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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76D57 it is the complementary color #2892A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76D57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76D57 shade: #DC6D52, #ED7F65, #FE9178, #FFA38B and #FFB59E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76D57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76D57 shade: #D76D57, #C65B44, #B54931, #A4371E and #93250B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76D57 shade: #D76C56 and #D75656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76D57 shade: #D76C56, #D78F56, #D7B256, #D7D556 and #B7D756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76D57 shade matches the following richer shades: #D76C56, #E86145 and #F95634

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76D57 shade: #D76C56, #C67767, #B58277, #A58D88 and #949899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76D57 shade: #D75685, #D75663, #D76B56, #D78E56 and #D7B056

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76D57 shade: #B14129, #CF4F34, #D76C56, #DF8977 and #E7A698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76D57 shade: #D76D57, #A8D756 and #5674D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76D57 shade: #D76D57, #56D76B and #6B56D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76D57 shade: #D76D57, #A8D756, #56C2D7 and #8556D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76D57 shade: #D76D57, #81D756, #56C2D7 and #AC56D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 60 / 16

HEX #D76D57

RGB 215 109 87

HSL 10.31, 0.62%, 0.59%

LAB 58.11, 39.69, 31.37

 

Complementary color

CMYK 76 / 13 / 0 / 34

HEX #2892A8

RGB 40 146 168

HSL 190.31, 0.62%, 0.41%

LAB 55.92, -21.71, -20.05

 

CMYK 0 / 50 / 63 / 14

HEX #DC6D52

RGB 220 109 82

HSL 11.74, 0.66%, 0.59%

LAB 58.75, 41.24, 35.11

 

CMYK 0 / 46 / 57 / 7

HEX #ED7F65

RGB 237 127 101

HSL 11.47, 0.79%, 0.66%

LAB 65.06, 39.91, 33.06

 

CMYK 0 / 43 / 53 / 0

HEX #FE9178

RGB 254 145 120

HSL 11.19, 0.99%, 0.73%

LAB 71.34, 38.66, 31.23

 

CMYK 0 / 36 / 45 / 0

HEX #FFA38B

RGB 255 163 139

HSL 12.41, 1%, 0.77%

LAB 75.65, 31.48, 26.68

HEX #FFA38B

CMYK 0 / 29 / 38 / 0

HEX #FFB59E

RGB 255 181 158

HSL 14.23, 1%, 0.81%

LAB 80.05, 24.07, 22.45

HEX #FFB59E

CMYK 0 / 49 / 60 / 16

HEX #D76D57

RGB 215 109 87

HSL 10.31, 0.62%, 0.59%

LAB 58.11, 39.69, 31.37

 

CMYK 0 / 54 / 66 / 22

HEX #C65B44

RGB 198 91 68

HSL 10.62, 0.53%, 0.52%

LAB 51.73, 41.04, 33.6

 

CMYK 0 / 60 / 73 / 29

HEX #B54931

RGB 181 73 49

HSL 10.91, 0.57%, 0.45%

LAB 45.37, 42.42, 36.13

 

CMYK 0 / 66 / 82 / 36

HEX #A4371E

RGB 164 55 30

HSL 11.19, 0.69%, 0.38%

LAB 39.1, 43.71, 38.88

 

CMYK 0 / 75 / 93 / 42

HEX #93250B

RGB 147 37 11

HSL 11.47, 0.86%, 0.31%

LAB 33.03, 44.66, 41.27

 

CMYK 0 / 50 / 60 / 16

HEX #D76C56

RGB 215 108 86

HSL 10.23, 0.62%, 0.59%

LAB 57.89, 40.12, 31.65

 

CMYK 0 / 60 / 60 / 16

HEX #D75656

RGB 215 86 86

HSL 0, 0.62%, 0.59%

LAB 53.79, 50.73, 26.43

 

CMYK 0 / 50 / 60 / 16

HEX #D76C56

RGB 215 108 86

HSL 10.23, 0.62%, 0.59%

LAB 57.89, 40.12, 31.65

 

CMYK 0 / 33 / 60 / 16

HEX #D78F56

RGB 215 143 86

HSL 26.51, 0.62%, 0.59%

LAB 65.56, 21.64, 41.07

 

CMYK 0 / 17 / 60 / 16

HEX #D7B256

RGB 215 178 86

HSL 42.79, 0.62%, 0.59%

LAB 74.16, 2.85, 51.11

 

CMYK 0 / 1 / 60 / 16

HEX #D7D556

RGB 215 213 86

HSL 59.07, 0.62%, 0.59%

LAB 83.29, -15.14, 61.24

 

CMYK 15 / 0 / 60 / 16

HEX #B7D756

RGB 183 215 86

HSL 74.88, 0.62%, 0.59%

LAB 81.48, -29, 58.59

 

CMYK 0 / 50 / 60 / 16

HEX #D76C56

RGB 215 108 86

HSL 10.23, 0.62%, 0.59%

LAB 57.89, 40.12, 31.65

 

CMYK 0 / 58 / 70 / 9

HEX #E86145

RGB 232 97 69

HSL 10.31, 0.78%, 0.59%

LAB 58.16, 50.68, 41.93

 

CMYK 0 / 65 / 79 / 2

HEX #F95634

RGB 249 86 52

HSL 10.36, 0.94%, 0.59%

LAB 59.01, 60.54, 52.38

 

CMYK 0 / 50 / 60 / 16

HEX #D76C56

RGB 215 108 86

HSL 10.23, 0.62%, 0.59%

LAB 57.89, 40.12, 31.65

 

CMYK 0 / 40 / 48 / 22

HEX #C67767

RGB 198 119 103

HSL 10.11, 0.45%, 0.59%

LAB 58.21, 29.19, 22.01

 

CMYK 0 / 28 / 34 / 29

HEX #B58277

RGB 181 130 119

HSL 10.65, 0.3%, 0.59%

LAB 59.09, 18.17, 13.75

 

CMYK 0 / 15 / 18 / 35

HEX #A58D88

RGB 165 141 136

HSL 10.34, 0.14%, 0.59%

LAB 60.63, 8.18, 6

 

CMYK 3 / 1 / 0 / 40

HEX #949899

RGB 148 152 153

HSL 192, 0.02%, 0.59%

LAB 62.55, -1.24, -1.04

 

CMYK 0 / 60 / 38 / 16

HEX #D75685

RGB 215 86 133

HSL 338.14, 0.62%, 0.59%

LAB 54.86, 54.93, 0.17

 

CMYK 0 / 60 / 54 / 16

HEX #D75663

RGB 215 86 99

HSL 353.95, 0.62%, 0.59%

LAB 54.03, 51.7, 19.13

 

CMYK 0 / 50 / 60 / 16

HEX #D76B56

RGB 215 107 86

HSL 9.77, 0.62%, 0.59%

LAB 57.69, 40.63, 31.4

 

CMYK 0 / 34 / 60 / 16

HEX #D78E56

RGB 215 142 86

HSL 26.05, 0.62%, 0.59%

LAB 65.33, 22.18, 40.79

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 63 / 77 / 31

HEX #B14129

RGB 177 65 41

HSL 10.59, 0.62%, 0.43%

LAB 43.19, 44.33, 37.95

 

CMYK 0 / 62 / 75 / 19

HEX #CF4F34

RGB 207 79 52

HSL 10.45, 0.62%, 0.51%

LAB 50.81, 49.2, 41.71

 

CMYK 0 / 50 / 60 / 16

HEX #D76C56

RGB 215 108 86

HSL 10.23, 0.62%, 0.59%

LAB 57.89, 40.12, 31.65

 

CMYK 0 / 39 / 47 / 13

HEX #DF8977

RGB 223 137 119

HSL 10.38, 0.62%, 0.67%

LAB 65.68, 30.9, 23.57

 

CMYK 0 / 28 / 34 / 9

HEX #E7A698

RGB 231 166 152

HSL 10.63, 0.62%, 0.75%

LAB 73.89, 22.17, 16.77

 

CMYK 0 / 49 / 60 / 16

HEX #D76D57

RGB 215 109 87

HSL 10.31, 0.62%, 0.59%

LAB 58.11, 39.69, 31.37

 

CMYK 22 / 0 / 60 / 16

HEX #A8D756

RGB 168 215 86

HSL 81.86, 0.62%, 0.59%

LAB 80.51, -34.78, 57.25

 

CMYK 60 / 46 / 0 / 16

HEX #5674D7

RGB 86 116 215

HSL 226.05, 0.62%, 0.59%

LAB 51.12, 19.28, -54.26

 

CMYK 0 / 49 / 60 / 16

HEX #D76D57

RGB 215 109 87

HSL 10.31, 0.62%, 0.59%

LAB 58.11, 39.69, 31.37

 

CMYK 60 / 0 / 50 / 16

HEX #56D76B

RGB 86 215 107

HSL 129.77, 0.62%, 0.59%

LAB 77.07, -57.74, 42.65

 

CMYK 50 / 60 / 0 / 16

HEX #6B56D7

RGB 107 86 215

HSL 249.77, 0.62%, 0.59%

LAB 45.2, 41.58, -63.72

 

CMYK 0 / 49 / 60 / 16

HEX #D76D57

RGB 215 109 87

HSL 10.31, 0.62%, 0.59%

LAB 58.11, 39.69, 31.37

 

CMYK 22 / 0 / 60 / 16

HEX #A8D756

RGB 168 215 86

HSL 81.86, 0.62%, 0.59%

LAB 80.51, -34.78, 57.25

 

CMYK 60 / 10 / 0 / 16

HEX #56C2D7

RGB 86 194 215

HSL 189.77, 0.62%, 0.59%

LAB 73.2, -24.75, -19.8

 

CMYK 38 / 60 / 0 / 16

HEX #8556D7

RGB 133 86 215

HSL 261.86, 0.62%, 0.59%

LAB 47.69, 46.98, -59.59

 

CMYK 0 / 49 / 60 / 16

HEX #D76D57

RGB 215 109 87

HSL 10.31, 0.62%, 0.59%

LAB 58.11, 39.69, 31.37

 

CMYK 40 / 0 / 60 / 16

HEX #81D756

RGB 129 215 86

HSL 100, 0.62%, 0.59%

LAB 78.43, -48.52, 54.34

 

CMYK 60 / 10 / 0 / 16

HEX #56C2D7

RGB 86 194 215

HSL 189.77, 0.62%, 0.59%

LAB 73.2, -24.75, -19.8

 

CMYK 20 / 60 / 0 / 16

HEX #AC56D7

RGB 172 86 215

HSL 280, 0.62%, 0.59%

LAB 52.21, 56.01, -52.08

 

Description

Color code: HEX #D76D57 | qconv.com Color code: HEX #D76D57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 109 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 109 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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