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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 31 / 38 / 22 it is the complementary color CMYK 58 / 11 / 0 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 31 / 38 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 31 / 38 / 22: CMYK 0 / 33 / 42 / 20, CMYK 0 / 30 / 38 / 13, CMYK 0 / 27 / 34 / 7, CMYK 0 / 25 / 31 / 0 and CMYK 0 / 18 / 24 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 31 / 38 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 31 / 38 / 22: CMYK 0 / 31 / 38 / 22, CMYK 0 / 35 / 43 / 29, CMYK 0 / 39 / 48 / 35, CMYK 0 / 44 / 55 / 42 and CMYK 0 / 50 / 64 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

Complementary color

CMYK 58 / 11 / 0 / 48

HEX #387684

RGB 56 118 132

HSL 191.05, 0.4%, 0.37%

LAB 46.26, -15.64, -13.74

 

CMYK 0 / 33 / 42 / 20

HEX #CC8976

RGB 204 137 118

HSL 13.26, 0.46%, 0.63%

LAB 63.37, 23.34, 20.63

 

CMYK 0 / 30 / 38 / 13

HEX #DD9B89

RGB 221 155 137

HSL 12.86, 0.55%, 0.7%

LAB 69.91, 22.42, 19.32

 

CMYK 0 / 27 / 34 / 7

HEX #EEAD9C

RGB 238 173 156

HSL 12.44, 0.71%, 0.77%

LAB 76.35, 21.6, 18.13

 

CMYK 0 / 25 / 31 / 0

HEX #FFBFAF

RGB 255 191 175

HSL 12, 1%, 0.84%

LAB 82.71, 20.86, 17.04

 

CMYK 0 / 18 / 24 / 0

HEX #FFD1C2

RGB 255 209 194

HSL 14.75, 1%, 0.88%

LAB 87.37, 13.97, 13.52

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 0 / 35 / 43 / 29

HEX #B67768

RGB 182 119 104

HSL 11.54, 0.35%, 0.56%

LAB 56.23, 22.9, 18.42

 

CMYK 0 / 39 / 48 / 35

HEX #A56555

RGB 165 101 85

HSL 12, 0.32%, 0.49%

LAB 49.45, 24, 19.95

 

CMYK 0 / 44 / 55 / 42

HEX #945342

RGB 148 83 66

HSL 12.44, 0.38%, 0.42%

LAB 42.58, 25.25, 21.72

 

CMYK 0 / 50 / 64 / 49

HEX #83412F

RGB 131 65 47

HSL 12.86, 0.47%, 0.35%

LAB 35.62, 26.68, 23.81

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 0 / 25 / 38 / 22

HEX #C6957A

RGB 198 149 122

HSL 21.32, 0.4%, 0.63%

LAB 65.68, 14.83, 21.41

 

CMYK 0 / 19 / 38 / 22

HEX #C6A17A

RGB 198 161 122

HSL 30.79, 0.4%, 0.63%

LAB 68.68, 8.28, 25.46

 

CMYK 0 / 12 / 38 / 22

HEX #C6AE7A

RGB 198 174 122

HSL 41.05, 0.4%, 0.63%

LAB 72.02, 1.27, 29.88

 

CMYK 0 / 6 / 38 / 22

HEX #C6BB7A

RGB 198 187 122

HSL 51.32, 0.4%, 0.63%

LAB 75.42, -5.6, 34.32

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 0 / 31 / 38 / 2

HEX #FAAC9B

RGB 250 172 155

HSL 10.74, 0.9%, 0.79%

LAB 77.4, 26.56, 20.32

 

CMYK 0 / 30 / 39 / 82

HEX #2E201C

RGB 46 32 28

HSL 13.33, 0.24%, 0.15%

LAB 13.81, 6.06, 5.36

 

CMYK 0 / 31 / 38 / 62

HEX #61433C

RGB 97 67 60

HSL 11.35, 0.24%, 0.31%

LAB 31.54, 11.94, 9.42

 

CMYK 0 / 31 / 39 / 42

HEX #94665B

RGB 148 102 91

HSL 11.58, 0.24%, 0.47%

LAB 47.69, 17.06, 13.66

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 15 / 0 / 38 / 22

HEX #A9C67A

RGB 169 198 122

HSL 82.89, 0.4%, 0.63%

LAB 76.21, -22.54, 34.91

 

CMYK 38 / 30 / 0 / 22

HEX #7A8BC6

RGB 122 139 198

HSL 226.58, 0.4%, 0.63%

LAB 58.68, 8.62, -32.56

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 38 / 0 / 31 / 22

HEX #7AC688

RGB 122 198 136

HSL 131.05, 0.4%, 0.63%

LAB 73.74, -36.59, 23.85

 

CMYK 31 / 38 / 0 / 22

HEX #887AC6

RGB 136 122 198

HSL 251.05, 0.4%, 0.63%

LAB 55.31, 22.55, -37.74

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 15 / 0 / 38 / 22

HEX #A9C67A

RGB 169 198 122

HSL 82.89, 0.4%, 0.63%

LAB 76.21, -22.54, 34.91

 

CMYK 38 / 7 / 0 / 22

HEX #7AB8C6

RGB 122 184 198

HSL 191.05, 0.4%, 0.63%

LAB 71.21, -16.31, -13.39

 

CMYK 24 / 38 / 0 / 22

HEX #977AC6

RGB 151 122 198

HSL 262.89, 0.4%, 0.63%

LAB 56.66, 26.92, -35.53

 

CMYK 0 / 31 / 38 / 22

HEX #C7897B

RGB 199 137 123

HSL 11.05, 0.4%, 0.63%

LAB 62.9, 21.94, 17.07

 

CMYK 26 / 0 / 38 / 22

HEX #92C67A

RGB 146 198 122

HSL 101.05, 0.4%, 0.63%

LAB 74.76, -30.94, 32.75

 

CMYK 38 / 7 / 0 / 22

HEX #7AB8C6

RGB 122 184 198

HSL 191.05, 0.4%, 0.63%

LAB 71.21, -16.31, -13.39

 

CMYK 12 / 38 / 0 / 22

HEX #AE7AC6

RGB 174 122 198

HSL 281.05, 0.4%, 0.63%

LAB 58.97, 33.89, -31.75

 

Description

Color code: CMYK 0 / 31 / 38 / 22 | qconv.com Color code: CMYK 0 / 31 / 38 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 137 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 137 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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