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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D79B8E it is the complementary color #286471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D79B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D79B8E shade: #DC9B89, #EDAD9C, #FEBFAF, #FFD1C2 and #FFE3D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D79B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D79B8E shade: #D79B8E, #C6897B, #B57768, #A46555 and #935342

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D79B8E shade: #D79B8E and #D78E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D79B8E shade: #D79B8E, #D7AF8E, #D7C28E, #D7D68E and #C4D78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D79B8E shade matches the following richer shades: #D79B8E, #E49381, #F08B75 and #FC8369

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D79B8E shade: #D79B8E, #CBA39A, #BEABA7, #B2B3B3 and #A6BBBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D79B8E shade: #D78EA9, #D78E95, #D79A8E, #D7AE8E and #D7C18E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D79B8E shade: #C26551, #CC806F, #D79B8E, #E2B6AC and #EDD1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D79B8E shade: #D79B8E, #BCD78E and #8E9FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D79B8E shade: #D79B8E, #8ED79A and #9A8ED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D79B8E shade: #D79B8E, #BCD78E, #8ECBD7 and #A98ED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D79B8E shade: #D79B8E, #A6D78E, #8ECBD7 and #BF8ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

Complementary color

CMYK 65 / 12 / 0 / 56

HEX #286471

RGB 40 100 113

HSL 190.68, 0.48%, 0.3%

LAB 39.17, -14.97, -13.11

 

CMYK 0 / 30 / 38 / 14

HEX #DC9B89

RGB 220 155 137

HSL 13.01, 0.54%, 0.7%

LAB 69.8, 22.03, 19.15

 

CMYK 0 / 27 / 34 / 7

HEX #EDAD9C

RGB 237 173 156

HSL 12.59, 0.69%, 0.77%

LAB 76.25, 21.22, 17.97

 

CMYK 0 / 25 / 31 / 0

HEX #FEBFAF

RGB 254 191 175

HSL 12.15, 0.98%, 0.84%

LAB 82.61, 20.49, 16.88

 

CMYK 0 / 18 / 24 / 0

HEX #FFD1C2

RGB 255 209 194

HSL 14.75, 1%, 0.88%

LAB 87.37, 13.97, 13.52

 

CMYK 0 / 11 / 16 / 0

HEX #FFE3D5

RGB 255 227 213

HSL 20, 1%, 0.92%

LAB 92.13, 7.41, 10.33

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 31 / 38 / 22

HEX #C6897B

RGB 198 137 123

HSL 11.2, 0.4%, 0.63%

LAB 62.78, 21.54, 16.9

 

CMYK 0 / 34 / 43 / 29

HEX #B57768

RGB 181 119 104

HSL 11.69, 0.34%, 0.56%

LAB 56.1, 22.5, 18.23

 

CMYK 0 / 38 / 48 / 36

HEX #A46555

RGB 164 101 85

HSL 12.15, 0.32%, 0.49%

LAB 49.32, 23.58, 19.75

 

CMYK 0 / 44 / 55 / 42

HEX #935342

RGB 147 83 66

HSL 12.59, 0.38%, 0.42%

LAB 42.43, 24.83, 21.51

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 34 / 34 / 16

HEX #D78E8E

RGB 215 142 142

HSL 0, 0.48%, 0.7%

LAB 66.33, 27.73, 11.44

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 19 / 34 / 16

HEX #D7AF8E

RGB 215 175 142

HSL 27.12, 0.48%, 0.7%

LAB 74.23, 9.91, 22.41

 

CMYK 0 / 10 / 34 / 16

HEX #D7C28E

RGB 215 194 142

HSL 42.74, 0.48%, 0.7%

LAB 79.03, -0.16, 28.89

 

CMYK 0 / 0 / 34 / 16

HEX #D7D68E

RGB 215 214 142

HSL 59.18, 0.48%, 0.7%

LAB 84.22, -10.46, 35.74

 

CMYK 9 / 0 / 34 / 16

HEX #C4D78E

RGB 196 215 142

HSL 75.62, 0.48%, 0.7%

LAB 83.07, -18.21, 33.96

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 36 / 43 / 11

HEX #E49381

RGB 228 147 129

HSL 10.91, 0.65%, 0.7%

LAB 68.71, 28.53, 22.23

 

CMYK 0 / 42 / 51 / 6

HEX #F08B75

RGB 240 139 117

HSL 10.73, 0.8%, 0.7%

LAB 68.22, 36.19, 28.45

 

CMYK 0 / 48 / 58 / 1

HEX #FC8369

RGB 252 131 105

HSL 10.61, 0.96%, 0.7%

LAB 67.98, 43.81, 35.01

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 20 / 24 / 20

HEX #CBA39A

RGB 203 163 154

HSL 11.02, 0.32%, 0.7%

LAB 70.33, 13.37, 10.26

 

CMYK 0 / 10 / 12 / 25

HEX #BEABA7

RGB 190 171 167

HSL 10.43, 0.15%, 0.7%

LAB 71.46, 6.17, 4.54

 

CMYK 1 / 0 / 0 / 30

HEX #B2B3B3

RGB 178 179 179

HSL 180, 0.01%, 0.7%

LAB 72.87, -0.35, -0.13

 

CMYK 13 / 2 / 0 / 25

HEX #A6BBBF

RGB 166 187 191

HSL 189.6, 0.16%, 0.7%

LAB 74.45, -6.33, -4.46

 

CMYK 0 / 34 / 21 / 16

HEX #D78EA9

RGB 215 142 169

HSL 337.81, 0.48%, 0.7%

LAB 67.02, 31.45, -2.74

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 28 / 34 / 16

HEX #D79A8E

RGB 215 154 142

HSL 9.86, 0.48%, 0.7%

LAB 69.12, 21.24, 15.36

 

CMYK 0 / 19 / 34 / 16

HEX #D7AE8E

RGB 215 174 142

HSL 26.3, 0.48%, 0.7%

LAB 73.98, 10.45, 22.07

 

CMYK 0 / 10 / 34 / 16

HEX #D7C18E

RGB 215 193 142

HSL 41.92, 0.48%, 0.7%

LAB 78.78, 0.36, 28.55

 

CMYK 0 / 48 / 58 / 24

HEX #C26551

RGB 194 101 81

HSL 10.62, 0.48%, 0.54%

LAB 53.35, 35.28, 28.11

 

CMYK 0 / 37 / 46 / 20

HEX #CC806F

RGB 204 128 111

HSL 10.97, 0.48%, 0.62%

LAB 61.15, 27.49, 21.56

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 19 / 24 / 11

HEX #E2B6AC

RGB 226 182 172

HSL 11.11, 0.48%, 0.78%

LAB 77.64, 14.39, 11.1

 

CMYK 0 / 12 / 14 / 7

HEX #EDD1CB

RGB 237 209 203

HSL 10.59, 0.49%, 0.86%

LAB 85.97, 8.79, 6.54

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 13 / 0 / 34 / 16

HEX #BCD78E

RGB 188 215 142

HSL 82.19, 0.48%, 0.7%

LAB 82.51, -21.2, 33.13

 

CMYK 34 / 26 / 0 / 16

HEX #8E9FD7

RGB 142 159 215

HSL 226.03, 0.48%, 0.7%

LAB 66.1, 7.28, -30.44

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 34 / 0 / 28 / 16

HEX #8ED79A

RGB 142 215 154

HSL 129.86, 0.48%, 0.7%

LAB 80, -35.13, 23.08

 

CMYK 28 / 34 / 0 / 16

HEX #9A8ED7

RGB 154 142 215

HSL 249.86, 0.48%, 0.7%

LAB 62.61, 20.45, -35.79

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 13 / 0 / 34 / 16

HEX #BCD78E

RGB 188 215 142

HSL 82.19, 0.48%, 0.7%

LAB 82.51, -21.2, 33.13

 

CMYK 34 / 6 / 0 / 16

HEX #8ECBD7

RGB 142 203 215

HSL 189.86, 0.48%, 0.7%

LAB 78.09, -16.52, -12.2

 

CMYK 21 / 34 / 0 / 16

HEX #A98ED7

RGB 169 142 215

HSL 262.19, 0.48%, 0.7%

LAB 63.91, 24.89, -33.67

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 23 / 0 / 34 / 16

HEX #A6D78E

RGB 166 215 142

HSL 100.27, 0.48%, 0.7%

LAB 81.1, -29.12, 31.01

 

CMYK 34 / 6 / 0 / 16

HEX #8ECBD7

RGB 142 203 215

HSL 189.86, 0.48%, 0.7%

LAB 78.09, -16.52, -12.2

 

CMYK 11 / 34 / 0 / 16

HEX #BF8ED7

RGB 191 142 215

HSL 280.27, 0.48%, 0.7%

LAB 66, 31.63, -30.25

 

Description

Color code: HEX #D79B8E | qconv.com Color code: HEX #D79B8E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 155 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 155 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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