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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB47B7 it is the complementary color #14B848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB47B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB47B7 shade: #F047B2, #FF59C5, #FF6BD8, #FF7DEB and #FF8FFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB47B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB47B7 shade: #EB47B7, #DA35A4, #C92391, #B8117E and #A7006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB47B7 shade: #EB47B7, #EB478B, #EB475F and #EB4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB47B7 shade: #EB47B7, #EB47E3, #C647EB, #9A47EB and #6E47EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB47B7 shade matches the following richer shades: #EB47B7 and #FB37BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB47B7 shade: #EB47B7, #DA58B1, #CA68AB, #B979A5 and #A9899F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB47B7 shade: #C747EB, #EB47E2, #EB47B7, #EB478B and #EB4760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB47B7 shade: #C91690, #E622A8, #EB47B7, #EF6DC5 and #F392D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB47B7 shade: #EB47B7, #EB9C47 and #47EBDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB47B7 shade: #EB47B7, #B7EB47 and #47B7EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB47B7 shade: #EB47B7, #EB9C47, #47EB7B and #4796EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB47B7 shade: #EB47B7, #EBCD47, #47EB7B and #4765EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

Complementary color

CMYK 89 / 0 / 61 / 28

HEX #14B848

RGB 20 184 72

HSL 139.02, 0.8%, 0.4%

LAB 65.67, -61.74, 45.22

 

CMYK 0 / 70 / 26 / 6

HEX #F047B2

RGB 240 71 178

HSL 322.01, 0.85%, 0.61%

LAB 58.27, 73.07, -20.65

 

CMYK 0 / 65 / 23 / 0

HEX #FF59C5

RGB 255 89 197

HSL 320.96, 1%, 0.67%

LAB 63.7, 72.84, -23.01

 

CMYK 0 / 58 / 15 / 0

HEX #FF6BD8

RGB 255 107 216

HSL 315.81, 1%, 0.71%

LAB 67.08, 68.17, -28.51

 

CMYK 0 / 51 / 8 / 0

HEX #FF7DEB

RGB 255 125 235

HSL 309.23, 1%, 0.75%

LAB 70.82, 63.04, -33.26

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFE

RGB 255 143 254

HSL 300.54, 1%, 0.78%

LAB 74.86, 57.62, -37.36

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 76 / 25 / 15

HEX #DA35A4

RGB 218 53 164

HSL 319.64, 0.69%, 0.53%

LAB 51.99, 71.67, -22.43

 

CMYK 0 / 83 / 28 / 21

HEX #C92391

RGB 201 35 145

HSL 320.24, 0.7%, 0.46%

LAB 46.53, 70.14, -19.74

 

CMYK 0 / 91 / 32 / 28

HEX #B8117E

RGB 184 17 126

HSL 320.84, 0.83%, 0.39%

LAB 41.37, 67.57, -16.31

 

CMYK 0 / 100 / 36 / 35

HEX #A7006B

RGB 167 0 107

HSL 321.56, 1%, 0.33%

LAB 36.51, 63.89, -12.11

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 70 / 41 / 8

HEX #EB478B

RGB 235 71 139

HSL 335.12, 0.8%, 0.6%

LAB 56.12, 67.46, -1.14

 

CMYK 0 / 70 / 60 / 8

HEX #EB475F

RGB 235 71 95

HSL 351.22, 0.8%, 0.6%

LAB 55.07, 63.88, 23.47

 

CMYK 0 / 70 / 70 / 8

HEX #EB4747

RGB 235 71 71

HSL 0, 0.8%, 0.6%

LAB 54.68, 62.55, 36.92

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 70 / 3 / 8

HEX #EB47E3

RGB 235 71 227

HSL 302.93, 0.8%, 0.6%

LAB 59.63, 78.65, -46.52

 

CMYK 16 / 70 / 0 / 8

HEX #C647EB

RGB 198 71 235

HSL 286.46, 0.8%, 0.6%

LAB 54.56, 72.21, -59.41

 

CMYK 34 / 70 / 0 / 8

HEX #9A47EB

RGB 154 71 235

HSL 270.37, 0.8%, 0.6%

LAB 48.73, 63.59, -69.12

 

CMYK 53 / 70 / 0 / 8

HEX #6E47EB

RGB 110 71 235

HSL 254.27, 0.8%, 0.6%

LAB 43.97, 56.11, -77.08

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 78 / 25 / 2

HEX #FB37BD

RGB 251 55 189

HSL 318.98, 0.96%, 0.6%

LAB 58.9, 81.7, -25.87

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 60 / 19 / 15

HEX #DA58B1

RGB 218 88 177

HSL 318.92, 0.64%, 0.6%

LAB 57.13, 60.52, -22.11

 

CMYK 0 / 49 / 15 / 21

HEX #CA68AB

RGB 202 104 171

HSL 318.98, 0.48%, 0.6%

LAB 57.46, 47.31, -18.35

 

CMYK 0 / 35 / 11 / 27

HEX #B979A5

RGB 185 121 165

HSL 318.75, 0.31%, 0.6%

LAB 58.7, 31.68, -13.22

 

CMYK 0 / 19 / 6 / 34

HEX #A9899F

RGB 169 137 159

HSL 318.75, 0.16%, 0.6%

LAB 60.63, 15.95, -7.07

 

CMYK 15 / 70 / 0 / 8

HEX #C747EB

RGB 199 71 235

HSL 286.83, 0.8%, 0.6%

LAB 54.71, 72.41, -59.18

 

CMYK 0 / 70 / 4 / 8

HEX #EB47E2

RGB 235 71 226

HSL 303.29, 0.8%, 0.6%

LAB 59.58, 78.5, -46.04

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 70 / 41 / 8

HEX #EB478B

RGB 235 71 139

HSL 335.12, 0.8%, 0.6%

LAB 56.12, 67.46, -1.14

 

CMYK 0 / 70 / 59 / 8

HEX #EB4760

RGB 235 71 96

HSL 350.85, 0.8%, 0.6%

LAB 55.09, 63.95, 22.9

 

CMYK 0 / 89 / 28 / 21

HEX #C91690

RGB 201 22 144

HSL 319.11, 0.8%, 0.44%

LAB 45.64, 72.49, -20.5

 

CMYK 0 / 85 / 27 / 10

HEX #E622A8

RGB 230 34 168

HSL 318.98, 0.8%, 0.52%

LAB 52.72, 79.32, -23.47

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 54 / 18 / 6

HEX #EF6DC5

RGB 239 109 197

HSL 319.38, 0.8%, 0.68%

LAB 64.42, 60.05, -22.12

 

CMYK 0 / 40 / 13 / 5

HEX #F392D4

RGB 243 146 212

HSL 319.18, 0.8%, 0.76%

LAB 72.47, 45.48, -18.19

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 34 / 70 / 8

HEX #EB9C47

RGB 235 156 71

HSL 31.1, 0.8%, 0.6%

LAB 70.8, 22.06, 54.96

 

CMYK 70 / 0 / 6 / 8

HEX #47EBDD

RGB 71 235 221

HSL 174.88, 0.8%, 0.6%

LAB 84.98, -44.55, -5.42

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 22 / 0 / 70 / 8

HEX #B7EB47

RGB 183 235 71

HSL 79.02, 0.8%, 0.6%

LAB 86.97, -39.19, 70.25

 

CMYK 70 / 22 / 0 / 8

HEX #47B7EB

RGB 71 183 235

HSL 199.02, 0.8%, 0.6%

LAB 70.32, -15.3, -35.13

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 34 / 70 / 8

HEX #EB9C47

RGB 235 156 71

HSL 31.1, 0.8%, 0.6%

LAB 70.8, 22.06, 54.96

 

CMYK 70 / 0 / 48 / 8

HEX #47EB7B

RGB 71 235 123

HSL 139.02, 0.8%, 0.6%

LAB 83.01, -65.41, 42.25

 

CMYK 70 / 36 / 0 / 8

HEX #4796EB

RGB 71 150 235

HSL 211.1, 0.8%, 0.6%

LAB 60.91, 3.14, -49.88

 

CMYK 0 / 70 / 22 / 8

HEX #EB47B7

RGB 235 71 183

HSL 319.02, 0.8%, 0.6%

LAB 57.64, 72.45, -24.57

 

CMYK 0 / 13 / 70 / 8

HEX #EBCD47

RGB 235 205 71

HSL 49.02, 0.8%, 0.6%

LAB 82.8, -3.63, 67.34

 

CMYK 70 / 0 / 48 / 8

HEX #47EB7B

RGB 71 235 123

HSL 139.02, 0.8%, 0.6%

LAB 83.01, -65.41, 42.25

 

CMYK 70 / 57 / 0 / 8

HEX #4765EB

RGB 71 101 235

HSL 229.02, 0.8%, 0.6%

LAB 47.81, 33.1, -70.93

 

Description

Color code: HEX #EB47B7 | qconv.com Color code: HEX #EB47B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 71 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 71 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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