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Color name
HEX #D7B548

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B548 it is the complementary color #284AB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B548 shade: #DCB543, #EDC756, #FED969, #FFEB7C and #FFFD8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B548 shade: #D7B548, #C6A335, #B59122, #A47F0F and #936D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B548 shade: #D7B447, #D78E47, #D76747 and #D74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B548 shade: #D7B447, #D2D747, #ABD747, #85D747 and #5ED747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B548 shade matches the following richer shades: #D7B447, #E9BE35 and #FBC723

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B548 shade: #D7B447, #C4AB59, #B2A16B, #A0987D and #8E8E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B548 shade: #D76647, #D78C47, #D7B347, #D4D747 and #AED747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B548 shade: #A78825, #C8A32C, #D7B447, #DEC269 and #E5D08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B548 shade: #D7B548, #4ED747 and #7947D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B548 shade: #D7B548, #47D7B3 and #B347D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B548 shade: #D7B548, #4ED747, #476BD7 and #CF47D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B548 shade: #D7B548, #47D76B, #476BD7 and #D747B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 67 / 16

HEX #D7B548

RGB 215 181 72

HSL 45.73, 0.64%, 0.56%

LAB 74.8, 0.37, 58.12

 

Complementary color

CMYK 78 / 60 / 0 / 28

HEX #284AB7

RGB 40 74 183

HSL 225.73, 0.64%, 0.44%

LAB 35.53, 27.81, -61.08

 

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

CMYK 0 / 16 / 64 / 7

HEX #EDC756

RGB 237 199 86

HSL 44.9, 0.81%, 0.63%

LAB 81.58, 1.12, 59.94

 

CMYK 0 / 15 / 59 / 0

HEX #FED969

RGB 254 217 105

HSL 45.1, 0.99%, 0.7%

LAB 87.83, 0.16, 58.86

 

CMYK 0 / 8 / 51 / 0

HEX #FFEB7C

RGB 255 235 124

HSL 50.84, 1%, 0.74%

LAB 92.63, -7.06, 55.74

 

CMYK 0 / 1 / 44 / 0

HEX #FFFD8F

RGB 255 253 143

HSL 58.93, 1%, 0.78%

LAB 97.43, -14.24, 52.63

 

CMYK 0 / 16 / 67 / 16

HEX #D7B548

RGB 215 181 72

HSL 45.73, 0.64%, 0.56%

LAB 74.8, 0.37, 58.12

 

CMYK 0 / 18 / 73 / 22

HEX #C6A335

RGB 198 163 53

HSL 45.52, 0.58%, 0.49%

LAB 68.36, 1.57, 58.84

 

CMYK 0 / 20 / 81 / 29

HEX #B59122

RGB 181 145 34

HSL 45.31, 0.68%, 0.42%

LAB 61.82, 2.99, 58.97

 

CMYK 0 / 23 / 91 / 36

HEX #A47F0F

RGB 164 127 15

HSL 45.1, 0.83%, 0.35%

LAB 55.18, 4.7, 57.94

 

CMYK 0 / 26 / 100 / 42

HEX #936D00

RGB 147 109 0

HSL 44.49, 1%, 0.29%

LAB 48.44, 6.71, 55.13

 

CMYK 0 / 16 / 67 / 16

HEX #D7B447

RGB 215 180 71

HSL 45.42, 0.64%, 0.56%

LAB 74.54, 0.84, 58.27

 

CMYK 0 / 34 / 67 / 16

HEX #D78E47

RGB 215 142 71

HSL 29.58, 0.64%, 0.56%

LAB 65.16, 21.2, 48.14

 

CMYK 0 / 52 / 67 / 16

HEX #D76747

RGB 215 103 71

HSL 13.33, 0.64%, 0.56%

LAB 56.69, 41.68, 38.47

 

CMYK 0 / 67 / 67 / 16

HEX #D74747

RGB 215 71 71

HSL 0, 0.64%, 0.56%

LAB 51.16, 56.21, 31.85

 

CMYK 0 / 16 / 67 / 16

HEX #D7B447

RGB 215 180 71

HSL 45.42, 0.64%, 0.56%

LAB 74.54, 0.84, 58.27

 

CMYK 2 / 0 / 67 / 16

HEX #D2D747

RGB 210 215 71

HSL 62.08, 0.64%, 0.56%

LAB 83.31, -19.1, 67.18

 

CMYK 20 / 0 / 67 / 16

HEX #ABD747

RGB 171 215 71

HSL 78.33, 0.64%, 0.56%

LAB 80.58, -34.75, 63.51

 

CMYK 38 / 0 / 67 / 16

HEX #85D747

RGB 133 215 71

HSL 94.17, 0.64%, 0.56%

LAB 78.49, -48.51, 60.68

 

CMYK 56 / 0 / 67 / 16

HEX #5ED747

RGB 94 215 71

HSL 110.42, 0.64%, 0.56%

LAB 76.94, -59.98, 58.57

 

CMYK 0 / 16 / 67 / 16

HEX #D7B447

RGB 215 180 71

HSL 45.42, 0.64%, 0.56%

LAB 74.54, 0.84, 58.27

 

CMYK 0 / 18 / 77 / 9

HEX #E9BE35

RGB 233 190 53

HSL 45.67, 0.8%, 0.56%

LAB 78.7, 2.48, 69.86

 

CMYK 0 / 21 / 86 / 2

HEX #FBC723

RGB 251 199 35

HSL 45.56, 0.96%, 0.56%

LAB 82.63, 4.98, 79.03

 

CMYK 0 / 16 / 67 / 16

HEX #D7B447

RGB 215 180 71

HSL 45.42, 0.64%, 0.56%

LAB 74.54, 0.84, 58.27

 

CMYK 0 / 13 / 55 / 23

HEX #C4AB59

RGB 196 171 89

HSL 45.98, 0.48%, 0.56%

LAB 70.58, -1.24, 45.04

 

CMYK 0 / 10 / 40 / 30

HEX #B2A16B

RGB 178 161 107

HSL 45.63, 0.32%, 0.56%

LAB 66.53, -1.65, 30.37

 

CMYK 0 / 5 / 22 / 37

HEX #A0987D

RGB 160 152 125

HSL 46.29, 0.16%, 0.56%

LAB 62.85, -1.63, 15.28

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E90

RGB 142 142 144

HSL 240, 0.01%, 0.56%

LAB 59.08, 0.4, -1.07

 

CMYK 0 / 53 / 67 / 16

HEX #D76647

RGB 215 102 71

HSL 12.92, 0.64%, 0.56%

LAB 56.49, 42.17, 38.24

 

CMYK 0 / 35 / 67 / 16

HEX #D78C47

RGB 215 140 71

HSL 28.75, 0.64%, 0.56%

LAB 64.69, 22.28, 47.62

 

CMYK 0 / 17 / 67 / 16

HEX #D7B347

RGB 215 179 71

HSL 45, 0.64%, 0.56%

LAB 74.28, 1.37, 58

 

CMYK 1 / 0 / 67 / 16

HEX #D4D747

RGB 212 215 71

HSL 61.25, 0.64%, 0.56%

LAB 83.47, -18.27, 67.39

 

CMYK 19 / 0 / 67 / 16

HEX #AED747

RGB 174 215 71

HSL 77.08, 0.64%, 0.56%

LAB 80.77, -33.59, 63.77

 

CMYK 0 / 19 / 78 / 35

HEX #A78825

RGB 167 136 37

HSL 45.69, 0.64%, 0.4%

LAB 58, 1.73, 53.92

 

CMYK 0 / 19 / 78 / 22

HEX #C8A32C

RGB 200 163 44

HSL 45.77, 0.64%, 0.48%

LAB 68.5, 2.07, 62.36

 

CMYK 0 / 16 / 67 / 16

HEX #D7B447

RGB 215 180 71

HSL 45.42, 0.64%, 0.56%

LAB 74.54, 0.84, 58.27

 

CMYK 0 / 13 / 53 / 13

HEX #DEC269

RGB 222 194 105

HSL 45.64, 0.64%, 0.64%

LAB 79.12, -1.14, 47.95

 

CMYK 0 / 9 / 39 / 10

HEX #E5D08B

RGB 229 208 139

HSL 46, 0.63%, 0.72%

LAB 83.77, -2.27, 36.91

 

CMYK 0 / 16 / 67 / 16

HEX #D7B548

RGB 215 181 72

HSL 45.73, 0.64%, 0.56%

LAB 74.8, 0.37, 58.12

 

CMYK 64 / 0 / 67 / 16

HEX #4ED747

RGB 78 215 71

HSL 117.08, 0.64%, 0.56%

LAB 76.48, -63.66, 57.94

 

CMYK 44 / 67 / 0 / 16

HEX #7947D7

RGB 121 71 215

HSL 260.83, 0.64%, 0.56%

LAB 43.47, 52.51, -66.47

 

CMYK 0 / 16 / 67 / 16

HEX #D7B548

RGB 215 181 72

HSL 45.73, 0.64%, 0.56%

LAB 74.8, 0.37, 58.12

 

CMYK 67 / 0 / 17 / 16

HEX #47D7B3

RGB 71 215 179

HSL 165, 0.64%, 0.56%

LAB 77.99, -46.63, 6.66

 

CMYK 17 / 67 / 0 / 16

HEX #B347D7

RGB 179 71 215

HSL 285, 0.64%, 0.56%

LAB 50.68, 64.38, -54.47

 

CMYK 0 / 16 / 67 / 16

HEX #D7B548

RGB 215 181 72

HSL 45.73, 0.64%, 0.56%

LAB 74.8, 0.37, 58.12

 

CMYK 64 / 0 / 67 / 16

HEX #4ED747

RGB 78 215 71

HSL 117.08, 0.64%, 0.56%

LAB 76.48, -63.66, 57.94

 

CMYK 67 / 50 / 0 / 16

HEX #476BD7

RGB 71 107 215

HSL 225, 0.64%, 0.56%

LAB 47.96, 22.32, -59.39

 

CMYK 4 / 67 / 0 / 16

HEX #CF47D7

RGB 207 71 215

HSL 296.67, 0.64%, 0.56%

LAB 54.74, 70.57, -47.76

 

CMYK 0 / 16 / 67 / 16

HEX #D7B548

RGB 215 181 72

HSL 45.73, 0.64%, 0.56%

LAB 74.8, 0.37, 58.12

 

CMYK 67 / 0 / 50 / 16

HEX #47D76B

RGB 71 215 107

HSL 135, 0.64%, 0.56%

LAB 76.68, -60.75, 42.09

 

CMYK 67 / 50 / 0 / 16

HEX #476BD7

RGB 71 107 215

HSL 225, 0.64%, 0.56%

LAB 47.96, 22.32, -59.39

 

CMYK 0 / 67 / 17 / 16

HEX #D747B3

RGB 215 71 179

HSL 315, 0.64%, 0.56%

LAB 54.25, 66.89, -27.76

 

Description

Color code: HEX #D7B548 | qconv.com Color code: HEX #D7B548 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 181 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 181 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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