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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D776D8 it is the complementary color #288927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D776D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D776D8: #DC76D3, #ED88E6, #FE9AF9, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D776D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D776D8: #D776D8, #C664C5, #B552B2, #A4409F and #932E8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

Complementary color

CMYK 71 / 0 / 72 / 46

HEX #288927

RGB 40 137 39

HSL 119.39, 0.56%, 0.35%

LAB 50.08, -47.34, 42.55

 

CMYK 0 / 46 / 4 / 14

HEX #DC76D3

RGB 220 118 211

HSL 305.29, 0.59%, 0.66%

LAB 64.06, 52.4, -30.76

 

CMYK 0 / 43 / 3 / 7

HEX #ED88E6

RGB 237 136 230

HSL 304.16, 0.74%, 0.73%

LAB 70.4, 51.7, -31.33

 

CMYK 0 / 39 / 2 / 0

HEX #FE9AF9

RGB 254 154 249

HSL 303, 0.98%, 0.8%

LAB 76.69, 50.98, -31.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 49 / 1 / 22

HEX #C664C5

RGB 198 100 197

HSL 300.61, 0.46%, 0.58%

LAB 57.22, 52.48, -33.69

 

CMYK 0 / 55 / 2 / 29

HEX #B552B2

RGB 181 82 178

HSL 301.82, 0.4%, 0.52%

LAB 50.77, 53.03, -32.98

 

CMYK 0 / 61 / 3 / 36

HEX #A4409F

RGB 164 64 159

HSL 303, 0.44%, 0.45%

LAB 44.32, 53.37, -32.06

 

CMYK 0 / 69 / 5 / 42

HEX #932E8C

RGB 147 46 140

HSL 304.16, 0.52%, 0.38%

LAB 37.93, 53.29, -30.8

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 47 / 7 / 16

HEX #D773C8

RGB 215 115 200

HSL 309, 0.56%, 0.65%

LAB 62.41, 50.53, -27.18

 

CMYK 0 / 47 / 14 / 16

HEX #D773B8

RGB 215 115 184

HSL 318.6, 0.56%, 0.65%

LAB 61.8, 47.92, -19.04

 

CMYK 0 / 47 / 22 / 16

HEX #D773A7

RGB 215 115 167

HSL 328.8, 0.56%, 0.65%

LAB 61.22, 45.35, -10.2

 

CMYK 0 / 47 / 30 / 16

HEX #D77396

RGB 215 115 150

HSL 339, 0.56%, 0.65%

LAB 60.7, 43.02, -1.2

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 42 / 0 / 95

HEX #0C070C

RGB 12 7 12

HSL 300, 0.26%, 0.04%

LAB 2.32, 2.05, -1.46

 

CMYK 0 / 46 / 0 / 75

HEX #3F223F

RGB 63 34 63

HSL 300, 0.3%, 0.19%

LAB 18.19, 19.29, -12.73

 

CMYK 1 / 46 / 0 / 55

HEX #713E72

RGB 113 62 114

HSL 298.85, 0.3%, 0.35%

LAB 34.34, 30.83, -20.67

 

CMYK 1 / 45 / 0 / 35

HEX #A45AA5

RGB 164 90 165

HSL 299.2, 0.29%, 0.5%

LAB 49.4, 41.66, -27.68

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 38 / 47 / 16

HEX #D78673

RGB 215 134 115

HSL 11.4, 0.56%, 0.65%

LAB 63.95, 28.99, 23.3

 

CMYK 47 / 0 / 19 / 16

HEX #73D7AE

RGB 115 215 174

HSL 155.4, 0.56%, 0.65%

LAB 79.21, -38.83, 11.25

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 0 / 47 / 16

HEX #D7D673

RGB 215 214 115

HSL 59.4, 0.56%, 0.65%

LAB 83.85, -13.31, 48.68

 

CMYK 47 / 0 / 0 / 16

HEX #73D7D6

RGB 115 215 214

HSL 179.4, 0.56%, 0.65%

LAB 80.24, -29.47, -8.6

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 38 / 47 / 16

HEX #D78673

RGB 215 134 115

HSL 11.4, 0.56%, 0.65%

LAB 63.95, 28.99, 23.3

 

CMYK 46 / 0 / 47 / 16

HEX #75D773

RGB 117 215 115

HSL 118.8, 0.56%, 0.65%

LAB 78.24, -48.74, 40.44

 

CMYK 47 / 8 / 0 / 16

HEX #73C5D7

RGB 115 197 215

HSL 190.8, 0.56%, 0.65%

LAB 75.13, -20.29, -16.78

 

CMYK 0 / 45 / 0 / 15

HEX #D776D8

RGB 215 118 216

HSL 299.39, 0.56%, 0.65%

LAB 63.64, 51.82, -34.26

 

CMYK 0 / 24 / 47 / 16

HEX #D7A473

RGB 215 164 115

HSL 29.4, 0.56%, 0.65%

LAB 71.03, 12.8, 32.64

 

CMYK 46 / 0 / 47 / 16

HEX #75D773

RGB 117 215 115

HSL 118.8, 0.56%, 0.65%

LAB 78.24, -48.74, 40.44

 

CMYK 47 / 22 / 0 / 16

HEX #73A7D7

RGB 115 167 215

HSL 208.8, 0.56%, 0.65%

LAB 66.66, -4.34, -29.7

 

Description

Color code: HEX #D776D8 | qconv.com Color code: HEX #D776D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 118 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 118 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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