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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7459B it is the complementary color #28BA64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7459B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7459B shade: #DC4596, #ED57A9, #FE69BC, #FF7BCF and #FF8DE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7459B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7459B shade: #D7459B, #C63388, #B52175, #A40F62 and #93004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7459B shade: #D8469C, #D84674, #D8464D and #D84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7459B shade: #D8469C, #D846C3, #C546D8, #9E46D8 and #7646D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7459B shade matches the following richer shades: #D8469C, #EA349F and #FC22A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7459B shade: #D8469C, #C65899, #B36A95, #A17C92 and #8F8E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7459B shade: #C446D8, #D846C4, #D8469D, #D84676 and #D84650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7459B shade: #A82471, #CA2B88, #D8469C, #DF68AE and #E68AC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7459B shade: #D7459B, #D89D46 and #46D8D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7459B shade: #D7459B, #9DD846 and #469DD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7459B shade: #D7459B, #D89D46, #46D880 and #4680D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7459B shade: #D7459B, #D8C946, #46D880 and #4654D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 28 / 16

HEX #D7459B

RGB 215 69 155

HSL 324.66, 0.65%, 0.56%

LAB 53.03, 64.47, -15.57

 

Complementary color

CMYK 78 / 0 / 46 / 27

HEX #28BA64

RGB 40 186 100

HSL 144.66, 0.65%, 0.44%

LAB 66.89, -56.3, 33.14

 

CMYK 0 / 69 / 32 / 14

HEX #DC4596

RGB 220 69 150

HSL 327.81, 0.68%, 0.57%

LAB 53.68, 65.23, -11.55

 

CMYK 0 / 63 / 29 / 7

HEX #ED57A9

RGB 237 87 169

HSL 327.2, 0.81%, 0.64%

LAB 59.6, 65.24, -13.46

 

CMYK 0 / 59 / 26 / 0

HEX #FE69BC

RGB 254 105 188

HSL 326.58, 0.99%, 0.7%

LAB 65.6, 64.95, -15.04

 

CMYK 0 / 52 / 19 / 0

HEX #FF7BCF

RGB 255 123 207

HSL 321.82, 1%, 0.74%

LAB 69.42, 59.74, -19.91

 

CMYK 0 / 45 / 11 / 0

HEX #FF8DE2

RGB 255 141 226

HSL 315.26, 1%, 0.78%

LAB 73.42, 53.95, -24.32

 

CMYK 0 / 68 / 28 / 16

HEX #D7459B

RGB 215 69 155

HSL 324.66, 0.65%, 0.56%

LAB 53.03, 64.47, -15.57

 

CMYK 0 / 74 / 31 / 22

HEX #C63388

RGB 198 51 136

HSL 325.31, 0.59%, 0.49%

LAB 47.17, 63.99, -13.36

 

CMYK 0 / 82 / 35 / 29

HEX #B52175

RGB 181 33 117

HSL 325.95, 0.69%, 0.42%

LAB 41.53, 62.77, -10.55

 

CMYK 0 / 91 / 40 / 36

HEX #A40F62

RGB 164 15 98

HSL 326.58, 0.83%, 0.35%

LAB 36.21, 60.42, -6.89

 

CMYK 0 / 100 / 46 / 42

HEX #93004F

RGB 147 0 79

HSL 327.76, 1%, 0.29%

LAB 31.27, 56.76, -2.25

 

CMYK 0 / 68 / 28 / 15

HEX #D8469C

RGB 216 70 156

HSL 324.66, 0.65%, 0.56%

LAB 53.36, 64.49, -15.64

 

CMYK 0 / 68 / 46 / 15

HEX #D84674

RGB 216 70 116

HSL 341.1, 0.65%, 0.56%

LAB 52.11, 60.19, 6.34

 

CMYK 0 / 68 / 64 / 15

HEX #D8464D

RGB 216 70 77

HSL 357.12, 0.65%, 0.56%

LAB 51.28, 57.27, 28.53

 

CMYK 0 / 68 / 68 / 15

HEX #D84646

RGB 216 70 70

HSL 0, 0.65%, 0.56%

LAB 51.18, 56.88, 32.49

 

CMYK 0 / 68 / 28 / 15

HEX #D8469C

RGB 216 70 156

HSL 324.66, 0.65%, 0.56%

LAB 53.36, 64.49, -15.64

 

CMYK 0 / 68 / 10 / 15

HEX #D846C3

RGB 216 70 195

HSL 308.63, 0.65%, 0.56%

LAB 54.99, 69.83, -35.84

 

CMYK 9 / 68 / 0 / 15

HEX #C546D8

RGB 197 70 216

HSL 292.19, 0.65%, 0.56%

LAB 53.18, 68.9, -50.91

 

CMYK 27 / 68 / 0 / 15

HEX #9E46D8

RGB 158 70 216

HSL 276.16, 0.65%, 0.56%

LAB 47.76, 60.55, -59.89

 

CMYK 45 / 68 / 0 / 15

HEX #7646D8

RGB 118 70 216

HSL 259.73, 0.65%, 0.56%

LAB 43.05, 52.74, -67.75

 

CMYK 0 / 68 / 28 / 15

HEX #D8469C

RGB 216 70 156

HSL 324.66, 0.65%, 0.56%

LAB 53.36, 64.49, -15.64

 

CMYK 0 / 78 / 32 / 8

HEX #EA349F

RGB 234 52 159

HSL 324.73, 0.81%, 0.56%

LAB 54.5, 75.18, -15.38

 

CMYK 0 / 87 / 36 / 1

HEX #FC22A2

RGB 252 34 162

HSL 324.77, 0.97%, 0.56%

LAB 56.53, 83.41, -13.76

 

CMYK 0 / 68 / 28 / 15

HEX #D8469C

RGB 216 70 156

HSL 324.66, 0.65%, 0.56%

LAB 53.36, 64.49, -15.64

 

CMYK 0 / 56 / 23 / 22

HEX #C65899

RGB 198 88 153

HSL 324.55, 0.49%, 0.56%

LAB 53.26, 51.2, -14.29

 

CMYK 0 / 41 / 17 / 30

HEX #B36A95

RGB 179 106 149

HSL 324.66, 0.32%, 0.56%

LAB 54.09, 35.14, -10.94

 

CMYK 0 / 23 / 9 / 37

HEX #A17C92

RGB 161 124 146

HSL 324.32, 0.16%, 0.56%

LAB 56.16, 18.05, -6.33

 

CMYK 0 / 1 / 0 / 44

HEX #8F8E8F

RGB 143 142 143

HSL 300, 0%, 0.56%

LAB 59.13, 0.57, -0.41

 

CMYK 9 / 68 / 0 / 15

HEX #C446D8

RGB 196 70 216

HSL 291.78, 0.65%, 0.56%

LAB 53.03, 68.68, -51.15

 

CMYK 0 / 68 / 9 / 15

HEX #D846C4

RGB 216 70 196

HSL 308.22, 0.65%, 0.56%

LAB 55.04, 69.98, -36.34

 

CMYK 0 / 68 / 27 / 15

HEX #D8469D

RGB 216 70 157

HSL 324.25, 0.65%, 0.56%

LAB 53.4, 64.61, -16.17

 

CMYK 0 / 68 / 45 / 15

HEX #D84676

RGB 216 70 118

HSL 340.27, 0.65%, 0.56%

LAB 52.16, 60.37, 5.22

 

CMYK 0 / 68 / 63 / 15

HEX #D84650

RGB 216 70 80

HSL 355.89, 0.65%, 0.56%

LAB 51.33, 57.45, 26.83

 

CMYK 0 / 79 / 33 / 34

HEX #A82471

RGB 168 36 113

HSL 325, 0.65%, 0.4%

LAB 39.21, 58.25, -11.79

 

CMYK 0 / 79 / 33 / 21

HEX #CA2B88

RGB 202 43 136

HSL 324.91, 0.65%, 0.48%

LAB 47.06, 67.37, -13.47

 

CMYK 0 / 68 / 28 / 15

HEX #D8469C

RGB 216 70 156

HSL 324.66, 0.65%, 0.56%

LAB 53.36, 64.49, -15.64

 

CMYK 0 / 53 / 22 / 13

HEX #DF68AE

RGB 223 104 174

HSL 324.71, 0.65%, 0.64%

LAB 60.47, 54.3, -15.24

 

CMYK 0 / 40 / 17 / 10

HEX #E68AC0

RGB 230 138 192

HSL 324.78, 0.65%, 0.72%

LAB 68.61, 42.23, -13.07

 

CMYK 0 / 68 / 28 / 16

HEX #D7459B

RGB 215 69 155

HSL 324.66, 0.65%, 0.56%

LAB 53.03, 64.47, -15.57

 

CMYK 0 / 27 / 68 / 15

HEX #D89D46

RGB 216 157 70

HSL 35.75, 0.65%, 0.56%

LAB 68.86, 13.47, 52.7

 

CMYK 68 / 0 / 0 / 15

HEX #46D8D8

RGB 70 216 216

HSL 180, 0.65%, 0.56%

LAB 79.25, -37.53, -11.27

 

CMYK 0 / 68 / 28 / 16

HEX #D7459B

RGB 215 69 155

HSL 324.66, 0.65%, 0.56%

LAB 53.03, 64.47, -15.57

 

CMYK 27 / 0 / 68 / 15

HEX #9DD846

RGB 157 216 70

HSL 84.25, 0.65%, 0.56%

LAB 80.02, -40.56, 63.06

 

CMYK 68 / 27 / 0 / 15

HEX #469DD8

RGB 70 157 216

HSL 204.25, 0.65%, 0.56%

LAB 61.98, -7.51, -37.68

 

CMYK 0 / 68 / 28 / 16

HEX #D7459B

RGB 215 69 155

HSL 324.66, 0.65%, 0.56%

LAB 53.03, 64.47, -15.57

 

CMYK 0 / 27 / 68 / 15

HEX #D89D46

RGB 216 157 70

HSL 35.75, 0.65%, 0.56%

LAB 68.86, 13.47, 52.7

 

CMYK 68 / 0 / 41 / 15

HEX #46D880

RGB 70 216 128

HSL 143.84, 0.65%, 0.56%

LAB 77.26, -57.91, 32.39

 

CMYK 68 / 41 / 0 / 15

HEX #4680D8

RGB 70 128 216

HSL 216.16, 0.65%, 0.56%

LAB 53.71, 9.49, -50.74

 

CMYK 0 / 68 / 28 / 16

HEX #D7459B

RGB 215 69 155

HSL 324.66, 0.65%, 0.56%

LAB 53.03, 64.47, -15.57

 

CMYK 0 / 7 / 68 / 15

HEX #D8C946

RGB 216 201 70

HSL 53.84, 0.65%, 0.56%

LAB 80.08, -9.65, 64.44

 

CMYK 68 / 0 / 41 / 15

HEX #46D880

RGB 70 216 128

HSL 143.84, 0.65%, 0.56%

LAB 77.26, -57.91, 32.39

 

CMYK 68 / 61 / 0 / 15

HEX #4654D8

RGB 70 84 216

HSL 234.25, 0.65%, 0.56%

LAB 42.16, 36.94, -69.37

 

Description

Color code: HEX #D7459B | qconv.com Color code: HEX #D7459B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 69 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 69 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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