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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7EB49 it is the complementary color #2814B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7EB49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7EB49 shade: #DCEB44, #EDFD57, #FEFF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7EB49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7EB49 shade: #D7EB49, #C6D936, #B5C723, #A4B510 and #93A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7EB49 shade: #D6EB47, #EBD347, #EBA747, #EB7B47 and #EB4F47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7EB49 shade: #D6EB47, #AAEB47, #7EEB47, #52EB47 and #47EB68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7EB49 shade matches the following richer shades: #D6EB47 and #E3FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7EB49 shade: #D6EB47, #CADA58, #BECA68, #B1B979 and #A5A989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7EB49 shade: #EBA747, #EBD247, #D8EB47, #ACEB47 and #81EB47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7EB49 shade: #B3C916, #CEE622, #D6EB47, #DFEF6D and #E7F392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7EB49 shade: #D7EB49, #47EB7B and #BC47EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7EB49 shade: #D7EB49, #47D8EB and #EB47D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7EB49 shade: #D7EB49, #47EB7B, #5A47EB and #EB47B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7EB49 shade: #D7EB49, #47EBAC, #5A47EB and #EB4786

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 69 / 8

HEX #D7EB49

RGB 215 235 73

HSL 67.41, 0.8%, 0.6%

LAB 89.09, -26.59, 72.34

 

Complementary color

CMYK 78 / 89 / 0 / 29

HEX #2814B6

RGB 40 20 182

HSL 247.41, 0.8%, 0.4%

LAB 24.73, 57.04, -78.29

 

CMYK 6 / 0 / 71 / 8

HEX #DCEB44

RGB 220 235 68

HSL 65.39, 0.81%, 0.59%

LAB 89.42, -24.83, 74.53

 

CMYK 6 / 0 / 66 / 1

HEX #EDFD57

RGB 237 253 87

HSL 65.78, 0.98%, 0.67%

LAB 95.56, -25.54, 74.27

 

CMYK 0 / 0 / 58 / 0

HEX #FEFF6A

RGB 254 255 106

HSL 60.4, 1%, 0.71%

LAB 97.48, -18.58, 69.19

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 9 / 0 / 69 / 8

HEX #D7EB49

RGB 215 235 73

HSL 67.41, 0.8%, 0.6%

LAB 89.09, -26.59, 72.34

 

CMYK 9 / 0 / 75 / 15

HEX #C6D936

RGB 198 217 54

HSL 66.99, 0.68%, 0.53%

LAB 82.86, -25.83, 72.3

 

CMYK 9 / 0 / 82 / 22

HEX #B5C723

RGB 181 199 35

HSL 66.59, 0.7%, 0.46%

LAB 76.55, -24.92, 71.5

 

CMYK 9 / 0 / 91 / 29

HEX #A4B510

RGB 164 181 16

HSL 66.18, 0.84%, 0.39%

LAB 70.16, -23.81, 69.53

 

CMYK 10 / 0 / 100 / 36

HEX #93A300

RGB 147 163 0

HSL 65.89, 1%, 0.32%

LAB 63.67, -22.49, 66.08

 

CMYK 9 / 0 / 70 / 8

HEX #D6EB47

RGB 214 235 71

HSL 67.68, 0.8%, 0.6%

LAB 89, -27.09, 72.94

 

CMYK 0 / 10 / 70 / 8

HEX #EBD347

RGB 235 211 71

HSL 51.22, 0.8%, 0.6%

LAB 84.33, -6.69, 68.88

 

CMYK 0 / 29 / 70 / 8

HEX #EBA747

RGB 235 167 71

HSL 35.12, 0.8%, 0.6%

LAB 73.39, 16.22, 57.7

 

CMYK 0 / 48 / 70 / 8

HEX #EB7B47

RGB 235 123 71

HSL 19.02, 0.8%, 0.6%

LAB 63.58, 39.29, 47.11

 

CMYK 0 / 66 / 70 / 8

HEX #EB4F47

RGB 235 79 71

HSL 2.93, 0.8%, 0.6%

LAB 55.8, 59.51, 38.23

 

CMYK 9 / 0 / 70 / 8

HEX #D6EB47

RGB 214 235 71

HSL 67.68, 0.8%, 0.6%

LAB 89, -27.09, 72.94

 

CMYK 28 / 0 / 70 / 8

HEX #AAEB47

RGB 170 235 71

HSL 83.78, 0.8%, 0.6%

LAB 86.21, -44.01, 69.24

 

CMYK 46 / 0 / 70 / 8

HEX #7EEB47

RGB 126 235 71

HSL 99.88, 0.8%, 0.6%

LAB 84.13, -58.61, 66.45

 

CMYK 65 / 0 / 70 / 8

HEX #52EB47

RGB 82 235 71

HSL 115.98, 0.8%, 0.6%

LAB 82.74, -69.52, 64.57

 

CMYK 70 / 0 / 56 / 8

HEX #47EB68

RGB 71 235 104

HSL 132.07, 0.8%, 0.6%

LAB 82.78, -68.07, 50.89

 

CMYK 9 / 0 / 70 / 8

HEX #D6EB47

RGB 214 235 71

HSL 67.68, 0.8%, 0.6%

LAB 89, -27.09, 72.94

 

CMYK 10 / 0 / 78 / 2

HEX #E3FB37

RGB 227 251 55

HSL 67.35, 0.96%, 0.6%

LAB 94.14, -30.06, 83.03

 

CMYK 9 / 0 / 70 / 8

HEX #D6EB47

RGB 214 235 71

HSL 67.68, 0.8%, 0.6%

LAB 89, -27.09, 72.94

 

CMYK 7 / 0 / 60 / 15

HEX #CADA58

RGB 202 218 88

HSL 67.38, 0.64%, 0.6%

LAB 83.65, -22.74, 60.5

 

CMYK 6 / 0 / 49 / 21

HEX #BECA68

RGB 190 202 104

HSL 67.35, 0.48%, 0.6%

LAB 78.57, -18.36, 47.15

 

CMYK 4 / 0 / 35 / 27

HEX #B1B979

RGB 177 185 121

HSL 67.5, 0.31%, 0.6%

LAB 73.17, -13.03, 31.59

 

CMYK 2 / 0 / 19 / 34

HEX #A5A989

RGB 165 169 137

HSL 67.5, 0.16%, 0.6%

LAB 68.15, -7.03, 16.07

 

CMYK 0 / 29 / 70 / 8

HEX #EBA747

RGB 235 167 71

HSL 35.12, 0.8%, 0.6%

LAB 73.39, 16.22, 57.7

 

CMYK 0 / 11 / 70 / 8

HEX #EBD247

RGB 235 210 71

HSL 50.85, 0.8%, 0.6%

LAB 84.08, -6.18, 68.62

 

CMYK 8 / 0 / 70 / 8

HEX #D8EB47

RGB 216 235 71

HSL 66.95, 0.8%, 0.6%

LAB 89.14, -26.29, 73.13

 

CMYK 27 / 0 / 70 / 8

HEX #ACEB47

RGB 172 235 71

HSL 83.05, 0.8%, 0.6%

LAB 86.33, -43.28, 69.39

 

CMYK 45 / 0 / 70 / 8

HEX #81EB47

RGB 129 235 71

HSL 98.78, 0.8%, 0.6%

LAB 84.25, -57.71, 66.61

 

CMYK 11 / 0 / 89 / 21

HEX #B3C916

RGB 179 201 22

HSL 67.37, 0.8%, 0.44%

LAB 76.93, -27.05, 74.43

 

CMYK 10 / 0 / 85 / 10

HEX #CEE622

RGB 206 230 34

HSL 67.35, 0.8%, 0.52%

LAB 86.91, -29.38, 81.17

 

CMYK 9 / 0 / 70 / 8

HEX #D6EB47

RGB 214 235 71

HSL 67.68, 0.8%, 0.6%

LAB 89, -27.09, 72.94

 

CMYK 7 / 0 / 54 / 6

HEX #DFEF6D

RGB 223 239 109

HSL 67.38, 0.8%, 0.68%

LAB 91.02, -22.91, 60.04

 

CMYK 5 / 0 / 40 / 5

HEX #E7F392

RGB 231 243 146

HSL 67.42, 0.8%, 0.76%

LAB 93.09, -18.25, 45.38

 

CMYK 9 / 0 / 69 / 8

HEX #D7EB49

RGB 215 235 73

HSL 67.41, 0.8%, 0.6%

LAB 89.09, -26.59, 72.34

 

CMYK 70 / 0 / 48 / 8

HEX #47EB7B

RGB 71 235 123

HSL 139.02, 0.8%, 0.6%

LAB 83.01, -65.41, 42.25

 

CMYK 20 / 70 / 0 / 8

HEX #BC47EB

RGB 188 71 235

HSL 282.8, 0.8%, 0.6%

LAB 53.16, 70.18, -61.74

 

CMYK 9 / 0 / 69 / 8

HEX #D7EB49

RGB 215 235 73

HSL 67.41, 0.8%, 0.6%

LAB 89.09, -26.59, 72.34

 

CMYK 70 / 8 / 0 / 8

HEX #47D8EB

RGB 71 216 235

HSL 186.95, 0.8%, 0.6%

LAB 79.87, -31.94, -20.49

 

CMYK 0 / 70 / 8 / 8

HEX #EB47D8

RGB 235 71 216

HSL 306.95, 0.8%, 0.6%

LAB 59.09, 77, -41.17

 

CMYK 9 / 0 / 69 / 8

HEX #D7EB49

RGB 215 235 73

HSL 67.41, 0.8%, 0.6%

LAB 89.09, -26.59, 72.34

 

CMYK 70 / 0 / 48 / 8

HEX #47EB7B

RGB 71 235 123

HSL 139.02, 0.8%, 0.6%

LAB 83.01, -65.41, 42.25

 

CMYK 62 / 70 / 0 / 8

HEX #5A47EB

RGB 90 71 235

HSL 246.95, 0.8%, 0.6%

LAB 42.27, 53.3, -79.93

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 9 / 0 / 69 / 8

HEX #D7EB49

RGB 215 235 73

HSL 67.41, 0.8%, 0.6%

LAB 89.09, -26.59, 72.34

 

CMYK 70 / 0 / 27 / 8

HEX #47EBAC

RGB 71 235 172

HSL 156.95, 0.8%, 0.6%

LAB 83.83, -56.37, 18.61

 

CMYK 62 / 70 / 0 / 8

HEX #5A47EB

RGB 90 71 235

HSL 246.95, 0.8%, 0.6%

LAB 42.27, 53.3, -79.93

 

CMYK 0 / 70 / 43 / 8

HEX #EB4786

RGB 235 71 134

HSL 336.95, 0.8%, 0.6%

LAB 55.98, 66.98, 1.61

 

Description

Color code: HEX #D7EB49 | qconv.com Color code: HEX #D7EB49 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 235 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 235 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 69 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 69% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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