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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 51 / 13 / 15 it is the complementary color CMYK 74 / 0 / 56 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 51 / 13 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 51 / 13 / 15: CMYK 0 / 52 / 17 / 13, CMYK 0 / 48 / 15 / 6, CMYK 0 / 44 / 13 / 0, CMYK 0 / 37 / 5 / 0 and CMYK 0 / 30 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 51 / 13 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 51 / 13 / 15: CMYK 0 / 51 / 13 / 15, CMYK 0 / 56 / 15 / 22, CMYK 0 / 62 / 17 / 28, CMYK 0 / 69 / 20 / 35 and CMYK 0 / 77 / 24 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

Complementary color

CMYK 74 / 0 / 56 / 42

HEX #269542

RGB 38 149 66

HSL 135.14, 0.59%, 0.37%

LAB 54.34, -48.73, 34.82

 

CMYK 0 / 52 / 17 / 13

HEX #DE6AB8

RGB 222 106 184

HSL 319.66, 0.64%, 0.64%

LAB 61.04, 54.5, -20.1

 

CMYK 0 / 48 / 15 / 6

HEX #EF7CCB

RGB 239 124 203

HSL 318.78, 0.78%, 0.71%

LAB 67.34, 53.84, -21.04

 

CMYK 0 / 44 / 13 / 0

HEX #FF8EDE

RGB 255 142 222

HSL 317.52, 1%, 0.78%

LAB 73.47, 52.83, -22.05

 

CMYK 0 / 37 / 5 / 0

HEX #FFA0F1

RGB 255 160 241

HSL 308.84, 1%, 0.81%

LAB 77.73, 46.86, -25.91

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 0 / 56 / 15 / 22

HEX #C858AA

RGB 200 88 170

HSL 316.07, 0.5%, 0.56%

LAB 54.2, 54.32, -22.79

 

CMYK 0 / 62 / 17 / 28

HEX #B74697

RGB 183 70 151

HSL 316.99, 0.45%, 0.5%

LAB 47.86, 54.67, -21.56

 

CMYK 0 / 69 / 20 / 35

HEX #A63484

RGB 166 52 132

HSL 317.89, 0.52%, 0.43%

LAB 41.58, 54.66, -19.97

 

CMYK 0 / 77 / 24 / 42

HEX #952271

RGB 149 34 113

HSL 318.78, 0.63%, 0.36%

LAB 35.45, 54, -17.85

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 0 / 52 / 22 / 15

HEX #D868A9

RGB 216 104 169

HSL 325.18, 0.59%, 0.63%

LAB 59.31, 51.42, -14.21

 

CMYK 0 / 52 / 30 / 15

HEX #D86897

RGB 216 104 151

HSL 334.82, 0.59%, 0.63%

LAB 58.73, 48.98, -4.67

 

CMYK 0 / 52 / 39 / 15

HEX #D86884

RGB 216 104 132

HSL 345, 0.59%, 0.63%

LAB 58.19, 46.7, 5.6

 

CMYK 0 / 52 / 47 / 15

HEX #D86872

RGB 216 104 114

HSL 354.64, 0.59%, 0.63%

LAB 57.77, 44.83, 15.48

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 0 / 54 / 15 / 95

HEX #0D060B

RGB 13 6 11

HSL 317.14, 0.37%, 0.04%

LAB 2.17, 2.6, -1.23

 

CMYK 0 / 52 / 13 / 75

HEX #401F38

RGB 64 31 56

HSL 314.55, 0.35%, 0.19%

LAB 17.25, 20.09, -9.27

 

CMYK 0 / 51 / 13 / 55

HEX #733864

RGB 115 56 100

HSL 315.25, 0.35%, 0.34%

LAB 32.69, 32.21, -14.33

 

CMYK 0 / 51 / 13 / 35

HEX #A65191

RGB 166 81 145

HSL 314.82, 0.34%, 0.48%

LAB 47.02, 43.41, -19.47

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 0 / 28 / 52 / 15

HEX #D89B68

RGB 216 155 104

HSL 27.32, 0.59%, 0.63%

LAB 68.78, 17.02, 35.62

 

CMYK 52 / 0 / 8 / 15

HEX #68D8C7

RGB 104 216 199

HSL 170.89, 0.59%, 0.63%

LAB 79.72, -36.09, -1.4

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 13 / 0 / 52 / 15

HEX #BCD868

RGB 188 216 104

HSL 75, 0.59%, 0.63%

LAB 82.27, -25.99, 51.52

 

CMYK 52 / 13 / 0 / 15

HEX #68BCD8

RGB 104 188 216

HSL 195, 0.59%, 0.63%

LAB 72.14, -17.86, -21.9

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 0 / 28 / 52 / 15

HEX #D89B68

RGB 216 155 104

HSL 27.32, 0.59%, 0.63%

LAB 68.78, 17.02, 35.62

 

CMYK 52 / 0 / 39 / 15

HEX #68D884

RGB 104 216 132

HSL 135, 0.59%, 0.63%

LAB 78.3, -50.03, 31.89

 

CMYK 52 / 23 / 0 / 15

HEX #68A6D8

RGB 104 166 216

HSL 206.79, 0.59%, 0.63%

LAB 65.88, -6.06, -31.5

 

CMYK 0 / 51 / 13 / 15

HEX #D96ABD

RGB 217 106 189

HSL 315.14, 0.59%, 0.63%

LAB 60.55, 53.76, -23.78

 

CMYK 0 / 13 / 52 / 15

HEX #D8BC68

RGB 216 188 104

HSL 45, 0.59%, 0.63%

LAB 77.02, -0.57, 45.79

 

CMYK 52 / 0 / 39 / 15

HEX #68D884

RGB 104 216 132

HSL 135, 0.59%, 0.63%

LAB 78.3, -50.03, 31.89

 

CMYK 52 / 39 / 0 / 15

HEX #6884D8

RGB 104 132 216

HSL 225, 0.59%, 0.63%

LAB 56.49, 13.59, -46.21

 

Description

Color code: CMYK 0 / 51 / 13 / 15 | qconv.com Color code: CMYK 0 / 51 / 13 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 106 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 106 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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