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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7656E it is the complementary color #289A91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7656E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D7656E: #DC6569, #ED777C, #FE898F, #FF9BA2 and #FFADB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7656E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D7656E: #D7656E, #C6535B, #B54148, #A42F35 and #931D22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

Complementary color

CMYK 74 / 0 / 6 / 40

HEX #289A91

RGB 40 154 145

HSL 175.26, 0.59%, 0.38%

LAB 57.66, -32.83, -4.29

 

CMYK 0 / 54 / 52 / 14

HEX #DC6569

RGB 220 101 105

HSL 357.98, 0.63%, 0.63%

LAB 57.6, 46.91, 20.57

 

CMYK 0 / 50 / 48 / 7

HEX #ED777C

RGB 237 119 124

HSL 357.46, 0.77%, 0.7%

LAB 63.88, 45.85, 18.63

 

CMYK 0 / 46 / 44 / 0

HEX #FE898F

RGB 254 137 143

HSL 356.92, 0.98%, 0.77%

LAB 70.14, 44.81, 16.94

 

CMYK 0 / 39 / 36 / 0

HEX #FF9BA2

RGB 255 155 162

HSL 355.8, 1%, 0.8%

LAB 74.39, 38.08, 12.39

 

CMYK 0 / 32 / 29 / 0

HEX #FFADB5

RGB 255 173 181

HSL 354.15, 1%, 0.84%

LAB 78.74, 31.06, 8.2

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 0 / 58 / 54 / 22

HEX #C6535B

RGB 198 83 91

HSL 355.83, 0.5%, 0.55%

LAB 50.63, 46.58, 18.81

 

CMYK 0 / 64 / 60 / 29

HEX #B54148

RGB 181 65 72

HSL 356.38, 0.47%, 0.48%

LAB 44.34, 47.46, 21.39

 

CMYK 0 / 71 / 68 / 36

HEX #A42F35

RGB 164 47 53

HSL 356.92, 0.55%, 0.41%

LAB 38.17, 48.06, 24.56

 

CMYK 0 / 80 / 77 / 42

HEX #931D22

RGB 147 29 34

HSL 357.46, 0.67%, 0.35%

LAB 32.25, 48.04, 28.47

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 0 / 49 / 53 / 16

HEX #D76E64

RGB 215 110 100

HSL 5.22, 0.59%, 0.62%

LAB 58.53, 40.2, 24.55

 

CMYK 0 / 40 / 53 / 16

HEX #D78164

RGB 215 129 100

HSL 15.13, 0.59%, 0.62%

LAB 62.56, 30.27, 29.83

 

CMYK 0 / 31 / 53 / 16

HEX #D79464

RGB 215 148 100

HSL 25.04, 0.59%, 0.62%

LAB 66.94, 20.05, 35.39

 

CMYK 0 / 22 / 53 / 16

HEX #D7A764

RGB 215 167 100

HSL 34.96, 0.59%, 0.62%

LAB 71.56, 9.8, 41.13

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 0 / 55 / 45 / 96

HEX #0B0506

RGB 11 5 6

HSL 350, 0.38%, 0.03%

LAB 1.74, 1.72, 0.18

 

CMYK 0 / 53 / 48 / 76

HEX #3E1D20

RGB 62 29 32

HSL 354.55, 0.36%, 0.18%

LAB 15.52, 16.43, 5.24

 

CMYK 0 / 53 / 49 / 56

HEX #71353A

RGB 113 53 58

HSL 355, 0.36%, 0.33%

LAB 30.31, 26.99, 9.36

 

CMYK 0 / 53 / 49 / 36

HEX #A44D54

RGB 164 77 84

HSL 355.17, 0.36%, 0.47%

LAB 44, 36.58, 13.13

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 7 / 0 / 53 / 16

HEX #C9D764

RGB 201 215 100

HSL 67.3, 0.59%, 0.62%

LAB 82.88, -20.74, 54.31

 

CMYK 53 / 27 / 0 / 16

HEX #649CD7

RGB 100 156 215

HSL 210.78, 0.59%, 0.62%

LAB 62.84, -1.63, -35.69

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 49 / 0 / 53 / 16

HEX #6ED764

RGB 110 215 100

HSL 114.78, 0.59%, 0.62%

LAB 77.78, -52.68, 47.03

 

CMYK 53 / 49 / 0 / 16

HEX #646ED7

RGB 100 110 215

HSL 234.78, 0.59%, 0.62%

LAB 50.41, 25.75, -55.35

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 7 / 0 / 53 / 16

HEX #C9D764

RGB 201 215 100

HSL 67.3, 0.59%, 0.62%

LAB 82.88, -20.74, 54.31

 

CMYK 53 / 0 / 5 / 16

HEX #64D7CD

RGB 100 215 205

HSL 174.78, 0.59%, 0.62%

LAB 79.45, -34.95, -5.01

 

CMYK 47 / 53 / 0 / 16

HEX #7264D7

RGB 114 100 215

HSL 247.3, 0.59%, 0.62%

LAB 49, 34.79, -57.55

 

CMYK 0 / 53 / 49 / 16

HEX #D7656E

RGB 215 101 110

HSL 355.26, 0.59%, 0.62%

LAB 56.96, 45.58, 16.67

 

CMYK 22 / 0 / 53 / 16

HEX #A7D764

RGB 167 215 100

HSL 85.04, 0.59%, 0.62%

LAB 80.59, -33.89, 51.06

 

CMYK 53 / 0 / 5 / 16

HEX #64D7CD

RGB 100 215 205

HSL 174.78, 0.59%, 0.62%

LAB 79.45, -34.95, -5.01

 

CMYK 31 / 53 / 0 / 16

HEX #9464D7

RGB 148 100 215

HSL 265.04, 0.59%, 0.62%

LAB 52.19, 42.81, -52.27

 

Description

Color code: HEX #D7656E | qconv.com Color code: HEX #D7656E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 101 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 101 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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