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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D78D20 it is the complementary color #2872DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D78D20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D78D20: #DC8D1B, #ED9F2E, #FEB141, #FFC354 and #FFD567

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D78D20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D78D20: #D78D20, #C67B0D, #B56900, #A45700 and #934500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

Complementary color

CMYK 82 / 49 / 0 / 13

HEX #2872DF

RGB 40 114 223

HSL 215.74, 0.74%, 0.52%

LAB 49.27, 17.11, -61.86

 

CMYK 0 / 36 / 88 / 14

HEX #DC8D1B

RGB 220 141 27

HSL 35.44, 0.78%, 0.48%

LAB 65.24, 22.15, 65.69

 

CMYK 0 / 33 / 81 / 7

HEX #ED9F2E

RGB 237 159 46

HSL 35.5, 0.84%, 0.55%

LAB 71.55, 20.28, 65.94

 

CMYK 0 / 30 / 74 / 0

HEX #FEB141

RGB 254 177 65

HSL 35.56, 0.99%, 0.63%

LAB 77.81, 18.63, 65.39

 

CMYK 0 / 24 / 67 / 0

HEX #FFC354

RGB 255 195 84

HSL 38.95, 1%, 0.66%

LAB 82.34, 10.57, 62.15

 

CMYK 0 / 16 / 60 / 0

HEX #FFD567

RGB 255 213 103

HSL 43.42, 1%, 0.7%

LAB 86.91, 2.47, 58.75

 

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 0 / 38 / 93 / 22

HEX #C67B0D

RGB 198 123 13

HSL 35.68, 0.88%, 0.41%

LAB 58.23, 22.16, 62.43

 

CMYK 0 / 42 / 100 / 29

HEX #B56900

RGB 181 105 0

HSL 34.81, 1%, 0.35%

LAB 51.75, 24.46, 59.41

 

CMYK 0 / 47 / 100 / 36

HEX #A45700

RGB 164 87 0

HSL 31.83, 1%, 0.32%

LAB 45.23, 26.97, 54.13

 

CMYK 0 / 53 / 100 / 42

HEX #934500

RGB 147 69 0

HSL 28.16, 1%, 0.29%

LAB 38.65, 29.49, 48.85

NCS® S4550-Y50R

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 0 / 21 / 85 / 17

HEX #D4A71F

RGB 212 167 31

HSL 45.08, 0.74%, 0.48%

LAB 70.69, 4.81, 68.66

 

CMYK 0 / 7 / 85 / 17

HEX #D4C51F

RGB 212 197 31

HSL 55.03, 0.74%, 0.48%

LAB 78.48, -10.83, 75.04

 

CMYK 7 / 0 / 85 / 17

HEX #C5D41F

RGB 197 212 31

HSL 64.97, 0.74%, 0.48%

LAB 81.32, -24.62, 76.88

 

CMYK 21 / 0 / 85 / 17

HEX #A7D41F

RGB 167 212 31

HSL 74.92, 0.74%, 0.48%

LAB 79.27, -36.81, 74.34

 

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 0 / 36 / 82 / 96

HEX #0B0702

RGB 11 7 2

HSL 33.33, 0.69%, 0.03%

LAB 2.05, 0.36, 2.26

 

CMYK 0 / 34 / 85 / 76

HEX #3E2909

RGB 62 41 9

HSL 36.23, 0.75%, 0.14%

LAB 18.5, 6.26, 23.06

 

CMYK 0 / 35 / 85 / 56

HEX #714A11

RGB 113 74 17

HSL 35.63, 0.74%, 0.25%

LAB 34.9, 11.5, 38.09

 

CMYK 0 / 34 / 85 / 36

HEX #A46C18

RGB 164 108 24

HSL 36, 0.74%, 0.37%

LAB 50.31, 15.65, 51.53

 

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 67 / 0 / 85 / 17

HEX #47D41F

RGB 71 212 31

HSL 106.74, 0.74%, 0.48%

LAB 75.16, -66.72, 69.17

 

CMYK 69 / 85 / 0 / 17

HEX #411FD4

RGB 65 31 212

HSL 251.27, 0.74%, 0.48%

LAB 31.48, 62.84, -84.66

 

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 85 / 0 / 35 / 17

HEX #1FD489

RGB 31 212 137

HSL 155.14, 0.74%, 0.48%

LAB 75.57, -59.54, 25.38

 

CMYK 35 / 85 / 0 / 17

HEX #891FD4

RGB 137 31 212

HSL 275.14, 0.74%, 0.48%

LAB 39.67, 70.23, -70.88

 

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 67 / 0 / 85 / 17

HEX #47D41F

RGB 71 212 31

HSL 106.74, 0.74%, 0.48%

LAB 75.16, -66.72, 69.17

 

CMYK 85 / 50 / 0 / 17

HEX #1F6BD4

RGB 31 107 212

HSL 214.81, 0.74%, 0.48%

LAB 46.39, 16.63, -60.27

 

CMYK 18 / 85 / 0 / 17

HEX #AD1FD4

RGB 173 31 212

HSL 287.07, 0.74%, 0.48%

LAB 45.11, 75.55, -61.78

 

CMYK 0 / 34 / 85 / 16

HEX #D78D20

RGB 215 141 32

HSL 35.74, 0.74%, 0.48%

LAB 64.64, 20.12, 63.53

 

CMYK 85 / 0 / 78 / 17

HEX #1FD42E

RGB 31 212 46

HSL 124.97, 0.74%, 0.48%

LAB 74.56, -71.68, 64.5

 

CMYK 85 / 50 / 0 / 17

HEX #1F6BD4

RGB 31 107 212

HSL 214.81, 0.74%, 0.48%

LAB 46.39, 16.63, -60.27

 

CMYK 0 / 85 / 7 / 17

HEX #D41FC5

RGB 212 31 197

HSL 304.97, 0.74%, 0.48%

LAB 50.7, 79.95, -43.81

 

Description

Color code: HEX #D78D20 | qconv.com Color code: HEX #D78D20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 141 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 141 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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