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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B056 it is the complementary color #284FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B056 shade: #DCB051, #EDC264, #FED477, #FFE68A and #FFF89D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B056 shade: #D7B056, #C69E43, #B58C30, #A47A1D and #93680A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B056 shade: #D7B056, #D78D56, #D76A56 and #D75656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B056 shade: #D7B056, #D7D356, #B9D756, #96D756 and #73D756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B056 shade matches the following richer shades: #D7B056, #E8B745 and #F9BD34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B056 shade: #D7B056, #C6A967, #B5A377, #A59C88 and #949599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B056 shade: #D76956, #D78C56, #D7AE56, #D7D156 and #BBD756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B056 shade: #B18829, #CFA134, #D7B056, #DFC077 and #E7CF98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B056 shade: #D7B056, #65D756 and #7A56D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B056 shade: #D7B056, #56D7AE and #AE56D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B056 shade: #D7B056, #65D756, #567FD7 and #C856D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B056 shade: #D7B056, #56D76D, #567FD7 and #D756C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

Complementary color

CMYK 76 / 53 / 0 / 34

HEX #284FA9

RGB 40 79 169

HSL 221.86, 0.62%, 0.41%

LAB 35.81, 19.12, -52.33

 

CMYK 0 / 20 / 63 / 14

HEX #DCB051

RGB 220 176 81

HSL 41.01, 0.67%, 0.59%

LAB 74.1, 5.69, 53.5

 

CMYK 0 / 18 / 58 / 7

HEX #EDC264

RGB 237 194 100

HSL 41.17, 0.79%, 0.66%

LAB 80.46, 4.66, 52.29

 

CMYK 0 / 17 / 53 / 0

HEX #FED477

RGB 254 212 119

HSL 41.33, 0.99%, 0.73%

LAB 86.75, 3.76, 51.04

 

CMYK 0 / 10 / 46 / 0

HEX #FFE68A

RGB 255 230 138

HSL 47.18, 1%, 0.77%

LAB 91.54, -3.32, 47.74

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89D

RGB 255 248 157

HSL 55.71, 1%, 0.81%

LAB 96.34, -10.39, 44.53

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 20 / 66 / 22

HEX #C69E43

RGB 198 158 67

HSL 41.68, 0.53%, 0.52%

LAB 67.18, 5.01, 51.69

 

CMYK 0 / 23 / 73 / 29

HEX #B58C30

RGB 181 140 48

HSL 41.5, 0.58%, 0.45%

LAB 60.6, 6.31, 52.61

 

CMYK 0 / 26 / 82 / 36

HEX #A47A1D

RGB 164 122 29

HSL 41.33, 0.7%, 0.38%

LAB 53.92, 7.88, 52.96

 

CMYK 0 / 29 / 93 / 42

HEX #93680A

RGB 147 104 10

HSL 41.17, 0.87%, 0.31%

LAB 47.14, 9.77, 52

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 34 / 60 / 16

HEX #D78D56

RGB 215 141 86

HSL 25.58, 0.62%, 0.59%

LAB 65.1, 22.72, 40.51

 

CMYK 0 / 51 / 60 / 16

HEX #D76A56

RGB 215 106 86

HSL 9.3, 0.62%, 0.59%

LAB 57.49, 41.13, 31.15

 

CMYK 0 / 60 / 60 / 16

HEX #D75656

RGB 215 86 86

HSL 0, 0.62%, 0.59%

LAB 53.79, 50.73, 26.43

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 2 / 60 / 16

HEX #D7D356

RGB 215 211 86

HSL 58.14, 0.62%, 0.59%

LAB 82.76, -14.14, 60.67

 

CMYK 14 / 0 / 60 / 16

HEX #B9D756

RGB 185 215 86

HSL 73.95, 0.62%, 0.59%

LAB 81.61, -28.22, 58.77

 

CMYK 30 / 0 / 60 / 16

HEX #96D756

RGB 150 215 86

HSL 90.23, 0.62%, 0.59%

LAB 79.48, -41.39, 55.8

 

CMYK 47 / 0 / 60 / 16

HEX #73D756

RGB 115 215 86

HSL 106.51, 0.62%, 0.59%

LAB 77.83, -52.82, 53.49

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 21 / 70 / 9

HEX #E8B745

RGB 232 183 69

HSL 41.96, 0.78%, 0.59%

LAB 76.95, 6.4, 62.14

 

CMYK 0 / 24 / 79 / 2

HEX #F9BD34

RGB 249 189 52

HSL 41.73, 0.94%, 0.59%

LAB 80.06, 9.78, 72.02

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 15 / 48 / 22

HEX #C6A967

RGB 198 169 103

HSL 41.68, 0.45%, 0.59%

LAB 70.43, 1.92, 37.82

 

CMYK 0 / 10 / 34 / 29

HEX #B5A377

RGB 181 163 119

HSL 42.58, 0.3%, 0.59%

LAB 67.54, -0.06, 25.28

 

CMYK 0 / 5 / 18 / 35

HEX #A59C88

RGB 165 156 136

HSL 41.38, 0.14%, 0.59%

LAB 64.61, -0.15, 11.66

 

CMYK 3 / 3 / 0 / 40

HEX #949599

RGB 148 149 153

HSL 228, 0.02%, 0.59%

LAB 61.73, 0.43, -2.24

 

CMYK 0 / 51 / 60 / 16

HEX #D76956

RGB 215 105 86

HSL 8.84, 0.62%, 0.59%

LAB 57.29, 41.64, 30.9

 

CMYK 0 / 35 / 60 / 16

HEX #D78C56

RGB 215 140 86

HSL 25.12, 0.62%, 0.59%

LAB 64.86, 23.26, 40.23

 

CMYK 0 / 19 / 60 / 16

HEX #D7AE56

RGB 215 174 86

HSL 40.93, 0.62%, 0.59%

LAB 73.15, 4.97, 49.95

 

CMYK 0 / 3 / 60 / 16

HEX #D7D156

RGB 215 209 86

HSL 57.21, 0.62%, 0.59%

LAB 82.23, -13.14, 60.09

 

CMYK 13 / 0 / 60 / 16

HEX #BBD756

RGB 187 215 86

HSL 73.02, 0.62%, 0.59%

LAB 81.75, -27.43, 58.96

 

CMYK 0 / 23 / 77 / 31

HEX #B18829

RGB 177 136 41

HSL 41.91, 0.62%, 0.43%

LAB 59.08, 6.42, 53.81

 

CMYK 0 / 22 / 75 / 19

HEX #CFA134

RGB 207 161 52

HSL 42.19, 0.62%, 0.51%

LAB 68.75, 6.54, 59.93

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 0 / 14 / 47 / 13

HEX #DFC077

RGB 223 192 119

HSL 42.12, 0.62%, 0.67%

LAB 78.88, 1.57, 40.72

 

CMYK 0 / 10 / 34 / 9

HEX #E7CF98

RGB 231 207 152

HSL 41.77, 0.62%, 0.75%

LAB 83.9, 0.51, 30.43

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 53 / 0 / 60 / 16

HEX #65D756

RGB 101 215 86

HSL 113.02, 0.62%, 0.59%

LAB 77.3, -56.72, 52.76

 

CMYK 43 / 60 / 0 / 16

HEX #7A56D7

RGB 122 86 215

HSL 256.74, 0.62%, 0.59%

LAB 46.58, 44.62, -61.43

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 60 / 0 / 19 / 16

HEX #56D7AE

RGB 86 215 174

HSL 160.93, 0.62%, 0.59%

LAB 78.25, -45.23, 9.74

 

CMYK 19 / 60 / 0 / 16

HEX #AE56D7

RGB 174 86 215

HSL 280.93, 0.62%, 0.59%

LAB 52.47, 56.49, -51.66

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 53 / 0 / 60 / 16

HEX #65D756

RGB 101 215 86

HSL 113.02, 0.62%, 0.59%

LAB 77.3, -56.72, 52.76

 

CMYK 60 / 41 / 0 / 16

HEX #567FD7

RGB 86 127 215

HSL 220.93, 0.62%, 0.59%

LAB 54.09, 12.55, -49.51

 

CMYK 7 / 60 / 0 / 16

HEX #C856D7

RGB 200 86 215

HSL 293.02, 0.62%, 0.59%

LAB 55.93, 62.82, -45.94

 

CMYK 0 / 18 / 60 / 16

HEX #D7B056

RGB 215 176 86

HSL 41.86, 0.62%, 0.59%

LAB 73.66, 3.91, 50.53

 

CMYK 60 / 0 / 49 / 16

HEX #56D76D

RGB 86 215 109

HSL 130.7, 0.62%, 0.59%

LAB 77.09, -57.46, 41.71

 

CMYK 60 / 41 / 0 / 16

HEX #567FD7

RGB 86 127 215

HSL 220.93, 0.62%, 0.59%

LAB 54.09, 12.55, -49.51

 

CMYK 0 / 60 / 11 / 16

HEX #D756C0

RGB 215 86 192

HSL 310.7, 0.62%, 0.59%

LAB 56.99, 62.79, -31.02

 

Description

Color code: HEX #D7B056 | qconv.com Color code: HEX #D7B056 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 176 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 176 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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