22.57

 

CMYK 0 / 34 / 51 / 15

HEX #D88E69

RGB 216 142 105

HSL 20, 0.59%, 0.63%

LAB 65.72, 24.13, 31.18

 

CMYK 0 / 74 / 61 / 25

HEX #BE314B

RGB 190 49 75

HSL 348.94, 0.59%, 0.47%

LAB 43.73, 56.83, 19.05

 

CMYK 0 / 65 / 53 / 18

HEX #D04861

RGB 208 72 97

HSL 348.97, 0.59%, 0.55%

LAB 50.58, 55.29, 15.43

 

CMYK 0 / 51 / 42 / 15

HEX #D8697E

RGB 216 105 126

HSL 348.65, 0.59%, 0.63%

LAB 58.23, 45.55, 9.16

 

CMYK 0 / 39 / 32 / 12

HEX #E18A9A

RGB 225 138 154

HSL 348.97, 0.59%, 0.71%

LAB 66.91, 35.1, 5.69

 

CMYK 0 / 27 / 22 / 9

HEX #E9ABB6

RGB 233 171 182

HSL 349.35, 0.58%, 0.79%

LAB 75.96, 24.29, 3.35

 

CMYK 0 / 52 / 43 / 15

HEX #D8677C

RGB 216 103 124

HSL 348.85, 0.59%, 0.63%

LAB 57.8, 46.33, 9.71

 

CMYK 0 / 0 / 51 / 15

HEX #D8D869

RGB 216 216 105

HSL 60, 0.59%, 0.63%

LAB 84.34, -14.79, 54

 

CMYK 51 / 20 / 0 / 15

HEX #69ACD8

RGB 105 172 216

HSL 203.78, 0.59%, 0.63%

LAB 67.63, -9.13, -28.81

 

CMYK 0 / 52 / 43 / 15

HEX #D8677C

RGB 216 103 124

HSL 348.85, 0.59%, 0.63%

LAB 57.8, 46.33, 9.71

 

CMYK 41 / 0 / 51 / 15

HEX #7FD869

RGB 127 216 105

HSL 108.11, 0.59%, 0.63%

LAB 78.84, -47.49, 46.11

 

CMYK 51 / 41 / 0 / 15

HEX #697FD8

RGB 105 127 216

HSL 228.11, 0.59%, 0.63%

LAB 55.22, 16.82, -48.23

 

CMYK 0 / 52 / 43 / 15

HEX #D8677C

RGB 216 103 124

HSL 348.85, 0.59%, 0.63%

LAB 57.8, 46.33, 9.71

 

CMYK 0 / 0 / 51 / 15

HEX #D8D869

RGB 216 216 105

HSL 60, 0.59%, 0.63%

LAB 84.34, -14.79, 54

 

CMYK 51 / 0 / 10 / 15

HEX #69D8C2

RGB 105 216 194

HSL 168.11, 0.59%, 0.63%

LAB 79.62, -37.09, 1.13

 

CMYK 51 / 51 / 0 / 15

HEX #6969D8

RGB 105 105 216

HSL 240, 0.59%, 0.63%

LAB 49.57, 30.15, -57.24

 

CMYK 0 / 52 / 43 / 15

HEX #D8677C

RGB 216 103 124

HSL 348.85, 0.59%, 0.63%

LAB 57.8, 46.33, 9.71

 

CMYK 15 / 0 / 51 / 15

HEX #B7D869

RGB 183 216 105

HSL 77.84, 0.59%, 0.63%

LAB 81.95, -27.82, 50.59

 

CMYK 51 / 0 / 10 / 15

HEX #69D8C2

RGB 105 216 194

HSL 168.11, 0.59%, 0.63%

LAB 79.62, -37.09, 1.13

 

CMYK 36 / 51 / 0 / 15

HEX #8A69D8

RGB 138 105 216

HSL 257.84, 0.59%, 0.63%

LAB 52.36, 37.76, -52.63

 

Description

Color code: HEX #D8677C | qconv.com Color code: HEX #D8677C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 103 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 103 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 43% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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