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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D793E9 it is the complementary color #286C16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D793E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D793E9: #DC93E4, #EDA5F7, #FEB7FF, #FFC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D793E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D793E9: #D793E9, #C681D6, #B56FC3, #A45DB0 and #934B9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

Complementary color

CMYK 63 / 0 / 80 / 58

HEX #286C16

RGB 40 108 22

HSL 107.44, 0.66%, 0.25%

LAB 39.97, -38.03, 38.98

 

CMYK 4 / 36 / 0 / 11

HEX #DC93E4

RGB 220 147 228

HSL 294.07, 0.6%, 0.74%

LAB 70.65, 40.49, -30.01

 

CMYK 4 / 33 / 0 / 3

HEX #EDA5F7

RGB 237 165 247

HSL 292.68, 0.84%, 0.81%

LAB 77.06, 39.78, -30.35

 

CMYK 0 / 28 / 0 / 0

HEX #FEB7FF

RGB 254 183 255

HSL 299.17, 1%, 0.86%

LAB 83, 37.08, -25.4

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 7 / 40 / 0 / 16

HEX #C681D6

RGB 198 129 214

HSL 288.71, 0.51%, 0.67%

LAB 63.8, 40.67, -33.04

 

CMYK 7 / 43 / 0 / 24

HEX #B56FC3

RGB 181 111 195

HSL 290, 0.41%, 0.6%

LAB 57.2, 41.44, -32.74

 

CMYK 7 / 47 / 0 / 31

HEX #A45DB0

RGB 164 93 176

HSL 291.33, 0.34%, 0.53%

LAB 50.52, 42.21, -32.37

 

CMYK 6 / 52 / 0 / 38

HEX #934B9D

RGB 147 75 157

HSL 292.68, 0.35%, 0.45%

LAB 43.76, 42.94, -31.92

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 2 / 36 / 0 / 9

HEX #E595E9

RGB 229 149 233

HSL 297.14, 0.66%, 0.75%

LAB 72.25, 43.13, -30.21

 

CMYK 0 / 36 / 4 / 9

HEX #E995DF

RGB 233 149 223

HSL 307.14, 0.66%, 0.75%

LAB 72.33, 42.58, -24.57

 

CMYK 0 / 36 / 10 / 9

HEX #E995D1

RGB 233 149 209

HSL 317.14, 0.66%, 0.75%

LAB 71.84, 40.2, -17.61

 

CMYK 0 / 36 / 16 / 9

HEX #E995C3

RGB 233 149 195

HSL 327.14, 0.66%, 0.75%

LAB 71.39, 37.95, -10.54

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 7 / 38 / 0 / 89

HEX #1B121D

RGB 27 18 29

HSL 289.09, 0.23%, 0.09%

LAB 6.81, 7.05, -5.92

 

CMYK 7 / 38 / 0 / 69

HEX #4A3250

RGB 74 50 80

HSL 288, 0.23%, 0.25%

LAB 24.69, 16.97, -14.09

 

CMYK 8 / 37 / 0 / 49

HEX #795383

RGB 121 83 131

HSL 287.5, 0.22%, 0.42%

LAB 41.04, 24.79, -20.72

 

CMYK 8 / 37 / 0 / 29

HEX #A873B6

RGB 168 115 182

HSL 287.46, 0.31%, 0.58%

LAB 56.05, 32.58, -27.2

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 0 / 36 / 36 / 9

HEX #E99596

RGB 233 149 150

HSL 359.29, 0.66%, 0.75%

LAB 70.19, 31.73, 12.73

 

CMYK 36 / 0 / 22 / 9

HEX #95E9B5

RGB 149 233 181

HSL 142.86, 0.66%, 0.75%

LAB 86.01, -36.4, 17.36

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 0 / 8 / 36 / 9

HEX #E9D795

RGB 233 215 149

HSL 47.14, 0.66%, 0.75%

LAB 86.05, -3.18, 34.85

 

CMYK 36 / 0 / 8 / 9

HEX #95E9D7

RGB 149 233 215

HSL 167.14, 0.66%, 0.75%

LAB 86.79, -29.45, 0.68

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 0 / 36 / 36 / 9

HEX #E99596

RGB 233 149 150

HSL 359.29, 0.66%, 0.75%

LAB 70.19, 31.73, 12.73

 

CMYK 28 / 0 / 36 / 9

HEX #A7E995

RGB 167 233 149

HSL 107.14, 0.66%, 0.75%

LAB 86.34, -36.14, 34.38

 

CMYK 36 / 0 / 1 / 9

HEX #95E9E7

RGB 149 233 231

HSL 178.57, 0.66%, 0.75%

LAB 87.21, -25.81, -7.1

 

CMYK 8 / 37 / 0 / 9

HEX #D793E9

RGB 215 147 233

HSL 287.44, 0.66%, 0.75%

LAB 70.31, 39.93, -33.32

 

CMYK 0 / 26 / 36 / 9

HEX #E9AD95

RGB 233 173 149

HSL 17.14, 0.66%, 0.75%

LAB 75.69, 18.84, 20.92

 

CMYK 28 / 0 / 36 / 9

HEX #A7E995

RGB 167 233 149

HSL 107.14, 0.66%, 0.75%

LAB 86.34, -36.14, 34.38

 

CMYK 36 / 10 / 0 / 9

HEX #95D1E9

RGB 149 209 233

HSL 197.14, 0.66%, 0.75%

LAB 80.67, -13.31, -17.94

 

Description

Color code: HEX #D793E9 | qconv.com Color code: HEX #D793E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 147 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 147 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 37 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 37% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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